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Mary Ahern Artist

My Art Starts in the Garden

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Art Blog Post: A Virtual Visitor Had Me Contemplating My Lifelong Career in the Arts

Mary Ahern Artist Posted on August 19, 2024 by Mary AhernJune 9, 2025
Judy Chicago

Photo of Judy Chicago  by Donald Woodman

A Virtual Visitor Had Me Contemplating My Lifelong Career in the Arts

To read this on the Art Blog click here!

https://www.maryahernartist.com/art-blog/virtual-visitor/

A short while ago I had a virtual visitor enter my studio while I was standing at my easel working on an oil painting. The visitor was Judy Chicago who was interviewed for the 60-year retrospective of her work at the New Museum in New York. Out of the corner of my eye, as I continued to paint, I watched and listened to the live-streaming event for the exhibition “Herstory” (here’s the YouTube Video of the event) which was the first comprehensive museum survey of her work. Judy Chicago was born in 1939 and as I listened to this interview it was 2023. Eighty-four years is a long, long time to wait to have this type of recognition.

This juxtaposition of Judy being live-streamed into my studio as I painted was profound for me since Judy’s work and those of many other women artists whom I was fortunate enough to be made aware of during the 1970’s when I was majoring in art in college, are why I’m still creating my work. These women artists weren’t in my textbooks. They were instead presented to me by some of the women art historians and women professors I studied with when I was lucky enough to attend classes at the then, tuition-free, City University of NY. All these women changed my life. The women artists were showing a new way of working and the professors were exposing us to a reevaluation of the art historical canon.

Mary Ahern Painting “Passion – Red Dahlia” Oil on Canvas 30×30″  

I first saw Judy’s work in 1979 as thousands of us made a pilgrimage to the Brooklyn Museum of Art to view The Dinner Party. This groundbreaking installation was created with Judy’s vision and also the efforts of hundreds of women offering their skills in various mediums. This work helped to introduce fabrics, embroidery, stitching, ceramics and various other techniques which had been ungraciously removed from the category of “Fine Art” by those who were in charge of writing the history of art. These creative skills were those exercised primarily by women and now were finally being presented in museums.

We stood for what seemed like hours, quietly waiting for our turn to enter the site-specific art in the room which housed the installation. Most of us on the long line had dressed in better than everyday wear for the occasion. When we finally reached the doorway, we found the room lights were dimmed. We entered as if entering a house of worship. Voices were hushed. Many folded their hands as if in prayer. It was the closest I’d come to a sacred event outside of an actual house of worship. We all knew this was a pivotal point in our lives. Our eyes and minds were to be opened to entirely new languages, visuals and histories that we’d never encountered before in the mainstream art world. Upon emerging from this immersive experience, we were elated, buoyant, excited beyond imagination by the possibilities we’d just been introduced to. We were sure that now everything would be different. We knew it had to be.

Upon reading Judy’s recent book, The Flowering: The Autobiography of Judy Chicago”, I learned how hard a life she had bringing her visions to fruition and acceptance. She and her work were torn apart, reviled, and denigrated by the conventional art world. The press denounced her vision and the work of the women artists who contributed their skills. Reading about her hard-fought lifetime of bringing her art into the world, reminded me that all of us have obstacles in our lives. They vary from person to person. But to be a creative artist for an entire lifetime takes a certain amount of grit. Success, by whatever measurement we use, takes the ability to keep pushing forward through the hard times. The times your heart is breaking. The times you are having trouble putting food on the table. The times your family is in crisis. The times you feel less than because others feel so much more than.

Because of these feminist artist pioneers, I’m still painting, still creating, still growing. They cleared the path and showed me the way. And as I stood at my easel painting, Judy streamed in to tell me to keep going, there’s no quitting, there’s no calendar, there’s no promise, no destination. I’ll just keep making my art. She still is.

Photo collage by Mary Ahern


 

Northport Neighbors Magazine Feature Article

Mary Ahern Artist Posted on May 20, 2024 by Mary AhernJune 9, 2025

“In Full Bloom”  By Debbie Mercer.

Mary Ahern and Dave Ruedeman Find Inspiration in Life – and Each Other. May 2024

Mary Ahern and Dave Ruedeman

Mary and Dave in their garden. Len Marks Photography

Circles figure prominently in the lives of Mary Ahern and David Ruedeman. In her woodland garden and in her paintings, circles represent women. In a romantic example of life coming full circle, the two worked together, lost touch, and found each other again. Their first official date was on wheels – a memorable bike ride in which Mary got a flat and Dave came to her rescue.

