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Mary Ahern Artist

My Art Starts in the Garden

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Tag Archives: Art Writings

Awakenings in the Garden: An Artist’s Journey

Mary Ahern Artist Posted on September 30, 2024 by Mary AhernJune 9, 2025

My garden has been the inspiration behind my art for decades but formally studying horticulture introduced me to an entirely new understanding of the garden. Studying the science behind this living environment at my doorstep, was and continues to be a source of endless investigation. Not just in the beauty a garden can project, but in the sustainability, the interaction, and reliability of the vast array of life forms involved in creating a mutually dependent whole. Because of this deep study of my garden, my art has changed. As I’ve grown in an awareness of the complexity of the garden that I’ve designed and tended for over 35 years, my art has changed too by becoming more expressive, less realistic, and more multilayered.

I first became aware of how I was being transformed, not just by having more technical knowledge through my studies in horticulture when one day, standing in my garden, my clothes and hands covered in dirt, scratched and bug bitten, a wave of quiet contentment entered my very being. Yes, I was exhausted, and my body was aching from the hours of hard physical labor, but something different was flowing through my mind. It was a sense of awakening. I felt it but I was not able to articulate clearly what I felt. I still don’t have the words completely to express this transformation. So, I have been trying to do so through my art.

Mary in Her Studio Working on Phaelanopsis Orchid (December 2020)

Working in my studio on the Phaelanopsis Orchid (December 2020)

Spending years since then of work both in my mind and physically, I have dug deeper into the metaphor the garden has represented to me about all living beings. It has taught me that in order to survive, the building of communities is needed to create a harmonic, healthy balance. The garden speaks to me of survival. I watch hummingbirds, with their long beaks, attracted to the long tubular flowers of the Salvias. I smell the late day fragrance of the Brugmansia as it seduces night pollinators less exhausted from a day’s work to help the lifecycle. Each insect, each flower, each fungus is only trying to survive for another season, another year, another generation. We as humans, like the complexities found in the garden are also trying to survive and hopefully prosper.

In my studio, my large, centrally focused flower paintings have been inspired by the imagery I saw through the microscopes used during my scientific studies in horticulture. The bold colors and large sized paintings were my way of grabbing the attention of the viewer just as the stunning presentation of a bold peony blossom calls out for attention.

Phaelanopsis Orchid (A Work in Progress,

Phaelanopsis Orchid (A Work in Progress, December 2020)
© Mary Ahern

Over time the education I am receiving from the garden has been changing me. My artwork reflects my deepening thoughts, abstract concepts, and my openness to explore new ideas and deeper theories of the world surrounding us.

During Covid, another revelation presented itself to me. I began to look at the imagery posted online by NASA showing us the galaxy of which we are but a small part. I realized that the entire universe also depended upon that harmony and balance all of us, the garden included, must have in order to exist. This awareness of the delicacy of both the microcosm and the macrocosm of our worlds is what I am now trying to express in my artwork. Blending abstractions inspired by the cosmos transparently through the realistic flowers grown in my garden informs the current work in my studio.

The awareness of the multi-layered reliance on other forces to help in survival is humbling. This new awareness has deepened my gratitude. This is what I am now attempting to create in my studio.

Cosmic Phaelanopsis​ on Oil ~ 24 x 24 inches. Deep Cradled Hardboard

Cosmic Phaelanopsis​
Oil ~ 24 x 24 inches. Deep Cradled Hardboard.  Available on the website here.
© Mary Ahern

Note: “Cosmic Phaelanopsis” is the final work after I put the piece aside for two years due to being dissatisfied with its direction. The final “Cosmic Phaelanopsis” is an example of the new direction my work has taken.
​
Partial Artist Statement:
This artwork sparks a vital conversation reflecting the interconnectedness and balance within the microcosm of my garden and the macrocosm of the cosmos. My work draws inspiration from the life cycle of flowers to explore existential questions about existence, purpose, fragility, and interconnectedness.


Originally published in Sanctuary Magazine. July 2024 and in my Art Blog here

Posted in Art Writings, Garden Writings, Writings | Tagged Art Writings, Garden Writings, Writings | Leave a reply

My Dual Passions – Art and Gardening

Mary Ahern Artist Posted on February 5, 2024 by Mary AhernJune 9, 2025

At the age of 14, I was alone and lying in the summer grass on a hill in Brooklyn, New York, staring upward through the leaves at the passing clouds while trying to understand why a person I loved dearly had suddenly died. Without an anchor or language to explain the passage, I was at a profound loss and searching for an answer, an explanation. I clearly remember feeling the warm energy from the ground swell up and pass through my body and like a mist, mingle into the leaves and up into the clouds in that deeply blue sky.

