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Mary Ahern Artist

My Art Starts in the Garden

Mary Ahern Artist
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February 16, 2026

Mary Ahern Artist Posted on February 18, 2026 by Mary AhernFebruary 18, 2026

Another day in the studio working on the center of this painting. I decided to add some detail to the center of the seed pods, which is what happens as they mature in size. For years, I studied and worked in botanical illustration, but I’m not aiming for accuracy in my current work. I am interpreting what I see and know about flowers, but I don’t want to reproduce them in paint. I am instead trying to provoke thought and conversation about their and our purpose and place in the universe.

Today I decided to add some detail to the center of the seed pods. It’s a beginning, not an end.
By adding more detail to the center of the flower, it will be more visible from a distance.


These daily studio notes lead toward my 2026 solo exhibitions in New York City and  Poughkeepsie, NY.

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February 15, 2026

Mary Ahern Artist Posted on February 18, 2026 by Mary AhernFebruary 18, 2026

When I stood back this morning to look at the painting I worked on yesterday, it didn’t seem so very different. But when I walked up for a closeup, I didn’t like the pollen I’d sprinkled. So, during this painting session, I overpainted the center. It wasn’t that easy since I paint in thin washes of color, so it took quite some time to erase the dots. Glad I use a quick drying medium recipe so I can work on the painting everyday.

In this painting session, I overpainted the pollen from the previous day and added some more purple to the base of some of the stamens.
Color accuracy in my iPhone photos is not consistent. You can see the difference in the closeup on the left to the colors on this photo.


These daily studio notes lead toward my 2026 solo exhibitions in New York City and  Poughkeepsie, NY.

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February 14, 2026

Mary Ahern Artist Posted on February 18, 2026 by Mary AhernFebruary 18, 2026

The way a painting looks is so very different based on the distance you stand from the work. I wanted to paint the center sprinkled with the pollen that falls from the ends of the stamens. Depending on the age of the flower, the pollen changes color and texture. I’m not trying to make a botanically accurate painting, but one that speaks in rhyme about the anatomical parts of flowers. Only the center in this painting is based on flowers.

By the end of my studio time, I wasn’t convinced that I was happy with this pollen treatment in the center. I’ll take another look tomorrow.
This is the center of an aging Peony center.


These daily studio notes lead toward my 2026 solo exhibitions in New York City and  Poughkeepsie, NY.

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February 13, 2026

Mary Ahern Artist Posted on February 18, 2026 by Mary AhernFebruary 18, 2026

Looking for inspiration for the center of my painting, I isolated various peony centers from my photo collection. As with all of nature, including humans, no two flowers look the same. There are infinite ways to visualize the life-affirming reproductive centers of flowers. Time of day, whether the flower has been fertilized, and the length of time since blooming, all affect the structure. I decided to interpret in paint the seed pods of tree peonies since they are so dominant and visually striking.

Fire Flame Tree Peony
Krinkled White Peony Herbaceous Peony
Fire Flame Tree Peony


These daily studio notes lead toward my 2026 solo exhibitions in New York City and  Poughkeepsie, NY.

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February 12, 2026

Mary Ahern Artist Posted on February 18, 2026 by Mary AhernFebruary 18, 2026

Each time I finish a piece of artwork regardless of what medium I’ve used, I document the work. I call this “productizing”. Each piece is given an Index number that will follow it throughout it’s existence. It title the work and at times the name has changed but the Index number never does. I use apps to track the work and a spreadsheet for quickly looking up the details of the work. The process I use is one I’ve developed over decades.

Since I’m always running out of wall space, each time I complete another painting, I rehang my studio. I’m deciding where to move my paintings to so for the moment, they’ll just gather together in the corner of my studio.
One of the ways I document my work, keep track of where it is located and what exhibitions I’ve placed the work in is Arwork Archive. I’ve used it for many years and it has been a terrific app to help me stay organized. I highly recommend the product. ArtworkArchive.com


These daily studio notes lead toward my 2026 solo exhibitions in New York City and  Poughkeepsie, NY.

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February 11, 2026

Mary Ahern Artist Posted on February 14, 2026 by Mary AhernFebruary 14, 2026

Today was one of those days when nothing remarkable happened in the studio today so I’m showing you some of the ugly but important views. There are some things that either make working somewhat less challenging and others that are a necessary component of the process of painting. Since I stand when I paint, the foam mats I have on the floor in front of my easel help ease the pain on my legs and back as I stand and move back and forth to view from different distances what I’m working on. On the table, next to my glass palette are the jars holding my mediums and brush cleaners. The mediums are what help me to control how thick or thin I apply the paint and is a critical part in the look and style of my work.

The foam mat I use in front of my easel is something I bought online. It’s a series of jigsaw like squares that link together. I used two layers of them to give. me the sponginess I was hoping for to relieve the pain of standing for hours.
Every artist has their own mediums and. materials they use to create their work. I am no different. I have recipes of the different products and amounts of each to create the mediums I use at each stage of my paintings.



These daily studio notes lead toward my 2026 solo exhibitions in New York City and  Poughkeepsie, NY.

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February 10, 2026

Mary Ahern Artist Posted on February 12, 2026 by Mary AhernFebruary 12, 2026

I had read somewhere that the irises of our eyes are like fingerprints, none of them are alike. This intrigued me, so when I stumbled upon a business that photographed your irises, I handed over my charge card. The setup was just like going to the ophthalmologist for an eye exam. I put my chin in a cupped holder facing a large piece of equipment, which was the camera equipment. The camera was moved into position very close to each of my eyes. It took longer to write up the order than it took to take the image. Later, I received an email with a download link to retrieve the digital images of my irises.

As expected, my right and left eyes didn’t match, although they had mostly the same colors. For my upcoming show in NYC in November, I decided to make a painting inspired by my irises. Those iris photos are the inspiration for the painting that is currently on my easel.

I haven’t matched the blue of my eyes since that wasn’t my goal. Today I began adding some of the neutral highlights that distinguish each eye.
I’m using fan brushes to scumble the paint, keeping the edges soft and blended.

These daily studio notes lead toward my 2026 solo exhibitions in New York City and  Poughkeepsie, NY.

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February 9, 2026

Mary Ahern Artist Posted on February 9, 2026 by Mary AhernFebruary 11, 2026

There are more tools that you need in the studio besides paint and brushes. After you finish a painting, there are additional tasks that need attending. One of them is preparing the painting for hanging on the walls. For that, one needs what’s called D hooks with screws, a ruler and marker to know where to put the screws & hooks, a drill to make holes in the wooden stretchers & tighten the. screws, wire to string from the D hooks, and a wire cutter for obvious reasons. I’m glad I found a very lightweight battery-operated drill quite a while ago, since it’s easy to handle and less dangerous around delicate artwork.

Another thing I do when I finish a painting is to write the Index # I’ve assigned to the artwork, the title, size, and medium. I also write the “© Mary Ahern” copyright insignia and sign my official signature on the wooden stretcher bars at the back of the canvas.



These daily studio notes lead toward my 2026 solo exhibitions in New York City and  Poughkeepsie, NY.

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February 8, 2026

Mary Ahern Artist Posted on February 8, 2026 by Mary AhernFebruary 11, 2026

Today was a day for planning on where I was heading for a painting I’d started. I had plans in my mind about what I was imagining would work but I had some hesitation. So I decided to try a few potential solutions on my computer rather in my studio with paint. Having worked with computer graphics since the early 1980s, I’m very comfortable, let’s say, extremely comfortable, working out compositing issues and possibilities with pixels.

First I headed to my photo library on my Mac for candidates, then brought them in to Photoshop to try them out. It quickly became apparent to me that the intial vision I had for the painting wasn’t going to make me happy so I zigged and zagged into a completely different direction. By testing solutions in this way, I saved myself many hours, days and potentially weeks trying choices with canvas and paint. Now, I know what will work for me and I will just be able to move forward towards that goal.

In my photos app on my Mac, I’ve been taking photos in my garden for over 30 years so as you can imagine, I have thousands to choose from. Many of these photos are closeups. To make it easier to view them, I’ve made albums of the varieties so I can more easily make choices of candidates for my artwork.
Since I wanted to see how just the centers of the flowers would look on a circular canvas, once I made a few selections from my collections, I zoomed in and cropped them into circles. This is such a comfortable workflow for me.





These daily studio notes lead toward my 2026 solo exhibitions in New York City and  Poughkeepsie, NY.

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February 7, 2026

Mary Ahern Artist Posted on February 7, 2026 by Mary AhernFebruary 11, 2026

In the studio today I painted another thin layer of oil paint on what will be the underpainting of my next painting. An assortment of blues, along with a green and an ochre, helped to add some interest to the background of the painting that will eventually be painted over by my next flower interpretation. The paint was applied by an assortment of Simmons bristle fan brushes of different sizes.

The other project in the studio has been deciding on the name for my latest painting. When I started it, I used orange Clivia flowers for inspiration. When I found them less than inspiring, I switched to some orange double hibiscus. With a mind of its own, the painting decided it would rather be shades of pink and purple. Now, I’m working on picking a name for the painting. Any ideas?

The pigments I’m using on this underpainting are, Ultramarine Deep, Thalo Blue, Cerulean Blue, Cobalt Turquoise, Courbet Green & Titanium White. The inspiration for this is imagery from the NASA Astronomy Picture of the Day website.
I was planning on titling this painting Cosmic Orange Hibiscus but by the time I finished the piece, it decided it wanted to be a different color. So now I’m thinking of titling the painting, Cosmic Pink Hibiscus. What do you think?


These daily studio notes lead toward my 2026 solo exhibitions in New York City and  Poughkeepsie, NY.

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February 6, 2026

Mary Ahern Artist Posted on February 6, 2026 by Mary AhernFebruary 11, 2026

Busy today in the studio working on 3 different paintings. I oiled out the just completed hibiscus painting with a recipe of 50% Galgyd/Gamsol. I pour the mixture onto the flat canvas, use a large brush to spread it, and to get even, full coverage. After 5 minutes, I rub the surface of the canvas with a Viva soft paper towel to buff the extra mixture off and create a mild but even glow.

The second painting had me sketching in the outline of the flower using pastel that I’ll be painting over the initial layers on the round canvas. And the third project was unwrapping and gently sanding a fresh 30×30″ canvas. Then I began brushing on the beginning of an underpainting using an image from NASA as inspiration. I love being productive!

Three painting is different levels of completion. Left to right, hibiscus painting is nearing completion, the circular painting is drying for the next stage, and the new canvas on the easel has a first coat of underpainting.
Ready to unwrap a new 30×30″ gallery wrapped canvas. I like using the thick stretcher bars to give the paintings added strength.
Sanding the surface with a fine sandpaper block takes off just enough of the roughness to the gessoed surface of the new canvas. I always do this before I begin painting.

These daily studio notes lead toward my 2026 solo exhibitions in New York City and  Poughkeepsie, NY.

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February 5, 2025

Mary Ahern Artist Posted on February 5, 2026 by Mary AhernFebruary 11, 2026

On my YouTube Channel I have a playlist titled, Take a Minute. These are short videos that offer a brief sanctuary from the rush of daily life. These short videos provide a meditative pause—a moment to breathe, reflect, and find calm amid the chaos. Let yourself settle into stillness and allow space for healing.

This is the video I made in the studio today.

Click here to visit my YouTube channel.


These daily studio notes lead toward my 2026 solo exhibitions in New York City and Poughkeepsie, NY.

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February 4, 2026

Mary Ahern Artist Posted on February 4, 2026 by Mary AhernFebruary 11, 2026

February 4, 2026

Ever sign a painting, only to discover you missed a spot? That was me today. I work on gallery-wrapped canvas and paint all the edges to skip framing, but when I lay my ‘finished’ piece flat, there it was—one unpainted bottom edge staring back at me. Matching the colors and brushstrokes was trickier than expected. Good thing I keep detailed notes on each painting!


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February 3, 2026

Mary Ahern Artist Posted on February 3, 2026 by Mary AhernFebruary 11, 2026

Another day in the studio working on the underpainting. Played with a variety of blues, the turquoise, the ones that lean towards green and the warmer blues. Played with the values by adding bits of white to lighten, burnt umber to darken. Muted the blues with a bit of yellow ochre and added highlight oranges with Winsor yellow deep. Worked with a variety of bristles, sable, and fan brushes to vary the mark-making.

February 3, 2026 February 3, 2026 February 3, 2026 February 3, 2026 February 3, 2026

 

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February 2, 2026

Mary Ahern Artist Posted on February 2, 2026 by Mary AhernFebruary 11, 2026

Today I took delivery of a new canvas and began a new painting. There weren’t many places for me to buy a 36″ round canvas but I found this one online at Dick Blick. It came boxed very carefully, I’m glad to say. My first concern is finding the center and creating the correct proportions for the underpainting. I dug out a compass from my wayback stash and it was the perfect solution. Then I proceeded to put the first layer of oil paint down. Very productive day in the studio!

Take a peek at this short video for studio glimpse!

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Life, Values & Legacy – A Chat With Mary Ahern by Bold Journey Magazine

Mary Ahern Artist Posted on January 18, 2026 by Mary AhernJanuary 18, 2026

Jan 10, 2026

This is a reprint of an article initially published by Bold Journey Magazine on December 29, 2025.