But if you ask Mary, she’ll likely tell you it was all more of what she calls a zigzag. You see, these two are masters of the pivot. Throughout the years they’ve continuously reinvented themselves, whether out of a financial need at the time or simply an innate, overwhelming desire to learn new things and break new ground.

Forging a Path

Mary started out on a pretty straightforward course. She was raised in a traditional European upbringing in which her parents didn’t believe girls should get a college education. Mary finished high school, married at 20, and raised two small boys. “I didn’t know any women who were educated,” she recalls. That all changed when she met Roberta Koepfer at the YMCA, a professor at Queens College who inspired her to take some classes. On Wednesday nights, Mary began taking oil painting. She had no background in art but after the fifth class, her teacher told her, “Mary, I can’t teach you anymore. You need more instruction.”

Mary At Home In Her Studio. Photo: Len Marks Photography

Mary put herself through college, earning an art degree from Queens College in 1980. However, divorce followed, and Mary found herself on her own with two small boys to feed. “I had no training, no skills to earn a living,” she says. A quick zigzag led her to work at Columbia University, where she studied computer programming for free, only to take a job where the money was – the burgeoning field of computer sales. She understood the potential, and ended up being part of the team who opened the first computer center in Radio Shack in Valley Stream in the early 80s. More work zigzags later, she ended up at Chyron selling computer graphics to the television and production industry. “You really needed to teach people what these things were capable of,” she says. “I was one of the only women in the industry. My fine art had to take a back seat. But I was doing my art through the equipment I was selling.”

Rediscovering Each Other

Dave on their bike cruise on the Rhine River

The “go-to” guy at Chyron was Dave Ruedeman, who had a degree as an electrical engineer. “That’s where I stumbled on my life’s work,” he says. “I found out I was put on this earth to be a problem solver. I had to finish an abandoned computer design, which was crucial to the survival of Chyron. Delving in new technology and gaining an intimate understanding of how computers work was, for me, life changing.” As the head of engineering, Dave’s team were the ones who were creating the equipment that Mary was selling.

Fast forward about eight years. By then Mary had, as she says, “gotten a concussion on the glass ceiling” and started her own company. “I spoke tech, so all of my clients were smaller engineering firms. I was like an outsource marketing dept. I would get a photographer and shoot the products and then put the logos on digitally. I was consulting and creating brochures.” She took on the internet and taught herself how to design websites. On business trips she would take along her art supplies to relax – and once again reignited her passion. “My art started to seep back into me. And I knew I had to pay attention to it,” she recalls.

As fate would have it, one of her freelance gigs at the time involved writing an operation manual for her old company Chyron. She ran into Dave while there one day and the two caught up. He suggested a bike ride out to Eaton’s Neck, and Mary agreed. It was only when they pedaled out there that Mary discovered Dave too was divorced, and that this was, in fact, a date. Once back at her house, Dave saw her art hanging on the walls and was totally knocked for a loop. “I had no idea what she was about,” he says. “It actually blew me away.”

They tied the knot in 1997. By then Mary’s garden, which she’d begun in 1989, was itself a work of art – so much so that Dave encouraged her to design gardens for others. That led Mary to Farmingdale College where she graduated with a degree in horticulture in 2000 – 20 years after earning her art degree. A turn at the New York Botanical Gardens soon followed, where Mary earned a 2-year certificate in botanical illustration.

 

Circle entrance to Mary’s woodland garden.

Bike Cruising, Art, and the Garden

Mary working on her Iris painting – part of her one-woman show at the Atelier at Flowerfield

In the meantime, Dave did his own zigzags. He got his master’s in computer science in 1983 and started designing software. About 10 years ago, he took his love of biking up to a whole new level and started doing “centuries” – one hundred mile rides out to Montauk via a scenic route. Longer distances and more intricate trips soon followed. He’s done RAGBRAI (Register’s Annual Great Bicycle Ride Across Iowa) – twice. “RAGBRAI is a thing of beauty,” he says. It covers 400-500 miles, and the route changes every year.

Riders dip their rear tire in the Missouri River when starting and their front tire in the Mississippi River at the end. For those trips, he joined an outfitter to move his tent, gear, and supplies up the road while he biked. “It’s a great incentive to keep going,” he laughs. “My clothes were fifty plus miles ahead!”