At that moment, I recognized that I, as a person, was just another aspect of nature, joined with the wind, the air, the plants, the trees, and all life teeming around me – just another form of energy. This gift has been with me throughout my life and is what I gather in my garden and express in my art.

1985 - Mary Ahern in the Cablevision studio working with the Chameleon electronic paint system.

1985 – Mary Ahern in the Cablevision studio working with the Chameleon electronic paint system.

Mary-painting-the white iris in her studio

Painting in my studio. The white iris blooms in my garden each spring. I glaze with thin washes using a fan brush and thinned paints.

My Zig-Zag Journey
Like most of us, our life journey takes many paths. For me, my twists and turns led me to a career that blended my fine arts training with my technical background.

READ MORE: Here

Posted in Art Writings, Garden Writings, Writings | Tagged Art Writings, Garden Writings | Leave a reply

I Met A Hero of Mine – Audrey Flack

Mary Ahern Artist Posted on February 2, 2024 by Mary AhernJune 9, 2025
Audrey Flack

Audrey Flack at the Southampton Arts Center, November 2023 Photo credit: James F Dawson

Audrey Flack is a painter who, when I was in college in the 1970s, inspired me as I began my artistic journey. My art history teacher Patricia Hills at York College, which is part of the City University of New York (CUNY) system, introduced us to the many women artists who were pushing the envelope at the time. There was Audrey Flack, Joyce Kozloff and Judy Chicago. All of these women are currently Honorary Vice Presidents of the National Association of Women Artists. Since at the moment, I am Chair of the Public Relations Committee of NAWA it is such an honor to be meeting these artists who are still teaching us to keep working, keep pushing, and keep making our own artistic statements.

Recently I went with hubby Dave and my friends Susan Rostan & hubby Bob to the “Heroines of Abstract Expressionism” at the Southampton Arts Center here on Long Island. Audrey had work in the show but so did four other artists who had been members of NAWA, Louise Nevelson, Nell Blaine, Dorothy Dehner, and Buffie Johnson.

Since Susan and I are co-hosting the Historical Research Team at NAWA this was an auspicious occasion for us and opened up new opportunities for research and writing.

2023-11-12-Roz-Dimon-Audrey-Flack-Mary-Ahern-Susan-Rostan4-20x72

NAWA artists: Roz Dimon, Audrey Flack, Mary Ahern, Susan Rostan at the Southampton Arts Center, November 2023 Photo credit: James F Dawson

Then another amazing event happened, Audrey Flack was scheduled for a talk at Southampton two weeks later, so we signed up and took another drive out east. It sure was worth it! Audrey, who is now 92, was there and clear as a bell answered questions about her work and her experiences from the 1950s onward. She was funny, dished gossip, was fully knowledgeable about the era, the people, the art movements and who the players in the industry were at the time. She talked about the Cedar Bar where all the artists gathered, talked & drank after working in their studios all day. She talked about Jackson Pollack, Robert Motherwell, Clement Greenberg, Helen Frankenthaler, and many more artists and gallerists. In the audience, was a who’s who of the Hamptons Art Scene asking the questions and/or thanking her for her many contributions to the arts.

I’m so grateful to still be able to be working as an artist, that I continue to grow, to enjoy and learn from other artists. To have this “brush with greatness” that I experienced by listening to, speaking to and having my photo taken with one of my heroes sparkles brightly in my life’s journey. I thank Pat Hills for opening my eyes and my mind over 50 years ago to pay attention to these women artists who were clearing the path and showing us that we as women artists had voices and something unique to say. And after all these decades, we still have statements to make, wisdom to share, and paths to plow for others to follow.

READ MORE on the ART BLOG Click here


 

Posted in Art Writings, Writings | Tagged Art Blog, Art Writings, Exhibitions, Inspiration | Leave a reply

The Start Of My Artistic Journey 50 Years Ago

Mary Ahern Artist Posted on September 17, 2023 by Mary AhernJune 9, 2025

My first step towards discovering that my life’s work would be an artistic journey was buying a Jon Gnagy, Learn to Draw set and experiencing a sensation that the charcoal was an extension of my hand, my arm and my body. It was thrilling!

The Original Jon Gnagy, Learn to Draw set

After completing his entire set of drawing lessons, I decided to take painting classes at the local YMCA where I lived at the time in Queens, NY. So, I arranged for a babysitter, signed up for the oil painting class and made my first foray into Jerry’s Artarama art supply store with my supply shopping list in hand. How electrifying to be exposed to so many wonderful and exciting new products, widgets, thingies, colors, brushes, papers and canvas. Oh, the possibilities!

