The Painting Studio
The palette and brushes are on a table next to the easel. I don’t like to hold the palette even though it has a nicely romantic notion of what an artist should look like. The brushes stand in clay flower pots (a nice touch since I paint mostly flowers and gardens) and are held with aquarium stone since it slides easily. I group the brushes by type so that it’s easy to find what I need.
I use a glass palette on a white table. It’s easy to keep clean with a scraping razor. While I’m working I rest my brushes on ceramic stands to keep the paint and table clean. I have a poster near where I paint as a reference which clearly indicates the transparency of certain pigments since I work a lot in glazing techniques. I find this both colorful and useful.
I have specialized illumination installed that is balanced for color accuracy specific to fabric design studios since so much work is done on canvas. The primary window lighting is north light which reduces color shifts as the sun moves during a day of painting. Since color is extremely important to me I need to control the balance of lighting in the studio.