You can read the article in its entirety here or on my Art-Blog.


Mary Ahern shared their story and experiences with us recently and you can find our conversation below.

Hi Mary, thank you so much for taking time out of your busy day to share your story, experiences and insights with our readers. Let’s jump right in with an interesting one: What is a normal day like for you right now?

Most days, I wake up without an alarm, and before I get out of bed, I enjoy a 30-minute stretching and meditation routine. Then I shower, have coffee & read the news on my laptop. Each day that the weather permits, I spend time in my garden either working, photographing, or just seeing and enjoying. By mid-afternoon, I head to my studio for hours of painting or drawing.

Standing in my drawing studio, which overlooks my front garden.

The slow start to my day begins the process of staying fit, both mentally and physically, in order to continue my decades-long practice of creativity. Connecting with my garden is critical, as it is where my artwork’s inspiration comes from. My two studios are custom-built in my home, allowing me total immersion in all aspects of the life I live and work in. They are seamless.

Can you briefly introduce yourself and share what makes you or your brand unique?

I am an artist with a fifty-year career in many forms and mediums of creativity. I began as an oil painter in the 1970s. During the 1980s and 90s, I moved into digital work as a career, first selling computer graphics equipment and later establishing my own graphic design business. No matter where I lived, I always carved out a studio for myself.

In the early 2000s, using a professional-leveI scanner, I captured live flowers from my garden, then composited the images in Photoshop. From these images I created what I called Designer Prints which I sold online and in art festivals in six different states. I created digital paintings of garden landscapes using Corel Painter. I programmed custom digital brushes to mimic the oil painting brushes I use to create my oil paintings on canvas for this artwork.

Over the past decade, I’ve returned exclusively to oil painting. What hasn’t changed is the inspiration I draw from my extensive garden, which I’ve designed and tended for over 35 years

Work in Progress – “Cosmic Iris Squared”

Amazing, so let’s take a moment to go back in time. Who were you before the world told you who you had to be?

I was raised in Brooklyn, NY, in a very strict old European environment with no vision beyond being a wife and a mommy. Though I graduated from high school with academic honors, my family offered no further education, believing that educating women was a waste of money. Throughout Junior and Senior High School, I was in the orchestra and band music programs. At graduation, I conducted Beethoven’s Fifth Symphony, having been awarded the music department honors. That was the final act of my musical career. With no further educational or career opportunities in my future, I married and had two sons.

In my later 20s, I began to draw. Never having had art classes in school because of my involvement with music, this was a completely new experience for me. From the moment I picked up a piece of charcoal and put it to paper, I felt like it was an extension of my own body. I began taking oil painting classes on Wednesday evenings at the local YMCA. A college professor friend of mine suggested I apply to college to study art. At the time, I didn’t even know a person could go to college as an older student. I applied. Was accepted. And my life changed dramatically.

Sitting in my office, surrounded by 3 views of the garden where I work and write.

Do you remember a time someone truly listened to you?

I have been fortunate in this respect. I have had the benefit of several mentors and role models throughout my life’s journey. My friend Roberta, who told me I could and should go to college. Mary Ann, who showed me women could be executives, wealthy, and own sports cars. Martha, my mentor and boss, who steered me into a career in computers in the early 1980s, when this field was just dawning. This beginning opened a pathway into high-end technology sales, a field not populated by women and therefore better paid.

Work in Progress – “My New World – Anemone Redux”

Sure, so let’s go deeper into your values and how you think. Is the public version of you the real you?

People who don’t really know me get me all wrong. My public persona has been sculpted by the challenging life and career I’ve experienced. Having worked as a single mother, in an almost totally male industry for quite a while, I’ve developed some of that style of speaking and traits such as assertiveness, competitiveness and confidence. Add to that the fact that I’m of Dutch heritage, which means I’m direct, opinionated, and rather straightforward. Many people, particularly women, misunderstand this about me.

My friends know me as a sensitive and empathetic human being. Generous and helpful with my time and energy when I believe I can make a difference. I’m serious and don’t engage in small talk, pop culture, or time fillers. I am easily bored. I have always, and continue to, take classes and workshops to expand my knowledge of a variety of subjects, including art, art history, horticulture, marketing, and writing.

I also have a balance between left- and right-brain thinking, which helps me in both creativity and logic. Though unusual in most artists, I enjoy this aptitude immensely.

Before we go, we’d love to hear your thoughts on some longer-run, legacy type questions. If you knew you had 10 years left, what would you stop doing immediately?
Since I’m already 78, this is more of a question of what I have already stopped doing. When I turned 70, I closed my commercial graphic design business, although I still have a few legacy clients. Earlier this year, I resigned from a PR Chair position at a non-profit I had been dedicating about 30 hours a week to for the past 5 years. Working in a non-profit easily becomes a full-time job before you realize it because it is usually in an area in which you have passion.

I have replaced these efforts with a concentration on my own creativity. As an artist, I now have two solo exhibitions scheduled for next year and one for the year I turn 80. Creating that much artwork requires a full dedication to working in my studio every day. I am finding it liberating to focus entirely on my own work. I’m glad I made this choice! I’m glad I made this choice!

Some selections of my oil paintings

Image Credits
Images by Mary Ahern

Click here to read the reprinted article on Substack

Copyright © 2025 Bold Journey

 


Tagged Press

Mary Ahern To Be Featured in Upcoming Locust Grove Solo Art Exhibition

Mary Ahern Artist Posted on January 18, 2026 by Mary AhernFebruary 16, 2026

Award-Winning Northport Artist, Mary Ahern, has been selected for a six-week Solo Exhibition at the historic Locust Grove Estate in Poughkeepsie, NY

June 5, 2026 – September 15, 2026

Locust Grove – Transverse Gallery for Contemporary Art

2683 South Road
Poughkeepsie, NY 12601

(845)454-4500

Viewing is Free: every day of the week from 10 AM to 5 PM

Locust Manor Website

Set on a hill overlooking the scenic Hudson River in Poughkeepsie, New York, Locust Grove includes a historic estate, including art galleries, a museum, and a Nature Preserve with 200 acres of landscaped grounds and five miles of hiking trails

Located in their Visitors Center, the Transverse Gallery is dedicated to continuing the century-long tradition of displaying art by contemporary artists. Starting with Samuel Morse in the 1850s and continuing on with the Young family from 1895 through the 1970s, art was a central focus of the estate & its owners. Locust Grove carries on that appreciation for art today at the Transverse Gallery, with four solo exhibitions each year featuring selected artists.

Mary Ahern’s Artist Statement: In my garden, I cultivate both plants & artistic inspiration. My art bridges garden & gallery, inviting intimate observation of nature. Through my art, I embed hidden philosophies discovered in my garden’s contemplative spaces.


Tagged Art Show, Exhibition

Solo Art Exhibition Featuring Mary Ahern – Ceres Gallery, Chelsea, NYC

Mary Ahern Artist Posted on January 18, 2026 by Mary AhernFebruary 16, 2026

November 3 – 28, 2026

Centering in the Midst of Chaos

Multi-Media Exhibition

Ceres Gallery

547 West 27th St
Suite 201
New York, NY 10001

Opening Reception: Thursday, November 5, 2026 from 6-8PM

Gallery Hours: Tue-Sat 12 to 6pm

Ceres Gallery is a feminist, not-for-profit alternative space in New York City dedicated to promoting contemporary women in the arts. Founded to expand opportunities for women artists, Ceres provides an inclusive exhibition space that raises public awareness and challenges the limited access women often face in commercial galleries.

Tagged Art Show, Exhibition
Mary Ahern Artist Posted on January 18, 2026 by Mary AhernFebruary 16, 2026

This is What I’ve Been Talking About on Instagram Recently

You can follow all my posts here or follow me on Instagram. I also post to BlueSky, Facebook, LinkedIn, Pinterest, Threads and YouTube.

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My Art Starts in the Garden

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Long Island Real Estate Article in Newsday Featured My Home & Studio

Mary Ahern Artist Posted on November 17, 2025 by Mary AhernJanuary 1, 2026

Mary Ahern designed the upstairs studio space in her Northport home specifically to
fit her house and her needs. Credit: Elizabeth Sagarin

Long Island homeowners who enhanced features of aging homes rather than erase them

Article extracted from the article written initially By Arlene Gross
Special to Newsday. November 11, 2025

Antique or vintage homes are distinctive for their timeless craftsmanship, but they don’t always fit 2025 living.

They can mean living under imposing ceilings surrounded by intricate moldings but within cramped, closed-off rooms. Classic casement windows might let in less light. Staircases with carved wooden banisters often lead to dank, dreary cellars. And it could cost more than the homeowner paid for the house to bring it into the 21st century.

And experts say renovating an older home can be less expensive than building something completely new. But it depends on the project. It’s a special kind of person who would want to make the commitment and investment in a historic home that requires extensive updating to bring it up to today’s living standards… “It’s for the love of the style that somebody would want to do that type of renovation to keep the charm and the craftsmanship of the home…”

The goal of repurposing homes is “to preserve and accentuate and expand on the original qualities of the structure,” Falino said.

“If it has good qualities, you want to bring those out. It’s really nice to bring in more light and open the spaces up, but also maintain the feel of the original,” Falino said. “It has a lot to do with studying the scale of what the original structure is and, as you add to it, trying to add in kind.”

Seamless transition from interior to exterior

Ahern redesigned her home to have better views of her garden, which inspires her art. Credit: Elizabeth Sagarin

Eleven years after moving into her Northport home in 1989, Mary Ahern transformed her prewar, one-story Cape-style farmhouse into a light-filled home and artist’s studio.

“I’m only the fifth owner of the house,” said Ahern, 77, an artist whose large floral portraits and landscapes are inspired by her own garden.

Working with architect Falino, they transformed the lower level from an unfinished basement into an office for Ahern’s husband, Dave Ruedeman, who teaches information technology remotely. The whole renovation took six months, during which they lived in a trailer on the premises.

The second floor, which was added, has a primary suite and two artist studios. The main floor, previously divided into a kitchen, living room, dining room, two bedrooms and a bathroom, is now completely open. According to Falino, the cost was approximately $400,000.

“It only has one wall now,” Ahern said.

Ahern redesigned her home to have better views of her garden, which inspires her art. Credit: Elizabeth Sagarin


This post is an abstract from the full article written by Arlene Gross for Newsday.

You can view Arlene’s website here: arlenegross.com/

With a subscription you can read the entire article published by Newsday here.

To see more of the work by the architect Frank Falino visit his website here.


Posted in Press, Writings | Tagged Press
Mary Ahern Artist Posted on October 28, 2025 by Mary AhernFebruary 17, 2026

November 20 – December 21, 2025
1200 NY-25A, Stony Brook, NY 11790


The Museum is open: Thursday: 11:30 am to 7:00 pm & Friday–Sunday: Noon to  5:00 pm

Reception: Thursday, November 20th from 5:30 – 7:00 p.m

The Long Island Museum and LIMarts are thrilled to present Common Ground, celebrating the vibrant creativity of our region’s artists.

For generations, LIM  has served as a gathering place where people of all ages come together to experience the art, history, and culture that define our region. This year’s exhibition centers on the theme of Common Ground, an exploration of shared spaces, community, environment, and cultural connection.

Each artist was invited to reflect on what Common Ground means to them—whether it’s rooted in land, identity, gathering, or personal connection. The exhibition invites visitors to consider how we may share commonalities with one another and discover something new about ourselves along the way. While Long Island itself is our shared foundation, every artist brings their own story and perspective to life here.

LIMarts is a special initiative dedicated to supporting and showcasing the exceptional visual artists who call Long Island home—from Brooklyn to Montauk and beyond. This annual exhibition celebrates the diversity, creativity, and talent that make our community so extraordinary.

Cosmic Camellias. 24×36″ Gallery Wrapped Oil on Canvas. $3,000.

Cosmic Camellias Statement:

This artwork sparks a vital conversation that reflects the interconnectedness and delicate balance within both the microcosm of my garden and the macrocosm of the cosmos. These identifiable floral Images are glazed and intertwined with my abstract underpaintings inspired by the visuals of the universe.

By recognizing the delicate balance required for both terrestrial and celestial ecosystems to thrive, I aim to provide a visual context for understanding the essential balance necessary to sustain life’s intricate harmony across all scales – from the tiniest flower to the grandest galaxy.

Through this layered, evocative imagery, I invite viewers to pause, contemplate, and cultivate a deeper appreciation for the fragile yet resilient web of life that sustains our world and cosmos.


Tagged Art Show, Exhibition

Pigments of Your Imagination at the Art League of LI

Mary Ahern Artist Posted on October 13, 2025 by Mary AhernJanuary 6, 2026

Juried into this dynamic exhibition by Joshua Ruff, Co-Director of the Long Island Museum of Art, is my oil painting, Phantasm – Coral Peony.

“Phantasm – Coral Sunset Peony”, a 36×36″ oil painting, is a vivid celebration of life’s vibrant energy inspired by the peonies that enchant my garden. Imagine a dynamic dance of colors—pink, yellow, and orange petals that swirl with a captivating grace, all harmoniously converging towards a lively green center. The energy in the petals encircling the center of the flower also represents the feeling humans have when they are moved by emotions. This piece is about celebrating movement and color, capturing the very essence of a flower in full bloom. It invites you to step into a world where every brushstroke is infused with the joy and wonder of nature’s beauty. I hope it inspires a moment of reflection and connection to the natural vibrancy all around us.

