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Mary Ahern Artist

My Art Starts in the Garden

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Category Archives: Garden Writings

Awakenings in the Garden: An Artist’s Journey

Mary Ahern Artist Posted on September 30, 2024 by Mary AhernJune 9, 2025

My garden has been the inspiration behind my art for decades but formally studying horticulture introduced me to an entirely new understanding of the garden. Studying the science behind this living environment at my doorstep, was and continues to be a source of endless investigation. Not just in the beauty a garden can project, but in the sustainability, the interaction, and reliability of the vast array of life forms involved in creating a mutually dependent whole. Because of this deep study of my garden, my art has changed. As I’ve grown in an awareness of the complexity of the garden that I’ve designed and tended for over 35 years, my art has changed too by becoming more expressive, less realistic, and more multilayered.

I first became aware of how I was being transformed, not just by having more technical knowledge through my studies in horticulture when one day, standing in my garden, my clothes and hands covered in dirt, scratched and bug bitten, a wave of quiet contentment entered my very being. Yes, I was exhausted, and my body was aching from the hours of hard physical labor, but something different was flowing through my mind. It was a sense of awakening. I felt it but I was not able to articulate clearly what I felt. I still don’t have the words completely to express this transformation. So, I have been trying to do so through my art.

Mary in Her Studio Working on Phaelanopsis Orchid (December 2020)

Working in my studio on the Phaelanopsis Orchid (December 2020)

Spending years since then of work both in my mind and physically, I have dug deeper into the metaphor the garden has represented to me about all living beings. It has taught me that in order to survive, the building of communities is needed to create a harmonic, healthy balance. The garden speaks to me of survival. I watch hummingbirds, with their long beaks, attracted to the long tubular flowers of the Salvias. I smell the late day fragrance of the Brugmansia as it seduces night pollinators less exhausted from a day’s work to help the lifecycle. Each insect, each flower, each fungus is only trying to survive for another season, another year, another generation. We as humans, like the complexities found in the garden are also trying to survive and hopefully prosper.

In my studio, my large, centrally focused flower paintings have been inspired by the imagery I saw through the microscopes used during my scientific studies in horticulture. The bold colors and large sized paintings were my way of grabbing the attention of the viewer just as the stunning presentation of a bold peony blossom calls out for attention.

Phaelanopsis Orchid (A Work in Progress,

Phaelanopsis Orchid (A Work in Progress, December 2020)
© Mary Ahern

Over time the education I am receiving from the garden has been changing me. My artwork reflects my deepening thoughts, abstract concepts, and my openness to explore new ideas and deeper theories of the world surrounding us.

During Covid, another revelation presented itself to me. I began to look at the imagery posted online by NASA showing us the galaxy of which we are but a small part. I realized that the entire universe also depended upon that harmony and balance all of us, the garden included, must have in order to exist. This awareness of the delicacy of both the microcosm and the macrocosm of our worlds is what I am now trying to express in my artwork. Blending abstractions inspired by the cosmos transparently through the realistic flowers grown in my garden informs the current work in my studio.

The awareness of the multi-layered reliance on other forces to help in survival is humbling. This new awareness has deepened my gratitude. This is what I am now attempting to create in my studio.

Cosmic Phaelanopsis​ on Oil ~ 24 x 24 inches. Deep Cradled Hardboard

Cosmic Phaelanopsis​
Oil ~ 24 x 24 inches. Deep Cradled Hardboard.  Available on the website here.
© Mary Ahern

Note: “Cosmic Phaelanopsis” is the final work after I put the piece aside for two years due to being dissatisfied with its direction. The final “Cosmic Phaelanopsis” is an example of the new direction my work has taken.
​
Partial Artist Statement:
This artwork sparks a vital conversation reflecting the interconnectedness and balance within the microcosm of my garden and the macrocosm of the cosmos. My work draws inspiration from the life cycle of flowers to explore existential questions about existence, purpose, fragility, and interconnectedness.


Originally published in Sanctuary Magazine. July 2024 and in my Art Blog here

Posted in Art Writings, Garden Writings, Writings | Tagged Art Writings, Garden Writings, Writings | Leave a reply

Northport Neighbors Magazine Feature Article

Mary Ahern Artist Posted on May 20, 2024 by Mary AhernJune 9, 2025

“In Full Bloom”  By Debbie Mercer.

