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Mary Ahern Artist

My Art Starts in the Garden

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Queens College Art Exhibition – Full Circles – Featuring the Art of Mary Ahern and Virginia Mallon

Mary Ahern Artist Posted on May 5, 2025 by Mary AhernJune 9, 2025

Art Exhibition: Full Circles: Featuring the Art of Mary Ahern and Virginia Mallon

The art exhibition Full Circles celebrates the careers of two Queens College Alumni from April 7 through May 5, 2025, at the Queens College Art Center Gallery in the Benjamin S. Rosenthal Campus Library.

Queens College alumnae Mary Ahern (class of 1980) and Virginia Mallon (class of 1985) have crossed paths many times since graduating in the 80s. Though distinct in style, these accomplished artists have shared similar journeys, challenges, and successes throughout their careers. Both have experienced long-standing memberships in the National Association of Women Artists (NAWA) and at Ceres Gallery, one of the oldest feminist galleries in New York City. On view will be work representing the arc of expression and symbols explored during their years at Queens College and still uniquely threads through their current artwork decades later.

Ahern’s art is deeply rooted in symbolism, dynamically reflecting the interconnectedness within the microcosm of her garden and the macrocosm of the cosmos. Her vibrant floral works invite viewers to contemplate universal questions of existence, exploring themes of survival, growth, and renewal through meticulous attention to the natural world. Issues of isolation and exclusion featured in her work then return in this new period of political upheaval.

Mallon approaches her art through a different lens. “My work contemplates religious, historic, and mythological women and the psychological undercurrents of contemporary society.” Mallon explains. With influences from social realism, political, and feminist art her powerful pieces offer commentary on modern societal challenges from a distinctly female perspective, exploring complex themes of identity, power, and resilience.

Both artists have successfully balanced their artistic pursuits with parallel careers outside the art world, bringing unique perspectives to their creative practice.

April 7 to May 5, 2025
at QUEENS COLLEGE ART CENTER
65-30 Kissena Blvd, 6th Floor, Benjamin S. Rosenthal Library, Flushing, NY 11367
Reception, 4pm to 7pm, Thursday, April 10th
Gallery open weekdays 1-4pm, and by appointment.



Download Press Release Here:

2025-04 Press Release-QC-Full Circles-Ahern-MallonDownload

Lifelong Learning: A Personal Journey

Mary Ahern Artist Posted on October 27, 2024 by Mary AhernJune 9, 2025

Seth Godin. Akimbo

Screenshot of one of the online Seth Godin & Bernadette Jiwa Akimbo courses I took with other students around the world. It’s a great way to meet others interested in the same things as you.

I’m in my 70s and very excited since I’m back at school and taking a new class. We are so lucky now that there are many ways to continue learning. We can take classes in traditional in-person settings, take online workshops, or pursue a hybrid balance. What a gift!

My pursuit of knowledge has always been eclectic. I study what I want, when I want or need it, to enhance the projects I’m working on. Not one to seek the traditional BA, MA, or PhD stepping stones, I followed the song made famous by Frank Sinatra, I did it “My Way.”

One of the constants in my life is that I’m always studying something. A deep and wide curiosity leads me to focus on personal growth and practical knowledge — from Maharishi to computer programming and everything in between.

Many online classes over the years have allowed me to study subjects like digital painting, oils, watercolor, illustration, and abstraction. These online classes let me experiment quickly with various mediums and styles to see if they are something I might want to study more deeply. I remember taking an online workshop with an artist and then flying from NY to Baton Rouge to study in his in-person workshops. This would never have happened had I not met him and his work online. Both the online and in-person types of study are unique experiences in their way, and at times, one leads to the other.

READ THE FULL ARTICLE HERE.

Originally published in Sanctuary Magazine. 

Awakenings in the Garden: An Artist’s Journey

Mary Ahern Artist Posted on September 30, 2024 by Mary AhernJune 9, 2025

My garden has been the inspiration behind my art for decades but formally studying horticulture introduced me to an entirely new understanding of the garden. Studying the science behind this living environment at my doorstep, was and continues to be a source of endless investigation. Not just in the beauty a garden can project, but in the sustainability, the interaction, and reliability of the vast array of life forms involved in creating a mutually dependent whole. Because of this deep study of my garden, my art has changed. As I’ve grown in an awareness of the complexity of the garden that I’ve designed and tended for over 35 years, my art has changed too by becoming more expressive, less realistic, and more multilayered.

I first became aware of how I was being transformed, not just by having more technical knowledge through my studies in horticulture when one day, standing in my garden, my clothes and hands covered in dirt, scratched and bug bitten, a wave of quiet contentment entered my very being. Yes, I was exhausted, and my body was aching from the hours of hard physical labor, but something different was flowing through my mind. It was a sense of awakening. I felt it but I was not able to articulate clearly what I felt. I still don’t have the words completely to express this transformation. So, I have been trying to do so through my art.