Phantasm – Coral Sunset. 36×36″ Oil on Gallery Wrapped Canvas.


Tagged Art Show, Exhibition
Mary Ahern Artist Posted on October 13, 2025 by Mary AhernDecember 27, 2025

Imagination ’25 Exhibition at the Mills Pond Gallery in St. James, NY

This is a very interesting show to see. Very unusual and perfect for the Halloween season.

My work was juried into this “Imagination” exhibition but the other work in this show is very, very different in style. There are many excellent and imaginative works for you to see. Give yourself a treat and go to see this fascinating show.

Mills Pond Gallery, 660 New York 25A, St James, NY. Gallery Open, Wed-Fri, 10-4pm. Sat & Sun, 12-4pm


Tagged Art Show, Exhibition
Mary Ahern Artist Posted on September 9, 2025 by Mary AhernOctober 14, 2025

Salmagundi Club’s 16th Annual

Sylvia Maria Glesmann : Floral Exhibition

Exhibit & Sale

Location: Rockwell gallery

47 Fifth Avenue @ 12th Street | New York, NY  10003

Tuesday – Friday | 1:00 PM – 6:00 PM
Saturday – Sunday | 1:00 PM – 5:00 PM

Open to the public. Free to attend

Reception: Sep 25, 2025, 6:00 PM – 8:00 PM

Artwork of sunflowers in a vase
Sunflowers in a Makkum Pot – Homage to van Gogh

Exhibition: Summer Jam. foto foto Gallery Huntington NY

Mary Ahern Artist Posted on July 25, 2025 by Mary AhernAugust 30, 2025

Summer Jam

fotofoto Gallery
14 West Carver Street
Huntington NY 11743

July 31 – August 23, 2025

Opening Reception: Saturday, August 23, 2025 at 6:00PM

fotofoto Gallery Hours:

Thursday – 12:30 – 4 pm & Friday, Saturday, Sunday   11:00 am to 6:00 pm


“Unstoppable,” is an oil painting that boldly challenges forces that undermine democratic values and silence marginalized communities fighting for equality.

Across Ahern’s over 50-year career in business and the arts, she has fought against the systematic subjugation of women’s voices and independence, refusing to accept the institutional barriers designed to limit women’s power and self-determination.

Unstoppable. A painting by the artist, Mary Ahern
Unstoppable. Oil on Gallery Wrapped Canvas. 30×40″.
Mary Ahern Artist Posted on July 24, 2025 by Mary AhernSeptember 5, 2025

Presents

Art Angels

The National Association of Women Artists, Inc. Presents

The National Association of Women Artists, Inc. (NAWA) proudly presents this online showcase featuring works created by dedicated volunteers, upholding NAWA’s core values. The Art Angels exhibition is held annually to honor its mission to educate and empower. The 51 members included in the Art Angels exhibition have generously contributed their time to advance the mission of NAWA.
Since the organization’s founding in 1889, NAWA has relied upon the expertise, kindness, and goodwill of its volunteers. The Art Angels Exhibition celebrates the exceptional volunteers, known as Art Angels, who are considered to be the backbone of the organization. It is with their generosity, and by the investment of their time that the organization grows and expands.

August 18 – September 30, 2025

Online Exhibition at the NAWA Virtual Gallery

Unstoppable. A painting by the artist, Mary Ahern
“Unstoppable” 30×40″ Oil on Gallery Wrapped Canvas

Exhibition: Huntington Arts Council – The Main Street Gallery

Mary Ahern Artist Posted on June 24, 2025 by Mary AhernJuly 24, 2025

June 10 – July 13, 2025

213 Main Street
Huntington NY 11743

Opening Reception: Friday, June 13, 2025. 5-8PM

Main Street Gallery Hours:

Tuesday – Friday  11:00 am to 4:00 pm

My New World – Anemone Redux

36×36″ Oil on Gallery Wrapped Canvas

This oil painting creates a compelling fusion between earthly botany and cosmic wonder. The central anemone bursts from the canvas with the energy of a solar flare, its petals curling like waves of stellar energy. The deep purple and magenta palette bridges the gap between garden blooms and nebulae, while the flower’s center resembles a dark cosmic body surrounded by scattered stardust.

The background’s atmospheric swirls blur the boundary between floral study and space art. This deliberate ambiguity invites viewers to contemplate the connections between microscopic and macroscopic natural forms, suggesting that the patterns of nature repeat themselves from the smallest garden flower to the largest galactic structures.

View this oil painting on my website here!


Art exhibition: National Association of Women Artists – The 136th Annual Members Exhibition

Mary Ahern Artist Posted on June 21, 2025 by Mary AhernJune 25, 2025

Cosmic Peony Power

30×30″ Gallery Wrapped Oil on Canvas

“Cosmic Peony Power” is a captivating 30×30-inch oil painting that intertwines nature’s beauty with cosmic symbols. The focal point is a single peony, its vibrant heart a fusion of yellows and oranges radiating outward. This blend of realism and abstraction creates a dynamic tension, suggesting a connection between the flower’s microcosmic form and the universe. The swirling colors and patterns evoke a sense of perpetual motion, inviting exploration into the harmony between nature and the cosmos. The painting celebrates the bloom’s vitality and the universe’s mysteries.

View this artwork on The NAWA website here!


Art Exhibition: Ceres Gallery – Raising Women’s Voices 2025

Mary Ahern Artist Posted on June 9, 2025 by Mary AhernJune 25, 2025

May 28 – June 21, 2025. Raising Women’s Voices.

Ceres Gallery Exhibition.

547 West 27th St
Suite 201 New York
NY 10001

Ceres Gallery NYC

“Unstoppable,” is an oil painting that boldly challenges forces that undermine democratic values and silence marginalized communities fighting for equality. Across Ahern’s over 50-year career in business and the arts, she has fought against the systematic subjugation of women’s voices and independence, refusing to accept the institutional barriers designed to limit women’s power and self-determination.


Queens College Art Exhibition – Full Circles – Featuring the Art of Mary Ahern and Virginia Mallon

Mary Ahern Artist Posted on May 5, 2025 by Mary AhernJune 9, 2025

Art Exhibition: Full Circles: Featuring the Art of Mary Ahern and Virginia Mallon

The art exhibition Full Circles celebrates the careers of two Queens College Alumni from April 7 through May 5, 2025, at the Queens College Art Center Gallery in the Benjamin S. Rosenthal Campus Library.

Queens College alumnae Mary Ahern (class of 1980) and Virginia Mallon (class of 1985) have crossed paths many times since graduating in the 80s. Though distinct in style, these accomplished artists have shared similar journeys, challenges, and successes throughout their careers. Both have experienced long-standing memberships in the National Association of Women Artists (NAWA) and at Ceres Gallery, one of the oldest feminist galleries in New York City. On view will be work representing the arc of expression and symbols explored during their years at Queens College and still uniquely threads through their current artwork decades later.

Ahern’s art is deeply rooted in symbolism, dynamically reflecting the interconnectedness within the microcosm of her garden and the macrocosm of the cosmos. Her vibrant floral works invite viewers to contemplate universal questions of existence, exploring themes of survival, growth, and renewal through meticulous attention to the natural world. Issues of isolation and exclusion featured in her work then return in this new period of political upheaval.

Mallon approaches her art through a different lens. “My work contemplates religious, historic, and mythological women and the psychological undercurrents of contemporary society.” Mallon explains. With influences from social realism, political, and feminist art her powerful pieces offer commentary on modern societal challenges from a distinctly female perspective, exploring complex themes of identity, power, and resilience.

Both artists have successfully balanced their artistic pursuits with parallel careers outside the art world, bringing unique perspectives to their creative practice.

April 7 to May 5, 2025
at QUEENS COLLEGE ART CENTER
65-30 Kissena Blvd, 6th Floor, Benjamin S. Rosenthal Library, Flushing, NY 11367
Reception, 4pm to 7pm, Thursday, April 10th
Gallery open weekdays 1-4pm, and by appointment.



Download Press Release Here:

2025-04 Press Release-QC-Full Circles-Ahern-MallonDownload

Lifelong Learning: A Personal Journey

Mary Ahern Artist Posted on October 27, 2024 by Mary AhernJune 9, 2025

Seth Godin. Akimbo

Screenshot of one of the online Seth Godin & Bernadette Jiwa Akimbo courses I took with other students around the world. It’s a great way to meet others interested in the same things as you.

I’m in my 70s and very excited since I’m back at school and taking a new class. We are so lucky now that there are many ways to continue learning. We can take classes in traditional in-person settings, take online workshops, or pursue a hybrid balance. What a gift!

My pursuit of knowledge has always been eclectic. I study what I want, when I want or need it, to enhance the projects I’m working on. Not one to seek the traditional BA, MA, or PhD stepping stones, I followed the song made famous by Frank Sinatra, I did it “My Way.”

One of the constants in my life is that I’m always studying something. A deep and wide curiosity leads me to focus on personal growth and practical knowledge — from Maharishi to computer programming and everything in between.

Many online classes over the years have allowed me to study subjects like digital painting, oils, watercolor, illustration, and abstraction. These online classes let me experiment quickly with various mediums and styles to see if they are something I might want to study more deeply. I remember taking an online workshop with an artist and then flying from NY to Baton Rouge to study in his in-person workshops. This would never have happened had I not met him and his work online. Both the online and in-person types of study are unique experiences in their way, and at times, one leads to the other.

READ THE FULL ARTICLE HERE.

Originally published in Sanctuary Magazine. 

Awakenings in the Garden: An Artist’s Journey

Mary Ahern Artist Posted on September 30, 2024 by Mary AhernJune 9, 2025

My garden has been the inspiration behind my art for decades but formally studying horticulture introduced me to an entirely new understanding of the garden. Studying the science behind this living environment at my doorstep, was and continues to be a source of endless investigation. Not just in the beauty a garden can project, but in the sustainability, the interaction, and reliability of the vast array of life forms involved in creating a mutually dependent whole. Because of this deep study of my garden, my art has changed. As I’ve grown in an awareness of the complexity of the garden that I’ve designed and tended for over 35 years, my art has changed too by becoming more expressive, less realistic, and more multilayered.

I first became aware of how I was being transformed, not just by having more technical knowledge through my studies in horticulture when one day, standing in my garden, my clothes and hands covered in dirt, scratched and bug bitten, a wave of quiet contentment entered my very being. Yes, I was exhausted, and my body was aching from the hours of hard physical labor, but something different was flowing through my mind. It was a sense of awakening. I felt it but I was not able to articulate clearly what I felt. I still don’t have the words completely to express this transformation. So, I have been trying to do so through my art.

Mary in Her Studio Working on Phaelanopsis Orchid (December 2020)

Working in my studio on the Phaelanopsis Orchid (December 2020)

Spending years since then of work both in my mind and physically, I have dug deeper into the metaphor the garden has represented to me about all living beings. It has taught me that in order to survive, the building of communities is needed to create a harmonic, healthy balance. The garden speaks to me of survival. I watch hummingbirds, with their long beaks, attracted to the long tubular flowers of the Salvias. I smell the late day fragrance of the Brugmansia as it seduces night pollinators less exhausted from a day’s work to help the lifecycle. Each insect, each flower, each fungus is only trying to survive for another season, another year, another generation. We as humans, like the complexities found in the garden are also trying to survive and hopefully prosper.

In my studio, my large, centrally focused flower paintings have been inspired by the imagery I saw through the microscopes used during my scientific studies in horticulture. The bold colors and large sized paintings were my way of grabbing the attention of the viewer just as the stunning presentation of a bold peony blossom calls out for attention.

Phaelanopsis Orchid (A Work in Progress,

Phaelanopsis Orchid (A Work in Progress, December 2020)
© Mary Ahern

Over time the education I am receiving from the garden has been changing me. My artwork reflects my deepening thoughts, abstract concepts, and my openness to explore new ideas and deeper theories of the world surrounding us.

During Covid, another revelation presented itself to me. I began to look at the imagery posted online by NASA showing us the galaxy of which we are but a small part. I realized that the entire universe also depended upon that harmony and balance all of us, the garden included, must have in order to exist. This awareness of the delicacy of both the microcosm and the macrocosm of our worlds is what I am now trying to express in my artwork. Blending abstractions inspired by the cosmos transparently through the realistic flowers grown in my garden informs the current work in my studio.

The awareness of the multi-layered reliance on other forces to help in survival is humbling. This new awareness has deepened my gratitude. This is what I am now attempting to create in my studio.

Cosmic Phaelanopsis​ on Oil ~ 24 x 24 inches. Deep Cradled Hardboard

Cosmic Phaelanopsis​
Oil ~ 24 x 24 inches. Deep Cradled Hardboard.  Available on the website here.
© Mary Ahern

Note: “Cosmic Phaelanopsis” is the final work after I put the piece aside for two years due to being dissatisfied with its direction. The final “Cosmic Phaelanopsis” is an example of the new direction my work has taken.
​
Partial Artist Statement:
This artwork sparks a vital conversation reflecting the interconnectedness and balance within the microcosm of my garden and the macrocosm of the cosmos. My work draws inspiration from the life cycle of flowers to explore existential questions about existence, purpose, fragility, and interconnectedness.