Mary Ahern and Dave Ruedeman Find Inspiration in Life – and Each Other. May 2024

Mary Ahern and Dave Ruedeman

Mary and Dave in their garden. Len Marks Photography

Circles figure prominently in the lives of Mary Ahern and David Ruedeman. In her woodland garden and in her paintings, circles represent women. In a romantic example of life coming full circle, the two worked together, lost touch, and found each other again. Their first official date was on wheels – a memorable bike ride in which Mary got a flat and Dave came to her rescue.

But if you ask Mary, she’ll likely tell you it was all more of what she calls a zigzag. You see, these two are masters of the pivot. Throughout the years they’ve continuously reinvented themselves, whether out of a financial need at the time or simply an innate, overwhelming desire to learn new things and break new ground.

Forging a Path

Mary started out on a pretty straightforward course. She was raised in a traditional European upbringing in which her parents didn’t believe girls should get a college education. Mary finished high school, married at 20, and raised two small boys. “I didn’t know any women who were educated,” she recalls. That all changed when she met Roberta Koepfer at the YMCA, a professor at Queens College who inspired her to take some classes. On Wednesday nights, Mary began taking oil painting. She had no background in art but after the fifth class, her teacher told her, “Mary, I can’t teach you anymore. You need more instruction.”

Mary At Home In Her Studio. Photo: Len Marks Photography

Mary put herself through college, earning an art degree from Queens College in 1980. However, divorce followed, and Mary found herself on her own with two small boys to feed. “I had no training, no skills to earn a living,” she says. A quick zigzag led her to work at Columbia University, where she studied computer programming for free, only to take a job where the money was – the burgeoning field of computer sales. She understood the potential, and ended up being part of the team who opened the first computer center in Radio Shack in Valley Stream in the early 80s. More work zigzags later, she ended up at Chyron selling computer graphics to the television and production industry. “You really needed to teach people what these things were capable of,” she says. “I was one of the only women in the industry. My fine art had to take a back seat. But I was doing my art through the equipment I was selling.”

Rediscovering Each Other

Dave on their bike cruise on the Rhine River

The “go-to” guy at Chyron was Dave Ruedeman, who had a degree as an electrical engineer. “That’s where I stumbled on my life’s work,” he says. “I found out I was put on this earth to be a problem solver. I had to finish an abandoned computer design, which was crucial to the survival of Chyron. Delving in new technology and gaining an intimate understanding of how computers work was, for me, life changing.” As the head of engineering, Dave’s team were the ones who were creating the equipment that Mary was selling.

Fast forward about eight years. By then Mary had, as she says, “gotten a concussion on the glass ceiling” and started her own company. “I spoke tech, so all of my clients were smaller engineering firms. I was like an outsource marketing dept. I would get a photographer and shoot the products and then put the logos on digitally. I was consulting and creating brochures.” She took on the internet and taught herself how to design websites. On business trips she would take along her art supplies to relax – and once again reignited her passion. “My art started to seep back into me. And I knew I had to pay attention to it,” she recalls.

As fate would have it, one of her freelance gigs at the time involved writing an operation manual for her old company Chyron. She ran into Dave while there one day and the two caught up. He suggested a bike ride out to Eaton’s Neck, and Mary agreed. It was only when they pedaled out there that Mary discovered Dave too was divorced, and that this was, in fact, a date. Once back at her house, Dave saw her art hanging on the walls and was totally knocked for a loop. “I had no idea what she was about,” he says. “It actually blew me away.”

They tied the knot in 1997. By then Mary’s garden, which she’d begun in 1989, was itself a work of art – so much so that Dave encouraged her to design gardens for others. That led Mary to Farmingdale College where she graduated with a degree in horticulture in 2000 – 20 years after earning her art degree. A turn at the New York Botanical Gardens soon followed, where Mary earned a 2-year certificate in botanical illustration.

 

Circle entrance to Mary’s woodland garden.