READ MORE on The Art Blog


 

Posted in Art Writings, Writings | Tagged Art Blog, Art Writings | Leave a reply

National Association of Women Artists – Fall 2020 Newsletter

Mary Ahern Artist Posted on December 3, 2020 by Mary AhernJune 9, 2025

I am honored to have my painting “Pay Attention Here – Orange Hibiscus” on the cover of the Fall 2020 Newsletter of NAWA, The National Association of Artists. I was juried as a full member into this prestigious historic organization in November of 2018.

NAWA was founded on January 31, 1889 to offer women a greater opportunity as professional artists in a male-dominated art world.  From the onset, the annual exhibitions of the women’s Art Club were a great success, attracting the participation of women artists such as Mary Cassatt, Suzanne Valadon, Rosa Bonheur and Cecelia Beaux. As the organization grew, its membership included prominent artists like Gertrude Vanderbilt Whitney and Anna Hyatt Huntington.

Many members have taken their rightful place among the recognized artists of their time. Louise Nevelson, Nell Blaine,  Alice Neel, Marisol, Judy Chicago, Miriam Schapiro, Janet Fish, Audrey Flack and Faith Ringgold. It is a great honor for me to be afforded such an inspiring brush with history and talent.

Here is a link to the National Association of Women Artists Fall 2020 Newsletter

Pay Attention Here - Orange Hibiscus 36x36" GW Oil on Canvas by the artist, Mary Ahern

Pay Attention Here – Orange Hibiscus 36×36″ GW Oil on Canvas. View this on other oil paintings on my website here.

This is the statement I wrote for the NAWA publication.

For years, I have created floral and garden paintings as the subject of my art. During the last number of years, I’ve focused ever more closely on the centers of flowers as they speak to me more deeply of the reason for their existence. And ours as well.

As a passionate gardener, I am inspired by the gardens I designed and tend surrounding my own studio in Northport. These flowers represent to me a microcosm of the universe. The outsize scale of these individual flower portraits demands attention. They ask questions beyond the canvas.

What is the purpose for such magnificence in nature? What is the reason for such color, such form, such diversity? What is their relationship to the communities in which they belong, their relationships with other plants and species that sustain them, invade them and nourish them? What of their lifecycle of birth, growth, senescence and rebirth? As humans, what can we learn from their seemingly simple existence?

Initially, we see with our eyes. We name the subject, identify it and classify it. But, we also have a duality of vision which allows us to contemplate with an inner vision. This art invites both the external and internal views.

The dual naming of each painting reflects the complex meaning of the work and is an enticement to think more deeply about the subject. This painting, Pay Attention Here – Orange Hibiscus, is at first a call for contemplation of purpose and secondarily, the common name of the flower which enables a more familiar entry into the conversation.


 

Posted in Art Writings, Garden Writings, Writings | Tagged Art Writings, Garden Writings
Mary Ahern Artist Posted on May 31, 2019 by Mary AhernJune 9, 2025

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Mary Ahern

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Posted in Art Writings, Writings | Tagged Art Writings

Dream Chasers.

Mary Ahern Artist Posted on January 4, 2008 by Mary AhernJune 9, 2025

At midlife, taking lower pay to begin more satisfying careers

By Arlene Gross
Newsday Masthead
Special to Newsday
11:07 AM EST, January 4, 2008

newsday-mary-ahern-studio

Newsday photo of Mary Ahern painting in studio

Mary Ahern had (experimented) in art for many years, but had never been able to actually make a career of it. Until four years ago, that is, when she made the switch to full-time artist.

“I had always been a creative artist,” the Northport resident, explained. “Life, however, intervened, and as a single parent, I was never able to create my art on a full-time basis.”

Changing careers at midlife is no small feat, and switching to one with substantially less earning potential is more difficult still. According to Randy Miller, founder and president of ReadyMinds, an online career counseling service, downsizing a career can be a source of great anxiety.

Newsday photo of Mary Ahern painting in studio

Yet for some people, any fear or hesitation is mitigated by the yearning to follow a dream. Seeking more spiritually uplifting endeavors can be the ultimate challenge, and Miller said any attendant loss of income is often compensated with a renewed sense of purpose and newfound happiness.

“There are a lot of people who go through life and think, ‘What if?'” Miller said. “With a strategic plan, coupled with the new passion and ultimate objective of doing something different, one can more easily achieve their ultimate goals.”

For Ahern, a new husband provided the impetus and financial support to move forward. Income, the couple concluded, was less relevant to the quality of their lives than the legacy they wish to leave behind.

