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Aluminum Prints of my Original Paintings

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Aluminum Print Display at the Bayard Cutting Arboretum of the art work of Mary Ahern

This was the display of my Aluminum Prints at my show at the Bayard Cutting Arboretum. You can purchase these for your own home and garden here.

I have always dreamed about having my Art displayed outside around my garden and outdoor living spaces. And now the technology has caught up with my dream. I have my original paintings printed under heat & pressure to create these very vibrant aluminum prints. They can have a glossy or matte finish to them and I haven’t any particular preference since I like them all.

Sunflowers and Purple Asters in a Home Entrance. Aluminum prints of original paintings by the artist Mary Ahern

Sunflowers and Purple Asters aluminum print at the entrance to the home of one of my collectors.

The weather-resistant aluminum which I’ve selected for my Art is thick and durable enough to survive and flourish in my garden throughout the 4 seasons and has been doing so since 2014. Because I wanted to make sure that the quality was right and the color lasted I tested many fabricators before offering the metal prints to my collectors. 

Sometimes I frame the pieces in simple aluminum frames but most often I just hang them outside, on the trees, on the fences and on the walls. What a delight to look out of my office and look at art instead of looking at my garage & thinking it needs powerwashing! Even better is looking out in a snow storm and seeing the brilliant color of summer flowers breaking through the white and gray backdrop.

When the birds decide to decorate the art, I just squirt the pieces with some window cleaner and using a paper towel I wipe them clean again. No problem.

The aluminum makes the colors pop whether they’re on a matte or glossy finish. Though these prints can be hung outdoors many of my collectors buy them for inside their homes. Either way, it’s a unique decor addition whether inside or out.

Go now to my website to see how these aluminum prints will look like in your own home and garden using the augmented reality feature on my website shop.

 

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Apples in Boxes – Flowers in Squares – New Paintings on an Old Theme by Mary Ahern

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For decades I have been creating art in circles surrounded by squared edges. When I first made this type of work it was in the mid-1970’s. The circle was most often represented by an apple inside a square or cube. At that time it represented to me the yin and yang, female and male complements to our lives and our characters. The apple was an Eve figure, soft, female, curious, playful and seductive. The boxes were the rules, the male, the limitations, the protection and the containment of her attributes.

Apple in Boxes Pointilist drawing by Mary Ahern the Artist

Apples in Boxes – A pointillist drawing in ink on paper. c1970’s

 

I have recently returned to this theme but using flowers from my garden as the subjects rather than apples. It feels so calming to me when I create these voluptuous rounded floral paintings. This peony was the first in a series of exploring again the circle in a square imagery so I named it “Centering” because that is how I feel towards these works. I find my centering in two places, in my studio and in my garden. They completely complement each other, one provided by nature and one in interpreting that vision.

There is a difference between the imagery of then and now. These flowers, though they are encompassed in a square format canvas, they are not contained. They are bursting through the limitations of frame, of edges, of inhibition. They are positive and empowered by their form and by their explosive color. They are neither shy nor retiring. They declare themselves as having established their own space. They are declaring themselves as individuals.

Centering - Pink Peony Squared. Original oil painting by Mary Ahern the artist.

“Centering – Pink Peony” 36×36″ GW. Oil on Canvas. Original painting by Mary Ahern. To purchase or for additional information please contact the artist here.

 

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Not Just Another Flower Painting

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My Painting Studio. Mary Ahern Artist.

Paintings in progress in my studio. Visit my Art Shop.

The flowers I create in my studio with brush and canvas speak to me beyond their intricacy of form, color, ruffles and swirls. LIke everyone else they initially attract me with the way the color changes as the light graces their outer curves and when it delicately enters their inner recesses, their intimacy. The edges of petals dance like ballerina skirts bouncing in the breeze. Their edges are fluted, scalloped, curved and splayed defining their differences and embracing their similarities of purpose.

I love the architecture of flowers, not just how they grow on their stems, their height, their leaves and their unique outward appearance. I concentrate on the inner architecture of their center parts, the configurations of their pistils and stamens, their anthers laden with pollen. Quite frankly, these flowers are built to seduce their pollinators. The birds and the bees but also the billions of bugs who help by rolling in their pollen to feast and to share and to help create the next generation to grace the earth.

Flowers speak to me of our universe. Our purpose. Our endurance. Each flower is an individual with its own color, shape and form. It’s own choices of community, culture and companionship. It’s own needs for climate, food and water for sustenance. But we all share our need to survive, another season, another year, another generation.