Bike Cruising, Art, and the Garden

Mary working on her Iris painting – part of her one-woman show at the Atelier at Flowerfield

In the meantime, Dave did his own zigzags. He got his master’s in computer science in 1983 and started designing software. About 10 years ago, he took his love of biking up to a whole new level and started doing “centuries” – one hundred mile rides out to Montauk via a scenic route. Longer distances and more intricate trips soon followed. He’s done RAGBRAI (Register’s Annual Great Bicycle Ride Across Iowa) – twice. “RAGBRAI is a thing of beauty,” he says. It covers 400-500 miles, and the route changes every year.

Riders dip their rear tire in the Missouri River when starting and their front tire in the Mississippi River at the end. For those trips, he joined an outfitter to move his tent, gear, and supplies up the road while he biked. “It’s a great incentive to keep going,” he laughs. “My clothes were fifty plus miles ahead!”

Mary on their bike cruise in the Netherlands

“He’s a more powerful biker,” Mary says. “He’ll ride 50-80 miles a day which isn’t my style. I’ll do 20-mile rides and stay on the bike paths.” Together they have taken bike cruises from Paris to Amsterdam, as well as Portland Oregon along the Columbia River, ending in Idaho. That first trip is truly a favorite memory for the couple. It coincided exactly with their 25th wedding anniversary, when they arrived in Paris and were greeted with champagne, balloons, and hearts on their hotel bed – courtesy of Mary’s daughter-in-law Sherri. “We couldn’t believe it,” Mary laughs. “It was so fabulous.” In another one of life’s sweet moments on that trip, Dave saw the Tour de France from the Champs Elysees, while Mary literally bumped into it later when she exited the Louvre. The two have other biking cruises on the horizon. In June, they’ll be heading down the Danube River, starting in Prague and ending in Budapest.

Mary and Dave at home in their garden.
Photo: Len Marks Photography

Today they’re retired in a non-retirement sort of way. “We don’t call this retirement because we both work intensely,” Mary explains. “But we’re working now at things we enjoy.” Dave does consulting and teaches IT for companies all over the world, including a NATO group earlier this year. In an interesting twist on today’s modern roles, he’s also “tech support” for his grandson – a fact which they clearly love.

Mary’s artwork continues to anchor her. Her solo exhibition “Not Just a Pretty Flower” featuring her large Georgia-O’Keeffe inspired artwork, is on display at the Atelier at Flowerfield through the end of May. It’s a provocative exploration of what she views as the interconnectedness and balance within the microcosm of her garden and the macrocosm of the cosmos. “The paintings are large so that they demand conversation,” she explains. “That’s why I want to do big paintings. So that it’s in your face. Why is she doing this? Why is it like that? What is the message?’ That’s my latest body of work.”

She also volunteers her time as the Public Relations Chair of the National Association of Women Artists which is celebrating its 135th anniversary this year. “I love paying it forward to help empower other women artists to achieve the success they envision for themselves. Feminism, Artists, Empowerment, these are my sweet spots.”

Not bad for two people who reimagined themselves through hard times and ended up on the other side. They’re clearly savoring each moment and drawing inspiration from each other. “Our lives were not easy.” Mary reflects. “We crawled over broken glass to get where we are now. So, every day we look at each other and we laugh and hug because we’re so joyful. We can’t believe how lucky and happy we are.”


 

Posted in Art Writings, Garden Writings, Press Articles, Writings | Tagged Press | 1 Reply

Oh Dear, I Now Have Deer

Mary Ahern Artist Posted on March 21, 2024 by Mary AhernJune 9, 2025

I first noticed it in the fall. Something had eaten my hostas. My usual culprits have been the rabbits, but this was well beyond their usual food shopping spree. Perhaps they decided to invite their entire extended family this time. The raccoons ate all the minnows in my new small pond, so they weren’t hungry either. So I decided to install Ring cameras to see who was having a party in my garden while I innocently slept.

And there he was, a huge antlered deer. Oh Dear!
Daytime Deer Spotting

Daytime Deer in my Garden. I don’t know who was more scared, him or me.

The next day, I bought a battery-operated sprayer and researched what would work best to preserve my precious garden. Most of the products not only smelled bad enough to ward off the deer, but they also smelled bad enough to keep me out of the garden as well. I found one brand that also contained some mint, which apparently the deer hate, so that’s the one I settled on. So last fall, after every rainy day, I would head out to spray the perimeter of my garden. This year, I’m upping my game since the buck brought his harem and extended family.