Newsday photo. Mary Ahern working in her digital studio.

“When we married, Dave urged me to follow my dream,” she recalled. “The hard part at first was trying to find inside myself what that dream actually was. You spend so much time marching forward and doing what you do, you lose the essence of yourself.”

Once their five children — all from previous marriages — were finished with college, Ahern felt it was OK to follow her calling.

“My income from my art doesn’t yet come close to the money I’m used to making in either my career in computer graphics equipment sales or my own graphics design firm,” she said.

One of her greatest sacrifices was a big dip in retirement savings, which now come exclusively from her husband’s salary.

“We have a comfortable nest egg,” she said, “but by coming out of a conventional career, I no longer have the extra cushion to add to my existing portfolio of tax-advantaged savings vehicles.”

Despite her diminished earnings, Ahern says she is happier. “I am living the life I am meant to live,” she said.

Moving beyond money

Though financial rewards are, undoubtedly, necessary for life on Long Island, there are many people, experts say, who yearn for a sense of personal satisfaction and deep-down fulfillment, something that money just can’t buy.

According to career counselor M J Feld, of Careers By Choice in Huntington, more and more individuals are making such changes in their lives. “In particular, because corporate America has become a source of alienation to lots of workers,” Feld said, “we have a lot of folks looking to build their own road. It is no longer about what looks like success; it is about what feels like success.”

For Lisa Hodes, 41, of Huntington, the desire to be closer to her kids and have a simpler life spurred a decision to buy a local business. Hodes had been a stay-at-home mom until her divorce in 2002 necessitated returning to work.

“After being home with my kids, I didn’t want them to feel a drastic change,” she said, so she settled, temporarily, on a management position at a Plainview firm specializing in discounted health plans.

Before marrying, Hodes had worked as a management consultant for Fortune 500 companies, traveling on business a few days each week, three out of every four weeks. “I loved work, but I didn’t have much of a personal life,” she recalled.

At her temporary post, Hodes said, she felt something was always being compromised. “My kids weren’t getting enough of me,” she said, “and I wasn’t getting any of me. Nobody was being satisfied — even though there was a greater earning potential over the long run.”

Searching around for other possibilities, Hodes spotted a “For Sale” sign at Sweetie’s Candy Cottage in Huntington, a sweets emporium minutes from her home, and decided to take the plunge.

“Now I work around their schedule,” she says, referring to sons Cole, 9, and Quinn, 7. “I’m home after school every day and there for anything school-related.”

Another factor in Hodes’ decision to escape the corporate world: her disdain for bureaucracy and having to go through endless channels to get simple decisions approved. “Now if I feel that something should be done, it is done,” she said. “No waiting — just do things for the right reason and get on to the next.”

And now, she adds: “I remember what is important to me: family and living life in a certain way.”

Accomplishing the switch, however, meant losing the security of a regular paycheck.

“It’s a very unpredictable, seasonal income,” she admitted. “With children, that’s very hard. It means I can’t plan for any particular college and retirement savings. The way it works in our house is we only buy things at the holiday season, because that’s when we have a little bit of extra money.”

“You have to admire the courage of someone who gives up their income and their social status for the values that they’re trying to uphold,” said Susan Peterson, president of A-1 Resumes Inc. of East Norwich, who is also an adjunct professor of philosophy at Nassau Community College. “It’s not an easy thing to do.”

Over the past 18 months, headhunter Lhea Scotto-Laub said, she has seen a trend toward baby boomers taking positions with significantly less financial potential than the ones they previously held.

Scotto-Laub, president of Quantum Career Services in Jericho, said these people have realized they “want more — intellectually, emotionally and socially — and that something’s missing. They want more gratification in the new position that they’re seeking.”

After a three-decade career teaching college-level biology, Roberta Koepfer definitely thought something was missing.

“Although I had always enjoyed teaching, when I examined my life, I realized I had grown as much as I could,” the Bayside resident said. “The lab and the lecture hall had become too confining. I felt a need to explore these other spiritual interests I had.”

Her search ended at her daughter Diana’s wedding in 2005, where the ceremony was performed by Kim Kirkley as a celebrant, someone who officiates at ceremonies or rites.

“After speaking with Kim, I instantly felt that I had found the new direction … I had been seeking,” she said.

Two years later, Koepfer, now 65, became a celebrant and has presided over a handful of ceremonies.

She and her husband have never had an extravagant lifestyle, she said, but they have still had to adapt to her lowered income. “I don’t need business clothes anymore,” she explained. “I eat out less. My biggest cut was in buying books.”