Mary in Her Studio Working on Phaelanopsis Orchid (December 2020)

Working in my studio on the Phaelanopsis Orchid (December 2020)

Spending years since then of work both in my mind and physically, I have dug deeper into the metaphor the garden has represented to me about all living beings. It has taught me that in order to survive, the building of communities is needed to create a harmonic, healthy balance. The garden speaks to me of survival. I watch hummingbirds, with their long beaks, attracted to the long tubular flowers of the Salvias. I smell the late day fragrance of the Brugmansia as it seduces night pollinators less exhausted from a day’s work to help the lifecycle. Each insect, each flower, each fungus is only trying to survive for another season, another year, another generation. We as humans, like the complexities found in the garden are also trying to survive and hopefully prosper.

In my studio, my large, centrally focused flower paintings have been inspired by the imagery I saw through the microscopes used during my scientific studies in horticulture. The bold colors and large sized paintings were my way of grabbing the attention of the viewer just as the stunning presentation of a bold peony blossom calls out for attention.

Phaelanopsis Orchid (A Work in Progress,

Phaelanopsis Orchid (A Work in Progress, December 2020)
© Mary Ahern

Over time the education I am receiving from the garden has been changing me. My artwork reflects my deepening thoughts, abstract concepts, and my openness to explore new ideas and deeper theories of the world surrounding us.

During Covid, another revelation presented itself to me. I began to look at the imagery posted online by NASA showing us the galaxy of which we are but a small part. I realized that the entire universe also depended upon that harmony and balance all of us, the garden included, must have in order to exist. This awareness of the delicacy of both the microcosm and the macrocosm of our worlds is what I am now trying to express in my artwork. Blending abstractions inspired by the cosmos transparently through the realistic flowers grown in my garden informs the current work in my studio.

The awareness of the multi-layered reliance on other forces to help in survival is humbling. This new awareness has deepened my gratitude. This is what I am now attempting to create in my studio.

Cosmic Phaelanopsis​ on Oil ~ 24 x 24 inches. Deep Cradled Hardboard

Cosmic Phaelanopsis​
Oil ~ 24 x 24 inches. Deep Cradled Hardboard.  Available on the website here.
© Mary Ahern

Note: “Cosmic Phaelanopsis” is the final work after I put the piece aside for two years due to being dissatisfied with its direction. The final “Cosmic Phaelanopsis” is an example of the new direction my work has taken.
​
Partial Artist Statement:
This artwork sparks a vital conversation reflecting the interconnectedness and balance within the microcosm of my garden and the macrocosm of the cosmos. My work draws inspiration from the life cycle of flowers to explore existential questions about existence, purpose, fragility, and interconnectedness.


Originally published in Sanctuary Magazine. July 2024 and in my Art Blog here

Women Helping Women: A Recipe for Success -Art Blog

Mary Ahern Artist Posted on August 31, 2024 by Mary AhernJune 9, 2025

There were women who stepped into my life’s journey that changed the course of my life at critical junctures that I only realized in hindsight. I was raised in a very conventional household by strict European parents with very defined roles. By twenty years of age, I’d come to the pinnacle of my success with my prince charming of a hubby, a baby, and our own home. What a relief! I had it all. The American dream. Contentment personified.

Two Women Friends

Mary (L) and Roberta ~ 1977 Photo Courtesy: Mary Ahern

Until my beloved hubby rocked our little world by wanting out of our paradise. I had no life preparation beyond anything except the happy home, two sons, a dog, and a white picket fence. I didn’t know any woman who worked, let alone was raising their children by herself. I honestly imagined my sons, and I would starve to death without a man to work and earn the money to use in the supermarket. The windows in our home became a prison to me, keeping us silently and painfully apart from the world. My dark hopelessness led me on frightening trails of despair and death.

The emergency slowly passed. Life settled down a bit. But I was changed forever. I knew I needed to control the outcome of life for my sons and me. Then, I met Roberta at the YMCA Swim and Gym classes for our three-year-olds. She was a biology professor at Queen College and showed me I could get educated. Because of her, I went to college, got my degree in fine arts, and then got my divorce on my terms.

With confidence and a goal, I got a job at Barnard College, the women’s college of Columbia University, a bastion of feminism—an entirely new world of supportive women who opened up a vast world for me. Martha hired me as the office manager since, as she said, any single mother knows how to balance time and tasks. Since classes were free for employees, I studied programming in the School of Engineering, and Martha encouraged me to get into the then nascent field of computers. She also said to follow where a company makes its money, so I should go into sales or finance for my career. I took her advice.

Mary’s Office Just After Starting Her Own Business, Online Design (1995)
Photo Courtesy: Mary Ahern

Mary Ann had a Datsun 280 sports car, wore gold jewelry, and owned expensive houses. She showed me women on their own can be wealthy. I determined that if I couldn’t be home at 3 o’clock with the milk and cookies, I would make the most money I possibly could. She showed me it was possible.

I went into the sales field in the male-dominated computer graphics industry since there I would earn money based upon my own efforts while combining my art, graphics, and computer backgrounds. And I did. Until I hit my head on the glass ceiling. So, I started my own graphic design/marketing business.