Deer in the Front Garden

In the front garden this deer ate all my hostas in one sitting. I was wondering if he was going to ask for some salad dressing.

I’m having deer fencing installed in the part of the garden where they most frequently gain entrance in the hopes of diverting their attention. This happened to be on the property line with my new neighbor. Using the markings he had in position from his recent surveying, together we agreed on the exact placement of my upcoming fence. I hung screaming yellow Caution tape to define the property line, which sure disturbs the calming woodland aesthetics I’ve been creating for the last 35 years. The next step was the installation of this one section of fencing, knowing full well that it was only the beginning of preserving my garden sanctuary.

Deer Fencing

This is the view from my neighbors side of the deer fencing which I had installed on our mutual property line. I sure hope the deer notice it.

 

You can read more articles about my garden on my dedicated Garden Blog: The Garden Artist.


 

Posted in Garden Writings, Writings | Tagged Garden News, Garden Writings | 1 Reply

Trimming Hellebores. My First Gardening Task of the Spring

Mary Ahern Artist Posted on February 29, 2024 by Mary AhernJune 9, 2025
That first sunny warm day in February seduces me into my garden to begin my spring gardening tasks before the last snowstorms of winter reappear for a brief visit. It is a happy day for me each year when I reach for my Felco’s, put on my gardening gloves, pick up my rake and head out to reunite with my garden.
February Hellebores ready for trimming. Mary Ahern

February Hellebores ready for trimming. Mary Ahern

READ MORE ABOUT TRIMMING HELLEBORES HERE


 

Posted in Garden Writings, Writings | Tagged Garden News, Garden Writings | Leave a reply

My Dual Passions – Art and Gardening

Mary Ahern Artist Posted on February 5, 2024 by Mary AhernJune 9, 2025

At the age of 14, I was alone and lying in the summer grass on a hill in Brooklyn, New York, staring upward through the leaves at the passing clouds while trying to understand why a person I loved dearly had suddenly died. Without an anchor or language to explain the passage, I was at a profound loss and searching for an answer, an explanation. I clearly remember feeling the warm energy from the ground swell up and pass through my body and like a mist, mingle into the leaves and up into the clouds in that deeply blue sky.

At that moment, I recognized that I, as a person, was just another aspect of nature, joined with the wind, the air, the plants, the trees, and all life teeming around me – just another form of energy. This gift has been with me throughout my life and is what I gather in my garden and express in my art.

1985 - Mary Ahern in the Cablevision studio working with the Chameleon electronic paint system.

1985 – Mary Ahern in the Cablevision studio working with the Chameleon electronic paint system.

Mary-painting-the white iris in her studio

Painting in my studio. The white iris blooms in my garden each spring. I glaze with thin washes using a fan brush and thinned paints.

My Zig-Zag Journey
Like most of us, our life journey takes many paths. For me, my twists and turns led me to a career that blended my fine arts training with my technical background.

READ MORE: Here

Posted in Art Writings, Garden Writings, Writings | Tagged Art Writings, Garden Writings | Leave a reply

New Garden Blog Post – The Woodland Garden Reveals

Mary Ahern Artist Posted on August 7, 2023 by Mary AhernJune 9, 2025

My idea of the garden I wanted to create around my new home when I bought it in 1989, was a place to immerse myself, not a garden to be admired while sitting on the deck. I had no particular plan that I imagined. Instead, I let the woodland speak to me.

This woodland was filled with poison ivy, invasive vines, thorns and many broken branches and limbs when it called to me. Together for over three decades, it and I have worked to create a woodland garden for meditation. This is the journey.

 

READ MORE…

Posted in Garden Writings, Writings | Tagged Garden News, Garden Writings | Leave a reply

Garden Blog Post – Overwintering My Summer Tropical Garden

Mary Ahern Artist Posted on June 21, 2023 by Mary AhernJune 9, 2025

Overwintering My Summer Tropical Garden is now posted on my garden blog.

I wrote about how I converted my darkroom into a plant room with sinks, counters and LED lighting.. I show a four month sequence of photos from my plant room to the deck where the plants spend their summer vacation.

Read more here..