Originally published in Sanctuary Magazine. July 2024 and in my Art Blog here

Women Helping Women: A Recipe for Success -Art Blog

Mary Ahern Artist Posted on August 31, 2024 by Mary AhernJune 9, 2025

There were women who stepped into my life’s journey that changed the course of my life at critical junctures that I only realized in hindsight. I was raised in a very conventional household by strict European parents with very defined roles. By twenty years of age, I’d come to the pinnacle of my success with my prince charming of a hubby, a baby, and our own home. What a relief! I had it all. The American dream. Contentment personified.

Two Women Friends

Mary (L) and Roberta ~ 1977 Photo Courtesy: Mary Ahern

Until my beloved hubby rocked our little world by wanting out of our paradise. I had no life preparation beyond anything except the happy home, two sons, a dog, and a white picket fence. I didn’t know any woman who worked, let alone was raising their children by herself. I honestly imagined my sons, and I would starve to death without a man to work and earn the money to use in the supermarket. The windows in our home became a prison to me, keeping us silently and painfully apart from the world. My dark hopelessness led me on frightening trails of despair and death.

The emergency slowly passed. Life settled down a bit. But I was changed forever. I knew I needed to control the outcome of life for my sons and me. Then, I met Roberta at the YMCA Swim and Gym classes for our three-year-olds. She was a biology professor at Queen College and showed me I could get educated. Because of her, I went to college, got my degree in fine arts, and then got my divorce on my terms.

With confidence and a goal, I got a job at Barnard College, the women’s college of Columbia University, a bastion of feminism—an entirely new world of supportive women who opened up a vast world for me. Martha hired me as the office manager since, as she said, any single mother knows how to balance time and tasks. Since classes were free for employees, I studied programming in the School of Engineering, and Martha encouraged me to get into the then nascent field of computers. She also said to follow where a company makes its money, so I should go into sales or finance for my career. I took her advice.

Mary’s Office Just After Starting Her Own Business, Online Design (1995)
Photo Courtesy: Mary Ahern

Mary Ann had a Datsun 280 sports car, wore gold jewelry, and owned expensive houses. She showed me women on their own can be wealthy. I determined that if I couldn’t be home at 3 o’clock with the milk and cookies, I would make the most money I possibly could. She showed me it was possible.

I went into the sales field in the male-dominated computer graphics industry since there I would earn money based upon my own efforts while combining my art, graphics, and computer backgrounds. And I did. Until I hit my head on the glass ceiling. So, I started my own graphic design/marketing business.

As an entrepreneur, I controlled how I used my time, benefited financially from my own skills and efforts, chose the types of work that intrigued me and created and designed my own lifestyle.

And now is my time in my journey; I get to pay it forward. Using the models, the women before so wisely gave me, I am able to generously offer my experience to other women. Being an active member of the National Association of Women Artists (NAWA), I am in a position to share my business experience in sales and marketing with many other women to help them move along in their own journeys. Like having a delicious piece of apple pie with a scoop of ice cream and a cherry on top at the end of an exquisite meal, I’m finally having my dessert.

NAWA has been empowering women artists for 135 years as the first women’s professional art organization founded in the US. Like the women who helped me in my life’s journey, I’m comforted by knowing I’m also helping other women in theirs. As Isaac Newton said: “…if I have seen further than others, it is by standing upon the shoulders of giants.”

My life is filled with gratitude for what I have experienced and learned throughout my life, and that I now have an opportunity to share with other women in my community of professional women artists. Life is sweet!

National Association of Women Artists (NAWA) 2023 New Member Induction Ceremony
Mary (Bottom Row, 4th from Right)
Photo Courtesy: Mary Ahern. Chair of Public Relations Committee


Originally published in Sanctuary Magazine March 2024

Art Blog Post: A Virtual Visitor Had Me Contemplating My Lifelong Career in the Arts

Mary Ahern Artist Posted on August 19, 2024 by Mary AhernJune 9, 2025

Judy Chicago

Photo of Judy Chicago  by Donald Woodman

A Virtual Visitor Had Me Contemplating My Lifelong Career in the Arts

To read this on the Art Blog click here!

https://www.maryahernartist.com/art-blog/virtual-visitor/

A short while ago I had a virtual visitor enter my studio while I was standing at my easel working on an oil painting. The visitor was Judy Chicago who was interviewed for the 60-year retrospective of her work at the New Museum in New York. Out of the corner of my eye, as I continued to paint, I watched and listened to the live-streaming event for the exhibition “Herstory” (here’s the YouTube Video of the event) which was the first comprehensive museum survey of her work. Judy Chicago was born in 1939 and as I listened to this interview it was 2023. Eighty-four years is a long, long time to wait to have this type of recognition.

This juxtaposition of Judy being live-streamed into my studio as I painted was profound for me since Judy’s work and those of many other women artists whom I was fortunate enough to be made aware of during the 1970’s when I was majoring in art in college, are why I’m still creating my work. These women artists weren’t in my textbooks. They were instead presented to me by some of the women art historians and women professors I studied with when I was lucky enough to attend classes at the then, tuition-free, City University of NY. All these women changed my life. The women artists were showing a new way of working and the professors were exposing us to a reevaluation of the art historical canon.

Mary Ahern Painting “Passion – Red Dahlia” Oil on Canvas 30×30″  

I first saw Judy’s work in 1979 as thousands of us made a pilgrimage to the Brooklyn Museum of Art to view The Dinner Party. This groundbreaking installation was created with Judy’s vision and also the efforts of hundreds of women offering their skills in various mediums. This work helped to introduce fabrics, embroidery, stitching, ceramics and various other techniques which had been ungraciously removed from the category of “Fine Art” by those who were in charge of writing the history of art. These creative skills were those exercised primarily by women and now were finally being presented in museums.

We stood for what seemed like hours, quietly waiting for our turn to enter the site-specific art in the room which housed the installation. Most of us on the long line had dressed in better than everyday wear for the occasion. When we finally reached the doorway, we found the room lights were dimmed. We entered as if entering a house of worship. Voices were hushed. Many folded their hands as if in prayer. It was the closest I’d come to a sacred event outside of an actual house of worship. We all knew this was a pivotal point in our lives. Our eyes and minds were to be opened to entirely new languages, visuals and histories that we’d never encountered before in the mainstream art world. Upon emerging from this immersive experience, we were elated, buoyant, excited beyond imagination by the possibilities we’d just been introduced to. We were sure that now everything would be different. We knew it had to be.

Upon reading Judy’s recent book, The Flowering: The Autobiography of Judy Chicago”, I learned how hard a life she had bringing her visions to fruition and acceptance. She and her work were torn apart, reviled, and denigrated by the conventional art world. The press denounced her vision and the work of the women artists who contributed their skills. Reading about her hard-fought lifetime of bringing her art into the world, reminded me that all of us have obstacles in our lives. They vary from person to person. But to be a creative artist for an entire lifetime takes a certain amount of grit. Success, by whatever measurement we use, takes the ability to keep pushing forward through the hard times. The times your heart is breaking. The times you are having trouble putting food on the table. The times your family is in crisis. The times you feel less than because others feel so much more than.

Because of these feminist artist pioneers, I’m still painting, still creating, still growing. They cleared the path and showed me the way. And as I stood at my easel painting, Judy streamed in to tell me to keep going, there’s no quitting, there’s no calendar, there’s no promise, no destination. I’ll just keep making my art. She still is.

Photo collage by Mary Ahern


 

Northport Neighbors Magazine Feature Article

Mary Ahern Artist Posted on May 20, 2024 by Mary AhernJanuary 1, 2026

“In Full Bloom”  By Debbie Mercer.

Mary Ahern and Dave Ruedeman Find Inspiration in Life – and Each Other. May 2024

Mary Ahern and Dave Ruedeman

Mary and Dave in their garden. Len Marks Photography

Circles figure prominently in the lives of Mary Ahern and David Ruedeman. In her woodland garden and in her paintings, circles represent women. In a romantic example of life coming full circle, the two worked together, lost touch, and found each other again. Their first official date was on wheels – a memorable bike ride in which Mary got a flat and Dave came to her rescue.

But if you ask Mary, she’ll likely tell you it was all more of what she calls a zigzag. You see, these two are masters of the pivot. Throughout the years they’ve continuously reinvented themselves, whether out of a financial need at the time or simply an innate, overwhelming desire to learn new things and break new ground.

Forging a Path

Mary started out on a pretty straightforward course. She was raised in a traditional European upbringing in which her parents didn’t believe girls should get a college education. Mary finished high school, married at 20, and raised two small boys. “I didn’t know any women who were educated,” she recalls. That all changed when she met Roberta Koepfer at the YMCA, a professor at Queens College who inspired her to take some classes. On Wednesday nights, Mary began taking oil painting. She had no background in art but after the fifth class, her teacher told her, “Mary, I can’t teach you anymore. You need more instruction.”

Mary At Home In Her Studio. Photo: Len Marks Photography

Mary put herself through college, earning an art degree from Queens College in 1980. However, divorce followed, and Mary found herself on her own with two small boys to feed. “I had no training, no skills to earn a living,” she says. A quick zigzag led her to work at Columbia University, where she studied computer programming for free, only to take a job where the money was – the burgeoning field of computer sales. She understood the potential, and ended up being part of the team who opened the first computer center in Radio Shack in Valley Stream in the early 80s. More work zigzags later, she ended up at Chyron selling computer graphics to the television and production industry. “You really needed to teach people what these things were capable of,” she says. “I was one of the only women in the industry. My fine art had to take a back seat. But I was doing my art through the equipment I was selling.”

Rediscovering Each Other

Dave on their bike cruise on the Rhine River

The “go-to” guy at Chyron was Dave Ruedeman, who had a degree as an electrical engineer. “That’s where I stumbled on my life’s work,” he says. “I found out I was put on this earth to be a problem solver. I had to finish an abandoned computer design, which was crucial to the survival of Chyron. Delving in new technology and gaining an intimate understanding of how computers work was, for me, life changing.” As the head of engineering, Dave’s team were the ones who were creating the equipment that Mary was selling.

Fast forward about eight years. By then Mary had, as she says, “gotten a concussion on the glass ceiling” and started her own company. “I spoke tech, so all of my clients were smaller engineering firms. I was like an outsource marketing dept. I would get a photographer and shoot the products and then put the logos on digitally. I was consulting and creating brochures.” She took on the internet and taught herself how to design websites. On business trips she would take along her art supplies to relax – and once again reignited her passion. “My art started to seep back into me. And I knew I had to pay attention to it,” she recalls.

As fate would have it, one of her freelance gigs at the time involved writing an operation manual for her old company Chyron. She ran into Dave while there one day and the two caught up. He suggested a bike ride out to Eaton’s Neck, and Mary agreed. It was only when they pedaled out there that Mary discovered Dave too was divorced, and that this was, in fact, a date. Once back at her house, Dave saw her art hanging on the walls and was totally knocked for a loop. “I had no idea what she was about,” he says. “It actually blew me away.”

They tied the knot in 1997. By then Mary’s garden, which she’d begun in 1989, was itself a work of art – so much so that Dave encouraged her to design gardens for others. That led Mary to Farmingdale College where she graduated with a degree in horticulture in 2000 – 20 years after earning her art degree. A turn at the New York Botanical Gardens soon followed, where Mary earned a 2-year certificate in botanical illustration.

 

Circle entrance to Mary’s woodland garden.

Bike Cruising, Art, and the Garden

Mary working on her Iris painting – part of her one-woman show at the Atelier at Flowerfield

In the meantime, Dave did his own zigzags. He got his master’s in computer science in 1983 and started designing software. About 10 years ago, he took his love of biking up to a whole new level and started doing “centuries” – one hundred mile rides out to Montauk via a scenic route. Longer distances and more intricate trips soon followed. He’s done RAGBRAI (Register’s Annual Great Bicycle Ride Across Iowa) – twice. “RAGBRAI is a thing of beauty,” he says. It covers 400-500 miles, and the route changes every year.

Riders dip their rear tire in the Missouri River when starting and their front tire in the Mississippi River at the end. For those trips, he joined an outfitter to move his tent, gear, and supplies up the road while he biked. “It’s a great incentive to keep going,” he laughs. “My clothes were fifty plus miles ahead!”

Mary on their bike cruise in the Netherlands

“He’s a more powerful biker,” Mary says. “He’ll ride 50-80 miles a day which isn’t my style. I’ll do 20-mile rides and stay on the bike paths.” Together they have taken bike cruises from Paris to Amsterdam, as well as Portland Oregon along the Columbia River, ending in Idaho. That first trip is truly a favorite memory for the couple. It coincided exactly with their 25th wedding anniversary, when they arrived in Paris and were greeted with champagne, balloons, and hearts on their hotel bed – courtesy of Mary’s daughter-in-law Sherri. “We couldn’t believe it,” Mary laughs. “It was so fabulous.” In another one of life’s sweet moments on that trip, Dave saw the Tour de France from the Champs Elysees, while Mary literally bumped into it later when she exited the Louvre. The two have other biking cruises on the horizon. In June, they’ll be heading down the Danube River, starting in Prague and ending in Budapest.