As an entrepreneur, I controlled how I used my time, benefited financially from my own skills and efforts, chose the types of work that intrigued me and created and designed my own lifestyle.

And now is my time in my journey; I get to pay it forward. Using the models, the women before so wisely gave me, I am able to generously offer my experience to other women. Being an active member of the National Association of Women Artists (NAWA), I am in a position to share my business experience in sales and marketing with many other women to help them move along in their own journeys. Like having a delicious piece of apple pie with a scoop of ice cream and a cherry on top at the end of an exquisite meal, I’m finally having my dessert.

NAWA has been empowering women artists for 135 years as the first women’s professional art organization founded in the US. Like the women who helped me in my life’s journey, I’m comforted by knowing I’m also helping other women in theirs. As Isaac Newton said: “…if I have seen further than others, it is by standing upon the shoulders of giants.”

My life is filled with gratitude for what I have experienced and learned throughout my life, and that I now have an opportunity to share with other women in my community of professional women artists. Life is sweet!

National Association of Women Artists (NAWA) 2023 New Member Induction Ceremony
Mary (Bottom Row, 4th from Right)
Photo Courtesy: Mary Ahern. Chair of Public Relations Committee


Originally published in Sanctuary Magazine March 2024

Art Blog Post: A Virtual Visitor Had Me Contemplating My Lifelong Career in the Arts

Mary Ahern Artist Posted on August 19, 2024 by Mary AhernJune 9, 2025

Judy Chicago

Photo of Judy Chicago  by Donald Woodman

A Virtual Visitor Had Me Contemplating My Lifelong Career in the Arts

To read this on the Art Blog click here!

https://www.maryahernartist.com/art-blog/virtual-visitor/

A short while ago I had a virtual visitor enter my studio while I was standing at my easel working on an oil painting. The visitor was Judy Chicago who was interviewed for the 60-year retrospective of her work at the New Museum in New York. Out of the corner of my eye, as I continued to paint, I watched and listened to the live-streaming event for the exhibition “Herstory” (here’s the YouTube Video of the event) which was the first comprehensive museum survey of her work. Judy Chicago was born in 1939 and as I listened to this interview it was 2023. Eighty-four years is a long, long time to wait to have this type of recognition.

This juxtaposition of Judy being live-streamed into my studio as I painted was profound for me since Judy’s work and those of many other women artists whom I was fortunate enough to be made aware of during the 1970’s when I was majoring in art in college, are why I’m still creating my work. These women artists weren’t in my textbooks. They were instead presented to me by some of the women art historians and women professors I studied with when I was lucky enough to attend classes at the then, tuition-free, City University of NY. All these women changed my life. The women artists were showing a new way of working and the professors were exposing us to a reevaluation of the art historical canon.

Mary Ahern Painting “Passion – Red Dahlia” Oil on Canvas 30×30″  

I first saw Judy’s work in 1979 as thousands of us made a pilgrimage to the Brooklyn Museum of Art to view The Dinner Party. This groundbreaking installation was created with Judy’s vision and also the efforts of hundreds of women offering their skills in various mediums. This work helped to introduce fabrics, embroidery, stitching, ceramics and various other techniques which had been ungraciously removed from the category of “Fine Art” by those who were in charge of writing the history of art. These creative skills were those exercised primarily by women and now were finally being presented in museums.

We stood for what seemed like hours, quietly waiting for our turn to enter the site-specific art in the room which housed the installation. Most of us on the long line had dressed in better than everyday wear for the occasion. When we finally reached the doorway, we found the room lights were dimmed. We entered as if entering a house of worship. Voices were hushed. Many folded their hands as if in prayer. It was the closest I’d come to a sacred event outside of an actual house of worship. We all knew this was a pivotal point in our lives. Our eyes and minds were to be opened to entirely new languages, visuals and histories that we’d never encountered before in the mainstream art world. Upon emerging from this immersive experience, we were elated, buoyant, excited beyond imagination by the possibilities we’d just been introduced to. We were sure that now everything would be different. We knew it had to be.

Upon reading Judy’s recent book, The Flowering: The Autobiography of Judy Chicago”, I learned how hard a life she had bringing her visions to fruition and acceptance. She and her work were torn apart, reviled, and denigrated by the conventional art world. The press denounced her vision and the work of the women artists who contributed their skills. Reading about her hard-fought lifetime of bringing her art into the world, reminded me that all of us have obstacles in our lives. They vary from person to person. But to be a creative artist for an entire lifetime takes a certain amount of grit. Success, by whatever measurement we use, takes the ability to keep pushing forward through the hard times. The times your heart is breaking. The times you are having trouble putting food on the table. The times your family is in crisis. The times you feel less than because others feel so much more than.

Because of these feminist artist pioneers, I’m still painting, still creating, still growing. They cleared the path and showed me the way. And as I stood at my easel painting, Judy streamed in to tell me to keep going, there’s no quitting, there’s no calendar, there’s no promise, no destination. I’ll just keep making my art. She still is.

Photo collage by Mary Ahern


 

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