Whether I am among the flowers in my garden or the flowers in my studio, I embrace our diversity and our commonalities. All these flowers in soil or on canvas speak beyond themselves, they’re ideas and thoughts beyond just the visual. They speak to the interior of our purpose and our minds. They are us.

My Garden with rhododendrons and hyacinths

A spring view in my garden makes my heart sing. Visit my Art Shop.

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Why Bigger Flowers Are Better

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Not until I studied botany and viewed flower structures under magnifying glasses and microscopes did I really appreciate their magnificence. As a life-long gardener I looked at and created landscapes, matching groups of plants to be seen from a distance, blending distant views of overall colors and shapes. Matching seasons and cultivation needs, heights and spreads contributing to the designs I created in gardens and on canvas in my landscape paintings.

Tulips in a May Garden. Mary Ahern the Aritst

A rainbow of colors in a friend’s May garden. Photo by Mary Ahern.

But that aha moment of peering dramatically close to the parts of a flower opened a whole new world of vision and contemplation for me.

By painting my flowers overly large and entirely out of scale from the real world, I try to bring that same sense of awe to my viewers. Show them something of what I see. I try to create for them their own aha moment of joy and wonder to take on their journey.

Yellow Tulip Squared

Yellow Tulip Squared. Various size prints available on canvas, fine art paper, metal and acrylic in my online shop.

 

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Starting an Oil Painting

Although my stretched store-bought cotton canvas is already prepared with gesso, I add 3 more layers with a light sanding in between each. This makes the canvas less absorbent in my opinion. Everyone has their own recipe and this is mine. I apply the gesso with a roller if the canvas is big or a large brush if it is smaller.

Once the gesso is dry, which is within the hour of the last coating, I use vine charcoal to outline my composition. Because the charcoal is rather dusty, I blow the excess off using either my breath or an aerosol can of dust remover depending on the size of the canvas.

Next, I then use a thin wash of burnt umber paint and a thinner medium to cover the rough charcoal drawing and begin the shading process. This also fixes the drawing to the canvas & prevents the charcoal from blending further. That layer will dry, depending on the medium you choose, in an hour or a day. I then begin another coat of underpainting using either a warm or cool brown or gray base color. This can either be considered an underpainting or if more detailed and finished it would be called a grisaille. Over an underpainting, I would paint using opaque pigments and over a grisaille, I would be using transparent pigments for glazing.

Once this is dry in 1-4 days depending on the mediums used, I then begin painting with color. This is the very classical beginning to an oil painting that I was taught by my professors during my college years in another place and another time. I’ve always been glad that I was able to receive a formal Art education and it has been the basis of all my work over the years.

 

Preview Your Art on Location Before You Buy

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Ever wonder what size Art will work in your ideal location? Will the colors of the Art complement your display area?

What treatment do I want for my Art?

  • Canvas that is gallery wrapped or framed?
  • Fine Art Paper with matting and framing?
  • Art on metal or acrylic for a new and contemporary look?

You can test all of these options in my online Art Shop.

Say you found a piece of Art that you’d like to buy but don’t know what size or whether it will work colorwise in your location.

White Peony Squared. Wall art by Mary Ahern

White Peony Squared. Prints available in a variety of sizes on canvas, fine art paper, metal or acrylic.

 

My Art Shop is filled with features which will help you to imagine exactly how your new Art will look in your own space. The ultimate in customizing!

The Wall Preview Button on the page of the Art you selected allows you to:

  • See what your painting will look like on the wall in a variety of room settings.
  • View the size and match your own wall color.

ASF art wall preview. Wall art by Mary AhernTo make a purchase select the Art that makes your heart sing. Then you can:

  • Select the medium of your choice: Canvas, Fine Art Paper, Acrylic or Metal.
  • Next, you select the size of your Art.
  • Based on the medium you’ve chosen you will be able to choose options such as framing or matting.
  • Now you can either add your Art to the Shopping Cart or save it to your Favorites right there in the Shop.

 

Other nifty features:

  • Examine the texture and details of a painting using the ZOOM tool.
  • Email your favorite painting to a friend for their opinion.
  • Your purchase is a safe and secure checkout using PayPal or your credit card.

Who has time to waste trying to figure out new menus?

I like diagrams. Don’t you? Here is a diagram that will show you the many different treatment options available to you for each Art Work in my Shop
ASF art shop instructions

Choose from the hundreds of sizes and treatments of my Flower and Garden Art.
This is the ultimate in customization for you to use when designing for your home or office.

 Now you can visit my Art Shop and try these features on any of the hundreds of sizes and treatment variations available to you for your home or office! Have fun!