Mary and Dave at home in their garden.
Photo: Len Marks Photography

Today they’re retired in a non-retirement sort of way. “We don’t call this retirement because we both work intensely,” Mary explains. “But we’re working now at things we enjoy.” Dave does consulting and teaches IT for companies all over the world, including a NATO group earlier this year. In an interesting twist on today’s modern roles, he’s also “tech support” for his grandson – a fact which they clearly love.

Mary’s artwork continues to anchor her. Her solo exhibition “Not Just a Pretty Flower” featuring her large Georgia-O’Keeffe inspired artwork, is on display at the Atelier at Flowerfield through the end of May. It’s a provocative exploration of what she views as the interconnectedness and balance within the microcosm of her garden and the macrocosm of the cosmos. “The paintings are large so that they demand conversation,” she explains. “That’s why I want to do big paintings. So that it’s in your face. Why is she doing this? Why is it like that? What is the message?’ That’s my latest body of work.”

She also volunteers her time as the Public Relations Chair of the National Association of Women Artists which is celebrating its 135th anniversary this year. “I love paying it forward to help empower other women artists to achieve the success they envision for themselves. Feminism, Artists, Empowerment, these are my sweet spots.”

Not bad for two people who reimagined themselves through hard times and ended up on the other side. They’re clearly savoring each moment and drawing inspiration from each other. “Our lives were not easy.” Mary reflects. “We crawled over broken glass to get where we are now. So, every day we look at each other and we laugh and hug because we’re so joyful. We can’t believe how lucky and happy we are.”


 

Posted in Press, Writings | Tagged Press

Not Just Another Pretty Flower. A Solo Exhibition by the Artist Mary Ahern at The Atelier At Flowerfields

Mary Ahern Artist Posted on April 8, 2024 by Mary AhernJune 9, 2025

Embedded With Conversations on Harmony and Balance from the Garden to the Galaxy

The Atelier At Flowerfield is thrilled to announce:

“Not Just Another Pretty Flower3 a Mary Ahern Art Show” 

April 18 to May 30, 2024,

2 Flowerfield, St. James, NY 11772.

Opening Reception: Thursday, April 18, 2024. 5:30 – 7:30 PM

Meet The Artist: Saturday, April 27, 2024. 1 – 3 PM

Mary Ahern’s art is deeply rooted in symbolism, dynamically reflecting the interconnectedness and delicate balance within both the microcosm of her garden and the macrocosm of the cosmos These artworks spark a vital conversation about these essential issues. Drawing inspiration from the vibrant community of life in her garden, her flowers invite universal questions of existence and purpose in their quest for survival, eventual senescence, and rebirth.

The identifiable floral Images she creates are glazed and intertwined with her abstract underpaintings inspired by the recent awe-inspiring visuals of the universe. By recognizing the delicate balance required for both terrestrial and celestial ecosystems to thrive, she aims to provide a visual context for understanding the essential balance necessary to sustain life’s intricate harmony across all scales – from the tiniest flower to the grandest galaxy.

Employing imagery that balances both abstraction and realism, she is mirroring the delicate equilibrium needed for universal survival. Her extensive use of transparent glazing between the garden and the galaxy exemplifies the need for open discourse, which she believes is necessary to ensure the health and survival of all species.

Ahern’s artistic process involves employing unique techniques that she has continued to refine over the course of 50 years. Through the years of experimentation and refinement, she developed a distinctive approach to painting that reflects her artistic vision and also her philosophy. Through this layered, evocative imagery, she invites viewers to pause, contemplate, and cultivate a deeper appreciation for the fragile yet resilient web of life that sustains our world and cosmos.

The Atelier at Flowerfield shares Ahern’s commitment to promoting appreciation of the arts. As part of its mission, The Atelier strives to preserve beauty through the learning, understanding, creation, and enjoyment of art in all its forms.

Also Visit the website of The Atelier At Flowerfield: www.atelieratflowerfield.org

Mary Ahern Art Exhibition Announcement

Oh Dear, I Now Have Deer

Mary Ahern Artist Posted on March 21, 2024 by Mary AhernJune 9, 2025

I first noticed it in the fall. Something had eaten my hostas. My usual culprits have been the rabbits, but this was well beyond their usual food shopping spree. Perhaps they decided to invite their entire extended family this time. The raccoons ate all the minnows in my new small pond, so they weren’t hungry either. So I decided to install Ring cameras to see who was having a party in my garden while I innocently slept.

And there he was, a huge antlered deer. Oh Dear!

Daytime Deer Spotting

Daytime Deer in my Garden. I don’t know who was more scared, him or me.

The next day, I bought a battery-operated sprayer and researched what would work best to preserve my precious garden. Most of the products not only smelled bad enough to ward off the deer, but they also smelled bad enough to keep me out of the garden as well. I found one brand that also contained some mint, which apparently the deer hate, so that’s the one I settled on. So last fall, after every rainy day, I would head out to spray the perimeter of my garden. This year, I’m upping my game since the buck brought his harem and extended family.

Deer in the Front Garden

In the front garden this deer ate all my hostas in one sitting. I was wondering if he was going to ask for some salad dressing.

I’m having deer fencing installed in the part of the garden where they most frequently gain entrance in the hopes of diverting their attention. This happened to be on the property line with my new neighbor. Using the markings he had in position from his recent surveying, together we agreed on the exact placement of my upcoming fence. I hung screaming yellow Caution tape to define the property line, which sure disturbs the calming woodland aesthetics I’ve been creating for the last 35 years. The next step was the installation of this one section of fencing, knowing full well that it was only the beginning of preserving my garden sanctuary.

Deer Fencing

This is the view from my neighbors side of the deer fencing which I had installed on our mutual property line. I sure hope the deer notice it.

 

You can read more articles about my garden on my dedicated Garden Blog: The Garden Artist.


 

Trimming Hellebores. My First Gardening Task of the Spring

Mary Ahern Artist Posted on February 29, 2024 by Mary AhernJune 9, 2025
That first sunny warm day in February seduces me into my garden to begin my spring gardening tasks before the last snowstorms of winter reappear for a brief visit. It is a happy day for me each year when I reach for my Felco’s, put on my gardening gloves, pick up my rake and head out to reunite with my garden.

February Hellebores ready for trimming. Mary Ahern

February Hellebores ready for trimming. Mary Ahern

READ MORE ABOUT TRIMMING HELLEBORES HERE


 

My Dual Passions – Art and Gardening

Mary Ahern Artist Posted on February 5, 2024 by Mary AhernJune 9, 2025

At the age of 14, I was alone and lying in the summer grass on a hill in Brooklyn, New York, staring upward through the leaves at the passing clouds while trying to understand why a person I loved dearly had suddenly died. Without an anchor or language to explain the passage, I was at a profound loss and searching for an answer, an explanation. I clearly remember feeling the warm energy from the ground swell up and pass through my body and like a mist, mingle into the leaves and up into the clouds in that deeply blue sky.

At that moment, I recognized that I, as a person, was just another aspect of nature, joined with the wind, the air, the plants, the trees, and all life teeming around me – just another form of energy. This gift has been with me throughout my life and is what I gather in my garden and express in my art.

1985 - Mary Ahern in the Cablevision studio working with the Chameleon electronic paint system.

1985 – Mary Ahern in the Cablevision studio working with the Chameleon electronic paint system.

Mary-painting-the white iris in her studio

Painting in my studio. The white iris blooms in my garden each spring. I glaze with thin washes using a fan brush and thinned paints.

My Zig-Zag Journey
Like most of us, our life journey takes many paths. For me, my twists and turns led me to a career that blended my fine arts training with my technical background.

READ MORE: Here

I Met A Hero of Mine – Audrey Flack

Mary Ahern Artist Posted on February 2, 2024 by Mary AhernJune 9, 2025

Audrey Flack

Audrey Flack at the Southampton Arts Center, November 2023 Photo credit: James F Dawson

Audrey Flack is a painter who, when I was in college in the 1970s, inspired me as I began my artistic journey. My art history teacher Patricia Hills at York College, which is part of the City University of New York (CUNY) system, introduced us to the many women artists who were pushing the envelope at the time. There was Audrey Flack, Joyce Kozloff and Judy Chicago. All of these women are currently Honorary Vice Presidents of the National Association of Women Artists. Since at the moment, I am Chair of the Public Relations Committee of NAWA it is such an honor to be meeting these artists who are still teaching us to keep working, keep pushing, and keep making our own artistic statements.

Recently I went with hubby Dave and my friends Susan Rostan & hubby Bob to the “Heroines of Abstract Expressionism” at the Southampton Arts Center here on Long Island. Audrey had work in the show but so did four other artists who had been members of NAWA, Louise Nevelson, Nell Blaine, Dorothy Dehner, and Buffie Johnson.

Since Susan and I are co-hosting the Historical Research Team at NAWA this was an auspicious occasion for us and opened up new opportunities for research and writing.

2023-11-12-Roz-Dimon-Audrey-Flack-Mary-Ahern-Susan-Rostan4-20x72

NAWA artists: Roz Dimon, Audrey Flack, Mary Ahern, Susan Rostan at the Southampton Arts Center, November 2023 Photo credit: James F Dawson

Then another amazing event happened, Audrey Flack was scheduled for a talk at Southampton two weeks later, so we signed up and took another drive out east. It sure was worth it! Audrey, who is now 92, was there and clear as a bell answered questions about her work and her experiences from the 1950s onward. She was funny, dished gossip, was fully knowledgeable about the era, the people, the art movements and who the players in the industry were at the time. She talked about the Cedar Bar where all the artists gathered, talked & drank after working in their studios all day. She talked about Jackson Pollack, Robert Motherwell, Clement Greenberg, Helen Frankenthaler, and many more artists and gallerists. In the audience, was a who’s who of the Hamptons Art Scene asking the questions and/or thanking her for her many contributions to the arts.

I’m so grateful to still be able to be working as an artist, that I continue to grow, to enjoy and learn from other artists. To have this “brush with greatness” that I experienced by listening to, speaking to and having my photo taken with one of my heroes sparkles brightly in my life’s journey. I thank Pat Hills for opening my eyes and my mind over 50 years ago to pay attention to these women artists who were clearing the path and showing us that we as women artists had voices and something unique to say. And after all these decades, we still have statements to make, wisdom to share, and paths to plow for others to follow.

READ MORE on the ART BLOG Click here


 

The Start Of My Artistic Journey 50 Years Ago

Mary Ahern Artist Posted on September 17, 2023 by Mary AhernJune 9, 2025

My first step towards discovering that my life’s work would be an artistic journey was buying a Jon Gnagy, Learn to Draw set and experiencing a sensation that the charcoal was an extension of my hand, my arm and my body. It was thrilling!

The Original Jon Gnagy, Learn to Draw set

After completing his entire set of drawing lessons, I decided to take painting classes at the local YMCA where I lived at the time in Queens, NY. So, I arranged for a babysitter, signed up for the oil painting class and made my first foray into Jerry’s Artarama art supply store with my supply shopping list in hand. How electrifying to be exposed to so many wonderful and exciting new products, widgets, thingies, colors, brushes, papers and canvas. Oh, the possibilities!

READ MORE on The Art Blog


 

Art of the Bloom. Exhibition at The Art Guild in Port Washington

Mary Ahern Artist Posted on September 8, 2023 by Mary AhernJune 9, 2025

Art of the Bloom

Juried  Exhibition at

The Art Guild
Elderfields Preserve
200 Port Washington Blvd.
Manhasset, NY 11030

On View: September 10-30, 2023

Email: info@theartguild.org

P. 516.304.5797

Flowers have historically been a source of inspiration for artists and designers around the world, from Claude Monet to Andy Warhol. Floral imagery can evoke a wide range of emotions and moods, from the boldness of a daisy to the quietness of a water lily. See how these artists interpret and represent The Art of the Bloom in their work.

Disco Belle Hibiscus. Oil Painting by the artist, Mary Ahern

Disco Belle Hibiscus. 16×16 Oil on Cradled Wood.


 

New Garden Blog Post – The Woodland Garden Reveals

Mary Ahern Artist Posted on August 7, 2023 by Mary AhernJune 9, 2025

My idea of the garden I wanted to create around my new home when I bought it in 1989, was a place to immerse myself, not a garden to be admired while sitting on the deck. I had no particular plan that I imagined. Instead, I let the woodland speak to me.

This woodland was filled with poison ivy, invasive vines, thorns and many broken branches and limbs when it called to me. Together for over three decades, it and I have worked to create a woodland garden for meditation. This is the journey.

 

READ MORE…

Art Blog Post – This Artist’s Dilemma. Storage.

Mary Ahern Artist Posted on July 12, 2023 by Mary AhernJune 9, 2025

So I’m standing in my studio basking in the golden warmth of just having completed my one month Solo Exhibition which filled three rooms in an historic mansion at the Bayard Cutting Arboretum. I’d worked for years creating new work for this prestigious opportunity. And now the show was over, the work still owned by me was taken down from the walls, packaged protectively and transported to my home studio. I looked around me surrounded by all this new artwork. I remembered the journey of discovery as so many new ideas had begun to seep into my new work over time.

