“Cosmic Peony Power” is a captivating 30×30-inch oil painting that intertwines nature’s beauty with cosmic symbols. The focal point is a single peony, its vibrant heart a fusion of yellows and oranges radiating outward. This blend of realism and abstraction creates a dynamic tension, suggesting a connection between the flower’s microcosmic form and the universe. The swirling colors and patterns evoke a sense of perpetual motion, inviting exploration into the harmony between nature and the cosmos. The painting celebrates the bloom’s vitality and the universe’s mysteries.
“Unstoppable,” is an oil painting that boldly challenges forces that undermine democratic values and silence marginalized communities fighting for equality. Across Ahern’s over 50-year career in business and the arts, she has fought against the systematic subjugation of women’s voices and independence, refusing to accept the institutional barriers designed to limit women’s power and self-determination.
Art Exhibition: Full Circles: Featuring the Art of Mary Ahern and Virginia Mallon
The art exhibition Full Circles celebrates the careers of two Queens College Alumni from April 7 through May 5, 2025, at the Queens College Art Center Gallery in the Benjamin S. Rosenthal Campus Library.
Queens College alumnae Mary Ahern (class of 1980) and Virginia Mallon (class of 1985) have crossed paths many times since graduating in the 80s. Though distinct in style, these accomplished artists have shared similar journeys, challenges, and successes throughout their careers. Both have experienced long-standing memberships in the National Association of Women Artists (NAWA) and at Ceres Gallery, one of the oldest feminist galleries in New York City. On view will be work representing the arc of expression and symbols explored during their years at Queens College and still uniquely threads through their current artwork decades later.
Ahern’s art is deeply rooted in symbolism, dynamically reflecting the interconnectedness within the microcosm of her garden and the macrocosm of the cosmos. Her vibrant floral works invite viewers to contemplate universal questions of existence, exploring themes of survival, growth, and renewal through meticulous attention to the natural world. Issues of isolation and exclusion featured in her work then return in this new period of political upheaval.
Mallon approaches her art through a different lens. “My work contemplates religious, historic, and mythological women and the psychological undercurrents of contemporary society.” Mallon explains. With influences from social realism, political, and feminist art her powerful pieces offer commentary on modern societal challenges from a distinctly female perspective, exploring complex themes of identity, power, and resilience.
Both artists have successfully balanced their artistic pursuits with parallel careers outside the art world, bringing unique perspectives to their creative practice.
April 7 to May 5, 2025 at QUEENS COLLEGE ART CENTER 65-30 Kissena Blvd, 6th Floor, Benjamin S. Rosenthal Library, Flushing, NY 11367 Reception, 4pm to 7pm, Thursday, April 10th Gallery open weekdays 1-4pm, and by appointment.