June 6, 2023 Deck Plantings

Read about how I overwinter my tropical garden on my Garden Blog Here.

Posted in Garden Writings, Writings | Tagged Garden News, Garden Writings | Leave a reply

National Association of Women Artists – Fall 2020 Newsletter

Mary Ahern Artist Posted on December 3, 2020 by Mary AhernJune 9, 2025

I am honored to have my painting “Pay Attention Here – Orange Hibiscus” on the cover of the Fall 2020 Newsletter of NAWA, The National Association of Artists. I was juried as a full member into this prestigious historic organization in November of 2018.

NAWA was founded on January 31, 1889 to offer women a greater opportunity as professional artists in a male-dominated art world.  From the onset, the annual exhibitions of the women’s Art Club were a great success, attracting the participation of women artists such as Mary Cassatt, Suzanne Valadon, Rosa Bonheur and Cecelia Beaux. As the organization grew, its membership included prominent artists like Gertrude Vanderbilt Whitney and Anna Hyatt Huntington.

Many members have taken their rightful place among the recognized artists of their time. Louise Nevelson, Nell Blaine,  Alice Neel, Marisol, Judy Chicago, Miriam Schapiro, Janet Fish, Audrey Flack and Faith Ringgold. It is a great honor for me to be afforded such an inspiring brush with history and talent.

Here is a link to the National Association of Women Artists Fall 2020 Newsletter

Pay Attention Here - Orange Hibiscus 36x36" GW Oil on Canvas by the artist, Mary Ahern

Pay Attention Here – Orange Hibiscus 36×36″ GW Oil on Canvas. View this on other oil paintings on my website here.

This is the statement I wrote for the NAWA publication.

For years, I have created floral and garden paintings as the subject of my art. During the last number of years, I’ve focused ever more closely on the centers of flowers as they speak to me more deeply of the reason for their existence. And ours as well.

As a passionate gardener, I am inspired by the gardens I designed and tend surrounding my own studio in Northport. These flowers represent to me a microcosm of the universe. The outsize scale of these individual flower portraits demands attention. They ask questions beyond the canvas.

What is the purpose for such magnificence in nature? What is the reason for such color, such form, such diversity? What is their relationship to the communities in which they belong, their relationships with other plants and species that sustain them, invade them and nourish them? What of their lifecycle of birth, growth, senescence and rebirth? As humans, what can we learn from their seemingly simple existence?

Initially, we see with our eyes. We name the subject, identify it and classify it. But, we also have a duality of vision which allows us to contemplate with an inner vision. This art invites both the external and internal views.

The dual naming of each painting reflects the complex meaning of the work and is an enticement to think more deeply about the subject. This painting, Pay Attention Here – Orange Hibiscus, is at first a call for contemplation of purpose and secondarily, the common name of the flower which enables a more familiar entry into the conversation.


 

Posted in Art Writings, Garden Writings, Writings | Tagged Art Writings, Garden Writings

Artist Cultivates Her Livelihood Like a Garden

Mary Ahern Artist Posted on June 13, 2007 by Mary AhernJune 9, 2025

Mary Ahern has green thumb for botanicals & business.

By Arlene Gross

2007-06-The-Times-headerJune 13, 2007 | 02:39 PM

2007-06-13-garden-photo2

Northport resident Mary Ahern is a successful artist who practices a unique technique she describes as “digital” painting.

But Ahern, who will be among the exhibitors at Arts in the Park in Northport July 8, was not born an artist. “I didn’t come to paint until I was older,” she said. “I didn’t even know I had a facility for it.”

As a young girl, she focused on music: playing trumpet and saxophone for the high school band and conducting her Fort Hamilton High School graduation in Brooklyn with a rousing rendition of Beethoven’s Fifth Symphony.

“I’ve been in the bleeding edge of those kinds of issues,” she said. “In those days, girls didn’t conduct.”

A life-changing moment came in her 20s, when a friend gave her a coffee table book of Georgia O’Keefe’s paintings.

“I opened it up and turned the pages and wept,” she recalled. “It was completely transforming. I could only look at 10 pictures a day, it was so overwhelming.”

From that moment, Ahern knew she must study art and, then a resident of Queens, attended Queens College.