As I stood there looking around me with contentment at these 40 new artworks, a cold wave of concern trickled into my mind. Where would I put all my art? I’m a minimalist by nature. I can’t stand clutter and now every surface in my two room studio is covered with piles of work. Canvases are stacked, leaning against the walls. All the walls in my studio and home are already full. A sense of claustrophobia was rapidly taking hold. The warm glow I’d been feeling turned a cold blue.

I needed to immediately take action.

READ MORE!

 

Let It Grow. Art Exhibition at The Flushing Bank

Mary Ahern Artist Posted on July 7, 2023 by Mary AhernJune 9, 2025

The National Association of Women Artists
in Collaboration With The Flushing Bank

Are bringing a Seasonal Focus to the concept for this in-person exhibition.

Enjoy the buoyant color and interpretation of the season by a variety of Fine Artists.

“Let It Grow!”
Now through October 5, 2023
Visit the Flushing Bank at the Park Avenue South Branch
225 Park Ave South
New York, NY 10003

There is a sense of joy, excitement, and awe when nature or human relations are nurtured through caring and kindness to allow everything to flourish and grow. This theme reflects the focus of both of these historic organizations. The National Association of Women Artists, as the first women’s fine arts organization established in the US, has been helping women artists grow by empowering them to expand their vision. This theme of growth also serves as the guiding force behind the efforts of the Flushing Bank in support of the needs of its customers. There is a synergy in these efforts.

Petersen's Garden by the artist, Mary Ahern

Petersen’s Garden. 24×36″ Embellished Giclée on Canvas

Garden Blog Post – Overwintering My Summer Tropical Garden

Mary Ahern Artist Posted on June 21, 2023 by Mary AhernJune 9, 2025

Overwintering My Summer Tropical Garden is now posted on my garden blog.

I wrote about how I converted my darkroom into a plant room with sinks, counters and LED lighting.. I show a four month sequence of photos from my plant room to the deck where the plants spend their summer vacation.

Read more here..

June 6, 2023 Deck Plantings

Read about how I overwinter my tropical garden on my Garden Blog Here.

The Big Picture 2023 at the Art League of Long Island

Mary Ahern Artist Posted on June 19, 2023 by Mary AhernJune 9, 2025

At this year’s Big Picture Exhibition, six Signature Members of the National Association of Women Artists were juried into the show. This is an incredible achievement since 94 artists submitted 214 images, out of which 36 works were selected to be exhibited by Juror, Simon Levenson. This is yet one more indication of the quality of the NAWA Signature members. 

ALLI
107 East Deer Park Rd
Dix Hills NY 11746

Check for Gallery Hours: p. 631-462-5400 Email: info@artleagueli.org

 

Signature Members of the National Association of Women Artists.

NAWA Signature Members at the ALLI Big Picture Show l-r:   Karen Kirshner, Eileen Shaloum, Mary Ahern, Susan Rostan, Pam Waldroup and Constance Sloggatt Wolf.


 

Huntington Arts Council Members Showcase Exhibition June 2023

Mary Ahern Artist Posted on June 9, 2023 by Mary AhernJune 9, 2025

The annual HAC Members Showcase Exhibition is an opportunity to see the diversity and depth of creative work by the individual member artists in the enormously creative community of Huntington NY. 

213 Main Street
Huntington NY 11743

June 9th – July 14th 2023

Reception: June 9th, 2023 4:00- 7:00 pm

Click here for the HAC Website

Bio: Mary Ahern is a classically trained artist who works in both digital and traditional mediums. Her work, which is inspired by her garden, invokes spiritual and philosophical questions beyond the canvas.

Statement: As a passionate gardener, my art is as intricately entwined as the gardens surrounding my studio. The lessons learned from the garden permeate my work.
With boldness in color & scale my art summons, with seeming simplicity, the complex questions of existence and purpose. These flowers represent a microcosm of the universe in their families and community as well as their quest for survival, eventual senescence and rebirth.

With a duality of macro and micro vision, my flowers invite the viewer to see, larger than life, the intricacy and purpose of their existence. And in their boldness, I suggest a contemplation of their relevance and ours in the social order of our universe.

Phantasm - Coral Sunset Peony

Phantasm – Coral Sunset Peony. Oil on Canvas GW. 36×36″. $5,000.

Mary Ahern Artist Posted on April 18, 2023 by Mary AhernJune 9, 2025

Not Just Another Pretty Flower2
By the Artist, Mary Ahern

On Display: May 4-28, 2023
Gallery Hours: Thurs-Sun 11am–4pm

Bayard Cutting Arboretum
Manor House Upper Annex Gallery
440 Montauk Highway
Great River, NY 11739.

Opening Reception: Sunday May 7 • 1-3pm
Artist Talk: Sunday May 21 • 1-2 pm

Heckscher Museum of Art – Emerging Artist – Mary Ahern

Mary Ahern Artist Posted on September 1, 2022 by Mary AhernJune 9, 2025

Emerging Artists Series: Instagram Takeovers 2022

The Museum is pleased to present the Emerging Artists Instagram Takeover Series 2022! Follow along and discover new and exciting contemporary artists as they take over the Museum’s Instagram account @heckschermuseum throughout the year.

Heckscher Museum Takeover 2022-Mary AhernSeptember 28, 2022

24 hour takeover of the Heckscher Museum of Art Instagram Channel.

Learn about the artwork and inspirations of the artist, Mary Ahern.

As a passionate gardener, Mary Ahern’s art is as intricately entwined as the gardens surrounding her studio. Cultivating and tending these gardens is the first stage of creating the art that grows in her studio. Flowers represent to a microcosm of the universe in their cycles of living and loving, families and relationships as well as their quest for survival, eventual senescence and rebirth. With a duality of external and internal vision, she invites the viewer to see, larger than life, the beauty and intricacy of flowers and in their boldness, she suggests contemplation of their relevance and ours in the social order of our universe.


 

Art Angels Exhibition at the National Association of Women Artists

Mary Ahern Artist Posted on July 13, 2022 by Mary AhernJune 9, 2025

The National Association of Women Artists Presents

Art Angels

July 15 – August 31, 2022

#Virtual NAWA Gallery

National Association of Women Artists-Art Angels

Online Reception and Awards Thursday, July 21, 2022  5-6PM

Volunteers make NAWA the successful organization it has been for over 133 years.

The generous donation of time, energy, wisdom and resourcefulness has its own rewards in building friendships, learning new skills and paying it forward.

We recognize these heroes with their own exhibition of their artistic creations.  

NAWA

Established in 1889 by five women artists in a NYC studio, NAWA is the first women’s art organization in America. NAWA provides exhibition opportunities throughout the year and throughout the country for its members and collectors.

  • NAWA fosters public awareness & interest in the visual fine arts created by women across the United States.
    • Promotes culture through exhibitions, education, scholarships & awards.
    • The NAWA Catalog is archived in over 10 high-profile institutions, including the Metropolitan Museum of Art, Museum of Modern Art, The Library of Congress, and more.
  • The Jane Voorhees Zimmerli Art Museum at Rutgers University in New Brunswick, New Jersey holds a permanent collection of NAWA art.
  • NAWA has been empowering women artists since 1889.
  • Learn more about NAWA by visiting our website: theNAWA.org

 

Allied Artists of America Exhibition 2022

Mary Ahern Artist Posted on June 26, 2022 by Mary AhernJune 9, 2025

Passion – Red Dahlia was one of the Oil Paintings featured in the Allied Artists of America 2022 Oil and Acrylics category for their online exhibition  May 15, 2022 – May 15, 2024.

This 30″x30″ oil on gallery-wrapped canvas represented a departure in color and drama for the artist, Mary Ahern whose work is frequently in the meditative, cooler and lighter color palette..

View this powerful art exhibition online on the Allied Artists of America Website here.

Well received accolades and comments have been repeatedly offered for this unique work of art.

If you wish to purchase this one-of-a-kind oil painting place your order on the artist’s online shop here.

Passion - Red Dahlia

Passion – Red Dahlia. Oil on Gallery Wrapped Canvas. 30×30″ $3,500.


 

Fine Art Connoisseur – Changing the Narrative for Women in Art

Mary Ahern Artist Posted on March 6, 2021 by Mary AhernJune 9, 2025

The National Association of Women Artists is the oldest art organization in the country. NAWA. Supporting Women Artists Since 1889.

This article about NAWA, published by the Fine Art Connoisseur magazine, focuses on this prestigious women’s art organization of which I am a juried-in member. I’m so amazed and delighted to be one of the artists whose work is featured in this article. Wow!

Here is a reprint of the article which is online on their Website.

Fine Art Connoisseur

Changing the Narrative for Women in Art

By Cherie Dawn Haas -February 23, 2021

Mary-Ahern-NAWA member

For NAWA member Mary Ahern, flowers represent a microcosm of the universe in their cycles of living and loving, families and relationships as well as their quest for survival and eventual senescence and rebirth.

It’s easy for some to forget that not that long ago in history, women had few opportunities for making art, much less becoming professional artists. Even today there are challenges, which is why it’s important to highlight the oldest women’s fine art organization in the country, the National Association of Women Artists (NAWA).

“NAWA was founded by a group of women artists not content to be kept out of salons, exhibitions and galleries open to male artists in the 19th century,” Amy Hutto, a juried member of NAWA, says. “While great strides have been made, women artists continue to be underrepresented and our work undervalued monetarily compared to our male counterparts still today. Our goals, among many others, are to educate, inspire, promote and celebrate the art work and accomplishments of women artists, our members in particular.”

Lisa Daria Kennedy-NAWA. Member

NAWA member Lisa Daria Kennedy. Since 2009, she has committed to an on-going daily painting project. As a young adult cancer survivor, she discovered living is not just surviving. Each painting seeks to give a voice to the fiber of the everyday.

Hutto, a colorist whose subject focus is on domestic and wild animals, is from Austin, Texas, and currently lives in the Finger Lakes region of New York.

I had the opportunity to ask Hutto a few questions about the importance and benefits of NAWA, including a question that makes women in particular cringe.

Cherie Dawn Haas: Can you tell me a little about yourself please, and why you chose to join NAWA?

Amy Hutto: I chose to join NAWA because of its prestigious reputation, historical significance and its long history of spotlighting the under-represented art of women in a predominately male oriented profession.

I also wanted to connect with other artists across the country, and now I converse regularly with professional women artists in Colorado, South Carolina, and all over. I feel like I have my finger on the pulse of the art world in real-time.

CDH: What is your response when someone says, “They don’t have an association just for men?”

AH: I explain that the art world has traditionally been an association for men. Men have long dominated salons, galleries, and museums throughout history. Many women don’t even sign their full name on their work, just their initials, to remove any preconceived notions about art created by a woman. The National Association of Women Artists is working to change that narrative.

CDH: What are some of the ways in which men can support NAWA and women artists in general?

AH: NAWA does have many men who support us and we appreciate them a great deal! We have men on our Executive Board of Directors who support women artists. Men who are in the business of art whether as creators, gallery owners, curators, etc…acknowledgement; in-kind recognition and more inclusive practices that strive for more balanced representation; and additionally to support efforts for women created works of art to be monetarily valued as equal to that of men’s art.

Non-members of the art world can also show their support of NAWA through financial donations and endowments which allow us to grow our organization, hence increasing awareness of women artists and their contributions to the art industry.

Joyce Byrnes-NAWA member

NAWA member Joyce Byrnes is a pastel artist living in Rockland County, NY. In her paintings, she seeks to convey the light, color and textures she finds in nature.

CDH: What are some of the benefits of joining NAWA?

AH: There are so many benefits of joining NAWA; national exposure through NAWA’s website, the ability to participate in exhibitions that are exclusive to NAWA members both online and in exhibition spaces, the contacts one can establish with artists across the country, the support of other artists experiencing the same issues in our industry, access to a wealth of knowledge and expertise shared with other members on our social media sites, as well as having artwork listed in our catalogs and stored in the archives at Alexander Library at Rutgers University. I could go on and on.

I will add just one more thing. Being able to be a part of this historical organization whose sole purpose is to empower women artists, and to see my name alongside artist powerhouses such as Mary Cassatt, Faith Ringgold, and Judy Chicago is an enormous honor. Such a feeling of accomplishment is difficult to put in words.

CDH: Have there been any unexpected positive results for the artists in this association?

AH: Yes, having our organization featured here! Thank you very much for the opportunity to visit with you and share a little about NAWA and our artists. You never know where connections will lead, and you don’t make connections unless you reach out.

I reached out to join NAWA and once I was accepted, a whole world of opportunity opened for me. That’s what we want for our members; to show them that we value them as an artist by selecting them through a juried process to join our esteemed organization and by providing ongoing opportunities for education, inspiration and promotion of their work – connecting with them not only on a professional level, but personal level.

CDH: Does NAWA have any upcoming exhibitions?

AH: We currently have “The Resilience of Grief” and “Winter Small Works,” which are online exhibitions that will carry us into spring. They will be followed by “Special Women / HERstory” and an invitational exhibition, Art Angels which will lead into our first summer exhibition for our new members held in June.

One not to miss premier’s in October with NAWA’s 132nd Annual Members Exhibition. Our Massachusetts, South Carolina, and Florida Chapters are holding both virtual and live exhibitions. A complete list can also be found online at: thenawa.org.