Mary on their bike cruise in the Netherlands

“He’s a more powerful biker,” Mary says. “He’ll ride 50-80 miles a day which isn’t my style. I’ll do 20-mile rides and stay on the bike paths.” Together they have taken bike cruises from Paris to Amsterdam, as well as Portland Oregon along the Columbia River, ending in Idaho. That first trip is truly a favorite memory for the couple. It coincided exactly with their 25th wedding anniversary, when they arrived in Paris and were greeted with champagne, balloons, and hearts on their hotel bed – courtesy of Mary’s daughter-in-law Sherri. “We couldn’t believe it,” Mary laughs. “It was so fabulous.” In another one of life’s sweet moments on that trip, Dave saw the Tour de France from the Champs Elysees, while Mary literally bumped into it later when she exited the Louvre. The two have other biking cruises on the horizon. In June, they’ll be heading down the Danube River, starting in Prague and ending in Budapest.

Mary and Dave at home in their garden.
Photo: Len Marks Photography

Today they’re retired in a non-retirement sort of way. “We don’t call this retirement because we both work intensely,” Mary explains. “But we’re working now at things we enjoy.” Dave does consulting and teaches IT for companies all over the world, including a NATO group earlier this year. In an interesting twist on today’s modern roles, he’s also “tech support” for his grandson – a fact which they clearly love.

Mary’s artwork continues to anchor her. Her solo exhibition “Not Just a Pretty Flower” featuring her large Georgia-O’Keeffe inspired artwork, is on display at the Atelier at Flowerfield through the end of May. It’s a provocative exploration of what she views as the interconnectedness and balance within the microcosm of her garden and the macrocosm of the cosmos. “The paintings are large so that they demand conversation,” she explains. “That’s why I want to do big paintings. So that it’s in your face. Why is she doing this? Why is it like that? What is the message?’ That’s my latest body of work.”

She also volunteers her time as the Public Relations Chair of the National Association of Women Artists which is celebrating its 135th anniversary this year. “I love paying it forward to help empower other women artists to achieve the success they envision for themselves. Feminism, Artists, Empowerment, these are my sweet spots.”

Not bad for two people who reimagined themselves through hard times and ended up on the other side. They’re clearly savoring each moment and drawing inspiration from each other. “Our lives were not easy.” Mary reflects. “We crawled over broken glass to get where we are now. So, every day we look at each other and we laugh and hug because we’re so joyful. We can’t believe how lucky and happy we are.”


 

Not Just Another Pretty Flower. A Solo Exhibition by the Artist Mary Ahern at The Atelier At Flowerfields

Mary Ahern Artist Posted on April 8, 2024 by Mary AhernJune 9, 2025

Embedded With Conversations on Harmony and Balance from the Garden to the Galaxy

The Atelier At Flowerfield is thrilled to announce:

“Not Just Another Pretty Flower3 a Mary Ahern Art Show” 

April 18 to May 30, 2024,

2 Flowerfield, St. James, NY 11772.

Opening Reception: Thursday, April 18, 2024. 5:30 – 7:30 PM

Meet The Artist: Saturday, April 27, 2024. 1 – 3 PM

Mary Ahern’s art is deeply rooted in symbolism, dynamically reflecting the interconnectedness and delicate balance within both the microcosm of her garden and the macrocosm of the cosmos These artworks spark a vital conversation about these essential issues. Drawing inspiration from the vibrant community of life in her garden, her flowers invite universal questions of existence and purpose in their quest for survival, eventual senescence, and rebirth.

The identifiable floral Images she creates are glazed and intertwined with her abstract underpaintings inspired by the recent awe-inspiring visuals of the universe. By recognizing the delicate balance required for both terrestrial and celestial ecosystems to thrive, she aims to provide a visual context for understanding the essential balance necessary to sustain life’s intricate harmony across all scales – from the tiniest flower to the grandest galaxy.

Employing imagery that balances both abstraction and realism, she is mirroring the delicate equilibrium needed for universal survival. Her extensive use of transparent glazing between the garden and the galaxy exemplifies the need for open discourse, which she believes is necessary to ensure the health and survival of all species.

Ahern’s artistic process involves employing unique techniques that she has continued to refine over the course of 50 years. Through the years of experimentation and refinement, she developed a distinctive approach to painting that reflects her artistic vision and also her philosophy. Through this layered, evocative imagery, she invites viewers to pause, contemplate, and cultivate a deeper appreciation for the fragile yet resilient web of life that sustains our world and cosmos.

The Atelier at Flowerfield shares Ahern’s commitment to promoting appreciation of the arts. As part of its mission, The Atelier strives to preserve beauty through the learning, understanding, creation, and enjoyment of art in all its forms.

Also Visit the website of The Atelier At Flowerfield: www.atelieratflowerfield.org

Mary Ahern Art Exhibition Announcement

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