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Yellow Tulip Squared – The Inspiration Behind a Painting

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Circles in squares always give me comfort for some reason or another. This particular yellow tulip gave me comfort during the tail end of a winter when I sorely needed color flooding into my eyes.

Yellow Tulip Squared

Yellow Tulip Squared © Mary Ahern. Prints available in various sizes on canvas, fine art paper, metal and acrylic in my Art Shop.

So what do I find as I’m strolling past the senior buffet at Costco but this glass jar filled with joyously bulging and ready to bloom tulips. They just tossed themselves into my cart and begged to be taken home. And home they came.

As the bursting buds thrust themselves open I knew they needed to continue their job of bringing color and joy to my winter and to my spring, my summer and fall. The thrill of painting flowers is that you get to immortalize them before they disappear into their own winter of lifeless existence.

So many paintings came to mind as I watched the tulips unfurl. But which would be my composition. Closed or open? Silhouette or frontal? One or many? Natural sunshine or artificial light? Solid or textured background? Large or small?

So I played with the tulips. Wallowing in their beauty. They seeped into my soul and brought the winter to an end for me.

Being an Artist allows me to create my own reality, my own season, my own vision of how I view the normal. It brings comfort to my soul.

Wall Art - Yellow Tulips by the Artist, Mary Ahern

Costco Tulips dancing in my living room in the winter sunlight.

Being an Artist allows me to create my own reality, my own season, my own vision of how I view the normal. It brings comfort to my soul.

 

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My Garden. My Muse.

My muse, is my garden. Other gardens as well, but my garden in particular. I move in it, feel it, and hear the breezes whisper through it. I watch the lighting during the day as it slides over and around the textured surfaces.

Fire Flame Peony Fine Art Painting by the Artist, Mary Ahern

These Fire Flame Peonies bloom in my garden each year in May at the same time as the color matching azalea.

Lighting so different on days with sun and with clouds. Lighting in the spring with the bright yellow greens of optimistic new growth and lighting by the fall with ambers & tans of a lived life. Morning light offers tender ambiance while afternoon colors not only light the scene from a different direction, the colors are deeper and warmer.

My garden brings consciousness and meaning to me. It keeps me grounded. The ephemeral beauty of an unfertilized blossom studied up close with magnifiers and macro lenses is a representation of a miracle. The world of possibility. The beginning of a story I represent in my Art. I walk through my garden gathering ideas. Stories I want to tell. Suggested ideas I want to convey.

In my garden I spend time designing the landscape or I spend time closely and intimately with a singular specimen at a particular stage of growth. In my studio I may paint a vignette or a full landscape view of a part of the garden I’ve designed, or I may choose to paint a small portion of one flower that has moved me. The minute miracle. This is my work. Outdoors and indoors. These are the stories I tell. This is my Art.

Fire Flame Peony

These Fire Flame Peonies bloom in my garden each year in May at the same time as the color matching azalea.This and other pieces of my Art can be purchased in various sizes on canvas, fine art paper, metal and acrylic in my online Art Shop.

 

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Frans Hals Daylilies With Rudbeckia

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In my late summer garden this dramatic combination of colors occurs when the daylillies bloom amongst the rudbeckia. The cultivar name is Frans Hals daylily so how could I not fall in love with it given my Dutch heritage. The rudbeckia is the classic variety named Rudbeckia fulgida and multiplies happily in this garden setting.

I composed this painting in a classical pyramidal style for the daylilies then using the receding rudbeckia to open the space towards the background of trees and shrubs serving as a horizontal and vertical balance.

Frans Hals Daylilies with Rudbeckia

Frans Hals Daylilies with Rudbeckia 24×36″ Mixed Media on Canvas.

Contact the Artist, Mary Ahern for questions regarding the availability of this painting.

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Aspect Ratio in Fine Art Painting

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The aspect ratio of a painting is the relationship between the height and width of the finished piece. In painting the most common aspect ratio has been 3:4.

Mixed Media Painting. Dancing Iris Trio. Available in 30x40" and 18x24", standard or Gallery Wrapped.

Dancing Iris Trio. Mixed Media Painting available in 30×40″ and 18×24″, Standard or Gallery Wrapped.

This means that for every 3 inches in the horizontal/vertical, there would be 4 inches in the other direction. An example would be a 30” by 40” painting. By reducing the size but maintaining the same 3:4 aspect ratio relationship you would have an18x24”, 12×16” or a 9×12” painting.

The aspect ratio remains the same regardless of whether an art work is hung in a horizontal or vertical direction.