NAWA-art-exhibition

Members and the public alike enjoy an exhibition of art from NAWA

CDH: Anything else you’d like to add?

AH: I’d like to mention that NAWA Headquarters recently moved into a new location. We are now privileged to call the National Arts Club building at Gramercy Park South in New York City our new home. This is a beautiful and historically significant building and when we are able to return to in person shows, we will have an incredible new space to host them in.

In the meantime, please visit our website www.thenawa.org and like our Facebook page @TheNAWA, to see what our incredible artists and the organization is doing. Lastly I want to thank you again for the opportunity to share a little about the National Association of Women Artists. Having a chance to highlight the issue of under-representation of women artists, is critical. Art is an ever-evolving form of expression that belongs to all of us. We each have the power to change the status quo for the betterment of not only ourselves, but the women artists who come after us.

Cadillac Ranch with Longhorn by Amy Hutto

“Cadillac Ranch with Longhorn” by Amy Hutto, NAWA member


Cherie Dawn Haas-EditorCherie Dawn Haas
Cherie Dawn Haas is the Editor of Realism Today, as well as the Online Content Manager for FineArtConnoisseur.com and OutdoorPainter.com (home of Plein Air Magazine). She is a “maker” who loves to write, dance, and explore various other forms of creative self-expression, including mixed media art.

National Association of Women Artists – Fall 2020 Newsletter

Mary Ahern Artist Posted on December 3, 2020 by Mary AhernJune 9, 2025

I am honored to have my painting “Pay Attention Here – Orange Hibiscus” on the cover of the Fall 2020 Newsletter of NAWA, The National Association of Artists. I was juried as a full member into this prestigious historic organization in November of 2018.

NAWA was founded on January 31, 1889 to offer women a greater opportunity as professional artists in a male-dominated art world.  From the onset, the annual exhibitions of the women’s Art Club were a great success, attracting the participation of women artists such as Mary Cassatt, Suzanne Valadon, Rosa Bonheur and Cecelia Beaux. As the organization grew, its membership included prominent artists like Gertrude Vanderbilt Whitney and Anna Hyatt Huntington.

Many members have taken their rightful place among the recognized artists of their time. Louise Nevelson, Nell Blaine,  Alice Neel, Marisol, Judy Chicago, Miriam Schapiro, Janet Fish, Audrey Flack and Faith Ringgold. It is a great honor for me to be afforded such an inspiring brush with history and talent.

Here is a link to the National Association of Women Artists Fall 2020 Newsletter

Pay Attention Here - Orange Hibiscus 36x36" GW Oil on Canvas by the artist, Mary Ahern

Pay Attention Here – Orange Hibiscus 36×36″ GW Oil on Canvas. View this on other oil paintings on my website here.

This is the statement I wrote for the NAWA publication.

For years, I have created floral and garden paintings as the subject of my art. During the last number of years, I’ve focused ever more closely on the centers of flowers as they speak to me more deeply of the reason for their existence. And ours as well.

As a passionate gardener, I am inspired by the gardens I designed and tend surrounding my own studio in Northport. These flowers represent to me a microcosm of the universe. The outsize scale of these individual flower portraits demands attention. They ask questions beyond the canvas.

What is the purpose for such magnificence in nature? What is the reason for such color, such form, such diversity? What is their relationship to the communities in which they belong, their relationships with other plants and species that sustain them, invade them and nourish them? What of their lifecycle of birth, growth, senescence and rebirth? As humans, what can we learn from their seemingly simple existence?

Initially, we see with our eyes. We name the subject, identify it and classify it. But, we also have a duality of vision which allows us to contemplate with an inner vision. This art invites both the external and internal views.

The dual naming of each painting reflects the complex meaning of the work and is an enticement to think more deeply about the subject. This painting, Pay Attention Here – Orange Hibiscus, is at first a call for contemplation of purpose and secondarily, the common name of the flower which enables a more familiar entry into the conversation.


 

Art in the Park in Northport Village

Mary Ahern Artist Posted on July 1, 2020 by Mary AhernFebruary 18, 2026

For years I’ve participated in the Northport Arts Coalition Art in the Park summer time event. This annual event features Music, Dance, Poetry and over 30 Artists and Artisans showing and selling their creative work.

Sponsored by the Northport Arts Coalition this event is one of the featured cultural events of the summer season. Held in the picturesque town of Northport in the Village Green at the foot of Main Street by the harbor. 

Although I no longer show my work at Art Festivals, you can call for a private studio tour to see and discuss my work.

Please don’t hesitate to contact me for an appointment!

2016-07-09-art-in-the-park-IMG_0743

 

Mary Ahern Artist Posted on May 31, 2019 by Mary AhernJanuary 1, 2026

ChromaLuxe Spotlight Customer

Mary Ahern

Click here to download the brochure.

 

Posted in Press, Writings

Market Art + Design Show at the Bridgehampton Museum

Mary Ahern Artist Posted on June 26, 2018 by Mary AhernJune 9, 2025

Market Art + Design returns for the fair’s eighth edition  July 5 – 8, 2018 at The Bridgehampton Museum on Montauk Highway in the heart of the Hamptons. Download your VIP Pass now for access to the fair’s Opening Night Preview benefiting the East End’s renown Parrish Art Museum.

Join me at the ArtBlend Booth #403

Hours & Location

The Bridgehampton Museum – 2368 Montauk Highway, Bridgehampton, NY

Thursday July 5, 2018
6:00pm to 10:00pm

Friday, July 6, 2018
11:00pm to 7:00pm

Saturday, July 7, 2018
11:00am to 7:00pm

Sunday, July 8, 2018
12:00pm to 6:00pm

Market Art + Design 2018 will feature the best in art and design presented by 80 top galleries from around the world – making this July’s fair the biggest and most important to date. The 2018 Hamptons summer season will also see the expansion of Market Art + Design’s partnerships with The Wall Street Journal, Hamptons Cottages & Gardens, Artsy, Tesla, Art Money, Aperol, Jadot, and The Parrish Art Museum (the fair’s 2018 Beneficiary Partner), extending the fair’s reach into the Hamptons’s collecting community.

Preview the ArtBlend Show Catalog with my painting “Just Waiting – Free Spirit Rose Bud” which is one of the paintings I will have on display at the show.

Learn more about the Hamptons’ premier modern and contemporary art and design fair at ArtMarketHamptons.com

Market Art + Design Show. Bridgehampton NY July 5-8, 2018
Market Art + Design Show. Bridgehampton NY July 5-8, 2018. Mary Ahern Booth 403. ArtBlend
Just Waiting – Free Sprit Rose Bud. 36x36GW Oil on Canvas. Original Painting by Mary Ahern

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Mary Ahern Artist Posted on May 21, 2018 by Mary AhernJune 9, 2025

Painting Studio. Work in progress for Bayard Cutting Arboretum. Mary Ahern Artist

Work in progress for my show at the Bayard Cutting Arboretum

Floral Contemplations: The Duality of Vision

New Work by Mary Ahern

Artist Talk Saturday June 9, 2018 1pm. Open to the Public


May 17 – June 17, 2018

Galleries Open to the Public Thursdays – Sundays 11 am until 4 pm

Bayard Cutting Arboretum

Historic Manor House 

440 Montauk Highway

Great River NY 11739

For directions please visit the Bayard Cutting Arboretum website

Mary Ahern brings her award-winning style of floral and garden inspired art to the Bayard Cutting Arboretum from May 17 through June 17, 2018. Three galleries of her floral portraits will be on display at the historic Manor House at the Bayard Cutting Arboretum in Great River NY. The galleries are open on Thursdays through Sundays from 11 am until 4 pm.

Mary Ahern, known for her brilliant floral and garden paintings will be showing her latest large-scale flower portraits. As a passionate gardener who is inspired by the gardens she designed and tends surrounding her own studio, these flowers represent to her a microcosm of the universe. The large scale of these individual portraits asks questions beyond the canvas.

What is the purpose for such magnificence in nature? What is the reason for such color, such form, such diversity? What is their relationship to the communities in which they belong, their relationships with other plants and species that sustain them, invade them and nourish them. What of their lifecycle of birth, growth, senescence and rebirth? As humans, what can we learn from their seemingly simple existence?

Initially we see with our eyes. We name it, identify it and classify it. But we also have a duality of vision which allows us to contemplate with an inner vision. This art invites both the external and internal views.

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Artist Talk by Mary Ahern at the Bayard Cutting Arboretum June 9, 2018

Mary Ahern Artist Posted on May 19, 2018 by Mary AhernFebruary 18, 2026

Floral Contemplations: The Duality of Vision

Artist Talk Saturday June 9, 2018 1pm. Open to the Public

Arboretum Room in the Historic Manor House Galleries


Art Exhibition

May 17 – June 17, 2018

Galleries Open to the Public Thursdays – Sundays 11 am until 4 pm

Bayard Cutting Arboretum

Historic Manor House 

440 Montauk Highway

Great River NY 11739

For directions please visit the Bayard Cutting Arboretum website

In conjunction with her month long art exhibition, Mary Ahern will discuss how flowers represent a microcosm of the universe in their cycles of living and loving, families and relationships as well as their quest for survival and eventual senescence and rebirth.

Mary’s immersive and personal experience with the flowers in her garden and studio caused her to reflect on the importance – both visually and emotionally – of what these living subjects mean to her. In her talk, she will share that meaning in hopes that audience members will contemplate, along with her a greater appreciation of the natural wonder of the world surrounding them. With a duality of external and internal vision, Ahern invites viewers to see the beauty and intricacy of flowers in her oversized paintings.

In their boldness, she suggests a contemplation of their relevance and ours in the social order of our universe. Mary has degrees in painting and ornamental horticulture with a specialty in landscape design. She received a certificate in botanical illustration from the New York Botanical Gardens.

Mary Ahern Art Show at Bayard Cutting Arboretum

Mary Ahern Artist Posted on July 10, 2016 by Mary AhernJune 9, 2025

Bayard-logo

Beverly's Welcome by the Artist, Mary Ahern

” Beverly’s Welcome ” 30×24″ Mixed Media Canvas

 

Presents
“Gardens Revisited”
A Fine Art Exhibition by
Mary Ahern
May 28 – July 17, 2016

Opening Reception Sunday, June 12 from 1 – 4 PM
Refreshments will be served.

The gallery is open Thursdays Through Sunday’s

Bayard Cutting Arboretum
Manor House
440 Montauk Highway
Great River, NY 11739

P. 631-581-1002

The Hidden Oak Cafe is located inside the Manor House, offering a varied menu of freshly prepared foods including sandwiches, quiche, soups,  pies and other desserts. Take advantage of with their indoor or outdoor seating.

Make a day of it, roam this world class Arboretum, view Art and stay for lunch.

 

Dream Chasers.

Mary Ahern Artist Posted on January 4, 2008 by Mary AhernJanuary 1, 2026

At midlife, taking lower pay to begin more satisfying careers

By Arlene Gross
Newsday Masthead
Special to Newsday
11:07 AM EST, January 4, 2008

newsday-mary-ahern-studio

Newsday photo of Mary Ahern painting in studio

Mary Ahern had (experimented) in art for many years, but had never been able to actually make a career of it. Until four years ago, that is, when she made the switch to full-time artist.

“I had always been a creative artist,” the Northport resident, explained. “Life, however, intervened, and as a single parent, I was never able to create my art on a full-time basis.”

Changing careers at midlife is no small feat, and switching to one with substantially less earning potential is more difficult still. According to Randy Miller, founder and president of ReadyMinds, an online career counseling service, downsizing a career can be a source of great anxiety.

Newsday photo of Mary Ahern painting in studio

Yet for some people, any fear or hesitation is mitigated by the yearning to follow a dream. Seeking more spiritually uplifting endeavors can be the ultimate challenge, and Miller said any attendant loss of income is often compensated with a renewed sense of purpose and newfound happiness.

“There are a lot of people who go through life and think, ‘What if?'” Miller said. “With a strategic plan, coupled with the new passion and ultimate objective of doing something different, one can more easily achieve their ultimate goals.”

For Ahern, a new husband provided the impetus and financial support to move forward. Income, the couple concluded, was less relevant to the quality of their lives than the legacy they wish to leave behind.

Newsday photo. Mary Ahern working in her digital studio.

“When we married, Dave urged me to follow my dream,” she recalled. “The hard part at first was trying to find inside myself what that dream actually was. You spend so much time marching forward and doing what you do, you lose the essence of yourself.”

Once their five children — all from previous marriages — were finished with college, Ahern felt it was OK to follow her calling.

“My income from my art doesn’t yet come close to the money I’m used to making in either my career in computer graphics equipment sales or my own graphics design firm,” she said.

One of her greatest sacrifices was a big dip in retirement savings, which now come exclusively from her husband’s salary.

“We have a comfortable nest egg,” she said, “but by coming out of a conventional career, I no longer have the extra cushion to add to my existing portfolio of tax-advantaged savings vehicles.”

Despite her diminished earnings, Ahern says she is happier. “I am living the life I am meant to live,” she said.

Moving beyond money

Though financial rewards are, undoubtedly, necessary for life on Long Island, there are many people, experts say, who yearn for a sense of personal satisfaction and deep-down fulfillment, something that money just can’t buy.