Still, the greatest and scariest challenge, she said, was giving up a secure position and knowing that there was no turning back.

“But I wasn’t happy anymore doing what I did,” she declared. “Since I retired [from teaching], a whole new world has opened up for me.”

Recently, Koepfer decided to add the title of chaplain to her resume, and as part of her studies, will be doing a 100-hour internship at the Bedford Hills Correctional Facility, a maximum-security prison for women in Westchester.

The joy factor

Another “chaplain-in-training,” Karl Nelson, of Huntington Station, had considered going into semiretirement, with the benefit of savings, a small pension and Social Security payments.

“I was working for a nursing home in Queens,” he said. “While I was there I had to recruit a new chaplain. The three women who applied for the job had all taken this clinical pastoral education.”

While checking one of the candidate’s references, his conversation with the program director piqued his interest in the profession.

After talking it over with his wife, Nelson decided to pursue a new career and in 2006, at the age of 67, began a yearlong course for clinical pastoral education. He is now finishing up a certification program while working as a chaplain at Good Shepherd Hospice in Port Jefferson Station, where he plans to remain once he finishes the course.

Of his 40 years in health care administration, which included serving as chief executive of Booth Memorial Medical Center in Queens, Nelson said, “I had a lot of big jobs with big staff. That work was very rewarding, but it was all management work. It was not dealing directly with patients.”

Now, as chaplain, he ministers directly to patients, counseling them and their families.

“The direct contact with people,” he said, “is so rewarding.”

What he’s losing in income — at the peak of his former career he made over $100,000 a year more than he does now — he’s making up in personal joy.

“I’ve never had a richer, more fulfilling experience in my life,” he said. “As people approach death, they become very aware of the spiritual aspect of their lives. I can help them navigate this journey.”

For years, Nelson ritually set aside 10 percent of his salary toward retirement. Today, he’s living largely on those savings, which, he said, have grown over the years, and he no longer is saving from salary.

His daughter has finished graduate school, so Nelson no longer has to support her. And to further make up for the salary differential, he and his wife have cut back on restaurant meals, movies and theater outings in the city. Vacations are shorter and closer to home, and since he’s no longer commuting, he’s saving on gas, tolls and parking.

“There’s no magic to it — it’s very careful attention to detail and a little belt-tightening. The little things really add up to make a difference.”

Paul Jenssen, 51, of Searingtown, moved from a lucrative career in investment banking to teaching because he yearned to leave a different sort of legacy. The move was made possible by years of prudent living and careful financial planning.

As he and his wife made increasingly more money, he explained, they shifted the higher earnings directly into higher savings. “We didn’t really grow our lifestyles as our incomes grew,” he said.

After years of working and saving for the education of their two children, Jenssen, an investment banker and financial planner, and his wife, Debra Esernio-Jenssen, a pediatrician, realized they could get by with significantly less income if they watched what they spent.

“My goal was to minimize the luxuries so that we don’t have to dip into our savings,” he said.

Luxury cars, according to Jenssen, offer a perfect example of something people can easily do without when they’re downsizing. He traded in his Lexus sedan for a Mazda, and the two have cut back on vacations and dining out.

Jenssen, whose last post was chief financial officer of an investment bank, explained: “I had gotten into accounting by default, to support myself. I always had an idea that I’d like to do something different at some point.”

Over the years, he had pondered career possibilities. “I always liked history as a kid, and I’d thought about teaching for a while.”

A trip to Tanzania in 2007 with a group of high school students from Long Island Lutheran High School in Brookville cemented his decision to teach. He was impressed by African students who, he said, sacrifice everything for their ticket out of poverty: education.

“I would like to teach social studies in a way that connects to the children,” he said, “in a way that I would have liked to have been taught.” Jenssen started taking classes last January and is now observing other teachers, and loving it all.

“To be in school with younger people is fun,” he said, “and I find it very energizing. The side benefit of it is I get to delve into a subject I love and look at it with a more mature perspective.”

Up next for Jenssen is student teaching and completion of his master’s program in education by the end of the summer. Come next fall, he’ll be out looking for a full-time teaching position.

“The idea of having a legacy, more than making money, and at the same time rediscovering history to teach it, is both a challenge and reward,” he said.

For those downsizing careers, living their dream is their reason for being.

Roberta Koepfer sums up the transitional journey with one of her favorite quotes from the ninth century Japanese poet Akiro No Narihara:

“I have always known that at last I would take this road, but yesterday I did not know it would be today.”

Copyright © 2008, Newsday Inc.

Posted in Art Writings, Writings | Tagged Art Writings

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