Although she was influenced by O’Keefe and painted similar subjects, such as close-up and sensual florals, Ahern said she did not mimic her idol’s technique. Whereas O’Keefe painted with direct and rapid strokes, Ahern’s traditional paintings were created in grisaille, or gray scale, and layered with washes of pigment on top, giving the subjects a glow through the optical blending of glazes of pigment.

After divorcing her first husband, Ahern took a job at Barnard College’s career counseling office, where she herself was able to get some career guidance. Through her Barnard position, she attended Columbia University for free by working there while raising sons, Chris and Michael, then ages 10 and 8.

“I knew if I couldn’t stay home and be a mom and paint, I had to make a decision: I’m going to make as much money as possible,” she said.

With profit in mind, Ahern went into technology sales, selling computer graphics and eventually becoming Northeast regional sales manager at Chyron Corporation in Melville. Then she started Online Design, a digital graphics company.

For Ahern, feminism was not a word to bandy about but, rather, her day-to-day reality — working as a single mother in a male-dominated industry.

“My single-minded focus on providing a good life for my sons enabled me to ignore the tremendous obstacles, prejudice, emotional assault and loneliness that comes from breaking through social barriers,” she said. “I, like my father, pulled myself up by my bootstraps. As a woman in a male industry however, I, like Ginger Rogers, did everything in high heels and backwards.”

In 1989, Ahern fulfilled her dream of buying a house with a spacious garden in Northport, which she said, “was like a step back in time to a slower and more gracious lifestyle.”

“The center of town with a Main Street embedded with trolley tracks leading to the harbor breezes and music in the gazebo captured my attention and insisted upon my attendance. I needed to move here.”

Eleven years later, she renovated her home, adding an airy, second floor art studio, and now natural light trickles throughout.

The garden, which Ahern designed, encircles the house, with its artfully designated focal points and meandering paths, everything flowing gracefully.

“I practice nonviolent gardening — no rose bushes to stab you — all soft inviting plants,” she said.

Seventeen years after her first marriage ended, Ahern married David Ruedeman, an engineer at Chyron. The couple worked together there but got to know one another only when he became a client of Online Design. This year will mark the couple’s 10th anniversary…

Early on in the second marriage, wishing to reinvent herself, Ahern got a degree in horticulture from SUNY Farmingdale in 2000, with the idea of becoming a landscape designer, which she did for a year.”It was too much for my… body,” she said, of the many hours spent working on bended knees.

From there, it was a two-year course studying botanical illustration at the New York Botanical Gardens in the Bronx.

Her photographic painting, a culmination of expertise paralleling her life’s progressive journey, combines a passion for the fine arts, gardening, computer graphics and botanical painting.

“To be creative, you need to know your medium,” Ahern said of her computer graphics skills. Through her paintings, she seeks to make people look around them and become more aware of the nature surrounding us.

Dr. Roberta Koepfer, her friend since 1971, said, “She’s like a phoenix. I have seen her rise up from a fair number of devastating experiences. Every time she comes back, she comes back more dynamic, more focused on her art and with an increased zest for life and personal growth.”

When it came time to sell her art, Ahern’s business savvy came in handy; she started in Northport as an exhibitor at the annual Arts in the Park series and now participates in about 15 art shows in New York and Connecticut between May and September, with her husband lending a hand.

Ahern’s work has also been the focus of several gallery exhibitions, including a one-person show at Greenlawn’s Harborfields Library this past February.

Susan Hope, gallery coordinator for the library, noted that Ahern’s exhibit was well timed: her cheerful florals brightened the gloom of winter. “It has an eye catching appeal,” she said. “People really enjoyed it, whether they were art savvy or just seniors on their way to their meetings.”

Today, Ahern is either painting her botanicals, selling them or lecturing on the business of art at libraries or schools, although her business persona has changed radically over the years.”I did trade shows in high heels and silk suits,” she said, “now I’m doing business in Birkenstocks and shorts.”

To anyone seeking career guidance, Ahern advised, “Don’t throw away anything you’ve done because you want to transform yourself. Take the good portions, the positive elements and try to incorporate them into this new self you’re creating. That’s how I’m living my life.”

Posted in Art Writings, Garden Writings, Writings | Tagged art

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