According to career counselor M J Feld, of Careers By Choice in Huntington, more and more individuals are making such changes in their lives. “In particular, because corporate America has become a source of alienation to lots of workers,” Feld said, “we have a lot of folks looking to build their own road. It is no longer about what looks like success; it is about what feels like success.”

For Lisa Hodes, 41, of Huntington, the desire to be closer to her kids and have a simpler life spurred a decision to buy a local business. Hodes had been a stay-at-home mom until her divorce in 2002 necessitated returning to work.

“After being home with my kids, I didn’t want them to feel a drastic change,” she said, so she settled, temporarily, on a management position at a Plainview firm specializing in discounted health plans.

Before marrying, Hodes had worked as a management consultant for Fortune 500 companies, traveling on business a few days each week, three out of every four weeks. “I loved work, but I didn’t have much of a personal life,” she recalled.

At her temporary post, Hodes said, she felt something was always being compromised. “My kids weren’t getting enough of me,” she said, “and I wasn’t getting any of me. Nobody was being satisfied — even though there was a greater earning potential over the long run.”

Searching around for other possibilities, Hodes spotted a “For Sale” sign at Sweetie’s Candy Cottage in Huntington, a sweets emporium minutes from her home, and decided to take the plunge.

“Now I work around their schedule,” she says, referring to sons Cole, 9, and Quinn, 7. “I’m home after school every day and there for anything school-related.”

Another factor in Hodes’ decision to escape the corporate world: her disdain for bureaucracy and having to go through endless channels to get simple decisions approved. “Now if I feel that something should be done, it is done,” she said. “No waiting — just do things for the right reason and get on to the next.”

And now, she adds: “I remember what is important to me: family and living life in a certain way.”

Accomplishing the switch, however, meant losing the security of a regular paycheck.

“It’s a very unpredictable, seasonal income,” she admitted. “With children, that’s very hard. It means I can’t plan for any particular college and retirement savings. The way it works in our house is we only buy things at the holiday season, because that’s when we have a little bit of extra money.”

“You have to admire the courage of someone who gives up their income and their social status for the values that they’re trying to uphold,” said Susan Peterson, president of A-1 Resumes Inc. of East Norwich, who is also an adjunct professor of philosophy at Nassau Community College. “It’s not an easy thing to do.”

Over the past 18 months, headhunter Lhea Scotto-Laub said, she has seen a trend toward baby boomers taking positions with significantly less financial potential than the ones they previously held.

Scotto-Laub, president of Quantum Career Services in Jericho, said these people have realized they “want more — intellectually, emotionally and socially — and that something’s missing. They want more gratification in the new position that they’re seeking.”

After a three-decade career teaching college-level biology, Roberta Koepfer definitely thought something was missing.

“Although I had always enjoyed teaching, when I examined my life, I realized I had grown as much as I could,” the Bayside resident said. “The lab and the lecture hall had become too confining. I felt a need to explore these other spiritual interests I had.”

Her search ended at her daughter Diana’s wedding in 2005, where the ceremony was performed by Kim Kirkley as a celebrant, someone who officiates at ceremonies or rites.

“After speaking with Kim, I instantly felt that I had found the new direction … I had been seeking,” she said.

Two years later, Koepfer, now 65, became a celebrant and has presided over a handful of ceremonies.

She and her husband have never had an extravagant lifestyle, she said, but they have still had to adapt to her lowered income. “I don’t need business clothes anymore,” she explained. “I eat out less. My biggest cut was in buying books.”

Still, the greatest and scariest challenge, she said, was giving up a secure position and knowing that there was no turning back.

“But I wasn’t happy anymore doing what I did,” she declared. “Since I retired [from teaching], a whole new world has opened up for me.”

Recently, Koepfer decided to add the title of chaplain to her resume, and as part of her studies, will be doing a 100-hour internship at the Bedford Hills Correctional Facility, a maximum-security prison for women in Westchester.

The joy factor

Another “chaplain-in-training,” Karl Nelson, of Huntington Station, had considered going into semiretirement, with the benefit of savings, a small pension and Social Security payments.

“I was working for a nursing home in Queens,” he said. “While I was there I had to recruit a new chaplain. The three women who applied for the job had all taken this clinical pastoral education.”

While checking one of the candidate’s references, his conversation with the program director piqued his interest in the profession.

After talking it over with his wife, Nelson decided to pursue a new career and in 2006, at the age of 67, began a yearlong course for clinical pastoral education. He is now finishing up a certification program while working as a chaplain at Good Shepherd Hospice in Port Jefferson Station, where he plans to remain once he finishes the course.

Of his 40 years in health care administration, which included serving as chief executive of Booth Memorial Medical Center in Queens, Nelson said, “I had a lot of big jobs with big staff. That work was very rewarding, but it was all management work. It was not dealing directly with patients.”

Now, as chaplain, he ministers directly to patients, counseling them and their families.

“The direct contact with people,” he said, “is so rewarding.”

What he’s losing in income — at the peak of his former career he made over $100,000 a year more than he does now — he’s making up in personal joy.

“I’ve never had a richer, more fulfilling experience in my life,” he said. “As people approach death, they become very aware of the spiritual aspect of their lives. I can help them navigate this journey.”

For years, Nelson ritually set aside 10 percent of his salary toward retirement. Today, he’s living largely on those savings, which, he said, have grown over the years, and he no longer is saving from salary.

His daughter has finished graduate school, so Nelson no longer has to support her. And to further make up for the salary differential, he and his wife have cut back on restaurant meals, movies and theater outings in the city. Vacations are shorter and closer to home, and since he’s no longer commuting, he’s saving on gas, tolls and parking.

“There’s no magic to it — it’s very careful attention to detail and a little belt-tightening. The little things really add up to make a difference.”

Paul Jenssen, 51, of Searingtown, moved from a lucrative career in investment banking to teaching because he yearned to leave a different sort of legacy. The move was made possible by years of prudent living and careful financial planning.

As he and his wife made increasingly more money, he explained, they shifted the higher earnings directly into higher savings. “We didn’t really grow our lifestyles as our incomes grew,” he said.

After years of working and saving for the education of their two children, Jenssen, an investment banker and financial planner, and his wife, Debra Esernio-Jenssen, a pediatrician, realized they could get by with significantly less income if they watched what they spent.

“My goal was to minimize the luxuries so that we don’t have to dip into our savings,” he said.

Luxury cars, according to Jenssen, offer a perfect example of something people can easily do without when they’re downsizing. He traded in his Lexus sedan for a Mazda, and the two have cut back on vacations and dining out.

Jenssen, whose last post was chief financial officer of an investment bank, explained: “I had gotten into accounting by default, to support myself. I always had an idea that I’d like to do something different at some point.”

Over the years, he had pondered career possibilities. “I always liked history as a kid, and I’d thought about teaching for a while.”

A trip to Tanzania in 2007 with a group of high school students from Long Island Lutheran High School in Brookville cemented his decision to teach. He was impressed by African students who, he said, sacrifice everything for their ticket out of poverty: education.

“I would like to teach social studies in a way that connects to the children,” he said, “in a way that I would have liked to have been taught.” Jenssen started taking classes last January and is now observing other teachers, and loving it all.

“To be in school with younger people is fun,” he said, “and I find it very energizing. The side benefit of it is I get to delve into a subject I love and look at it with a more mature perspective.”

Up next for Jenssen is student teaching and completion of his master’s program in education by the end of the summer. Come next fall, he’ll be out looking for a full-time teaching position.

“The idea of having a legacy, more than making money, and at the same time rediscovering history to teach it, is both a challenge and reward,” he said.

For those downsizing careers, living their dream is their reason for being.

Roberta Koepfer sums up the transitional journey with one of her favorite quotes from the ninth century Japanese poet Akiro No Narihara:

“I have always known that at last I would take this road, but yesterday I did not know it would be today.”

Copyright © 2008, Newsday Inc.

Posted in Press, Writings | Tagged Press

Artist Cultivates Her Livelihood Like a Garden

Mary Ahern Artist Posted on June 13, 2007 by Mary AhernJune 9, 2025

Mary Ahern has green thumb for botanicals & business.

By Arlene Gross

2007-06-The-Times-headerJune 13, 2007 | 02:39 PM

2007-06-13-garden-photo2

Northport resident Mary Ahern is a successful artist who practices a unique technique she describes as “digital” painting.

But Ahern, who will be among the exhibitors at Arts in the Park in Northport July 8, was not born an artist. “I didn’t come to paint until I was older,” she said. “I didn’t even know I had a facility for it.”

As a young girl, she focused on music: playing trumpet and saxophone for the high school band and conducting her Fort Hamilton High School graduation in Brooklyn with a rousing rendition of Beethoven’s Fifth Symphony.

“I’ve been in the bleeding edge of those kinds of issues,” she said. “In those days, girls didn’t conduct.”

A life-changing moment came in her 20s, when a friend gave her a coffee table book of Georgia O’Keefe’s paintings.

“I opened it up and turned the pages and wept,” she recalled. “It was completely transforming. I could only look at 10 pictures a day, it was so overwhelming.”

From that moment, Ahern knew she must study art and, then a resident of Queens, attended Queens College.

Although she was influenced by O’Keefe and painted similar subjects, such as close-up and sensual florals, Ahern said she did not mimic her idol’s technique. Whereas O’Keefe painted with direct and rapid strokes, Ahern’s traditional paintings were created in grisaille, or gray scale, and layered with washes of pigment on top, giving the subjects a glow through the optical blending of glazes of pigment.

After divorcing her first husband, Ahern took a job at Barnard College’s career counseling office, where she herself was able to get some career guidance. Through her Barnard position, she attended Columbia University for free by working there while raising sons, Chris and Michael, then ages 10 and 8.

“I knew if I couldn’t stay home and be a mom and paint, I had to make a decision: I’m going to make as much money as possible,” she said.

With profit in mind, Ahern went into technology sales, selling computer graphics and eventually becoming Northeast regional sales manager at Chyron Corporation in Melville. Then she started Online Design, a digital graphics company.

For Ahern, feminism was not a word to bandy about but, rather, her day-to-day reality — working as a single mother in a male-dominated industry.

“My single-minded focus on providing a good life for my sons enabled me to ignore the tremendous obstacles, prejudice, emotional assault and loneliness that comes from breaking through social barriers,” she said. “I, like my father, pulled myself up by my bootstraps. As a woman in a male industry however, I, like Ginger Rogers, did everything in high heels and backwards.”

In 1989, Ahern fulfilled her dream of buying a house with a spacious garden in Northport, which she said, “was like a step back in time to a slower and more gracious lifestyle.”

“The center of town with a Main Street embedded with trolley tracks leading to the harbor breezes and music in the gazebo captured my attention and insisted upon my attendance. I needed to move here.”

Eleven years later, she renovated her home, adding an airy, second floor art studio, and now natural light trickles throughout.

The garden, which Ahern designed, encircles the house, with its artfully designated focal points and meandering paths, everything flowing gracefully.

“I practice nonviolent gardening — no rose bushes to stab you — all soft inviting plants,” she said.

Seventeen years after her first marriage ended, Ahern married David Ruedeman, an engineer at Chyron. The couple worked together there but got to know one another only when he became a client of Online Design. This year will mark the couple’s 10th anniversary…

Early on in the second marriage, wishing to reinvent herself, Ahern got a degree in horticulture from SUNY Farmingdale in 2000, with the idea of becoming a landscape designer, which she did for a year.”It was too much for my… body,” she said, of the many hours spent working on bended knees.

From there, it was a two-year course studying botanical illustration at the New York Botanical Gardens in the Bronx.

Her photographic painting, a culmination of expertise paralleling her life’s progressive journey, combines a passion for the fine arts, gardening, computer graphics and botanical painting.

“To be creative, you need to know your medium,” Ahern said of her computer graphics skills. Through her paintings, she seeks to make people look around them and become more aware of the nature surrounding us.

Dr. Roberta Koepfer, her friend since 1971, said, “She’s like a phoenix. I have seen her rise up from a fair number of devastating experiences. Every time she comes back, she comes back more dynamic, more focused on her art and with an increased zest for life and personal growth.”

When it came time to sell her art, Ahern’s business savvy came in handy; she started in Northport as an exhibitor at the annual Arts in the Park series and now participates in about 15 art shows in New York and Connecticut between May and September, with her husband lending a hand.

Ahern’s work has also been the focus of several gallery exhibitions, including a one-person show at Greenlawn’s Harborfields Library this past February.

Susan Hope, gallery coordinator for the library, noted that Ahern’s exhibit was well timed: her cheerful florals brightened the gloom of winter. “It has an eye catching appeal,” she said. “People really enjoyed it, whether they were art savvy or just seniors on their way to their meetings.”

Today, Ahern is either painting her botanicals, selling them or lecturing on the business of art at libraries or schools, although her business persona has changed radically over the years.”I did trade shows in high heels and silk suits,” she said, “now I’m doing business in Birkenstocks and shorts.”

To anyone seeking career guidance, Ahern advised, “Don’t throw away anything you’ve done because you want to transform yourself. Take the good portions, the positive elements and try to incorporate them into this new self you’re creating. That’s how I’m living my life.”

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