This 4:3 aspect ratio is visually comfortable for most viewers and replicates the standard television format that was used until recently. With the advent of HD TV, the standards have changed to a longer screen and a 16:9 ratio is now the flat screen TV norm. This changes the shape or aspect ratio of the rectangle that is viewed by most people on a regular basis.

Pansy Field. Mixed Media Painting. Available in 24x26", 20x30" and 16x24" Standard or Gallery Wrapped

Pansy Field. Mixed Media Painting. Available in 24×36″, 20×30″ and 16×24″ Standard or Gallery Wrapped

This change in aspect ratio is also reflected in digital photography and in paintings. This new TV standard has increased the popularity of the longer 2:3 ratio. The new sizes in paintings would represent: 8×12”, 12×18”, 16×24”, 20×30”, 24×36”, 28×42” and 30×45”.

Framers use these standard sizes for many of their ready-made frames which is a cost saving to the Art Collector.

I create all my paintings in standard sizes so custom framing is not necessary

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Preparing Prints For an Art Show

Here is a video which I originally created in July of 2013 of how I prepare prints for display and sale at outdoor art festivals .

I took these video clips in my studio as I prepared for the Northport Art in the Park hosted by the Northport Arts Coalition.

I used a Canon Power Shot SD3500 IS Digital ELPH, holding it in one hand and demonstrating with the other. I used the audio from the camera which is muffled at times since I put my finger over the microphone. I originally started with 18 minutes of video clips and brought it down to about 4:15.

I edited in iMovie with the end credits created in Photoshop.

Fun little project which I wish I’d given myself more time to perfect but there are always choices to be made. Time being the one thing I can’t seem to stretch.

You can see this and other video on my YouTube Channel: youtube.com/user/MaryAhernArtist

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Joseph Raffael at the Nancy Hoffman Gallery – Video of the 2013 Show

I happily took the Long Island Railroad into Penn Station to then walk to Chelsea in NYC from my perch in Northport Long Island. This venture, on a cold winter day, was to gather in the brilliant colors and environments of the watercolor paintings created by the Artist, Joseph Raffael. These large-scale works envelop you into the tropical gardens and seaside shells which are the models and subjects of his work.

Some feature strongly defined focal points while other subjects are diffused, allowing you to meander through the tangles of flowers, leaves and stems. Koi provide the pivotal “Turning Point” between the water and air while leaving ripples which you know will be gone again in moments. Tibetan prayer flags flutter in the breeze sharing the brilliance of Koi colors. Time, movement and transience are significant subjects in these meditative paintings.

Here is a short video I made from this Joseph Raffael Show.

The Nancy Hoffman Gallery  520 West 27th St. New York City.

 March 21-May 4, 2013

 

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The Composition of the Matisse Painting of The Dance Influenced my Blue Iris Painting

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Studying Art History seeps into your memory. Countless visits to the many museums and galleries that New York City has to offer has crept into my subconscious. This lifelong study has taken me through so many happy surprises as well as quite a number of dead ends.

Often Artists are asked who their influences have been for their Art style. Trust me,  never would I have answered Matisse. I’ve never appreciated his sketchy use of paint, his lack of detail and apparent lack of a “finished” quality to his work.

And then, when I least expected it, I reimagined Matisse’s iconic painting, “The Dance”.  Using flowers from my own garden, I picked up the exuberant rhythm that makes his work such a delight. This work is so light, buoyant and a wonderful interpretation of what spring means to me.

As I was creating the composition of Irises I remember somewhere, behind my eyes, trying to make the circular floating connections of the frilly irises that was suspended somewhere in my memory. I have stood so often in front of the Matisse painting at the Museum of Modern Art, loving the composition while not liking the paint quality. I’ve returned so often to view that painting in the original hoping to find what I missed.

I absorbed his painting just by being there and looking. And looking again. And again…Mary Ahern Artist and Henri Matisse Painting Composition

“…man is a bundle of relations, a knot of roots,
whose flower and fruitage is the world…”
Ralph Waldo Emerson

Mary Ahern Artist - Mixed Media Painting - Light Blue Iris in the Garden

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Light Blue Iris in the Garden – Painting Inspiration

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My paintings actually start in my garden. This is where I grow the flowers, shrubs and trees, which are a part of the workflow of my creative output. The sun and shade play a role in all my compositions.

I actually consider the creative work to be seamless whether at work in the garden or at work in my studios. The up close and personal view of the flowers when I’m weeding, deadheading, trimming and tending allow me the time to become intimately aware of each flower’s details. This is something I like to convey in my work.

Mary Ahern Artist. Light Blue Iris Germanica

Light Blue Iris Germanica

These light blue irises came to dance in the breezes in the front garden, which I can see through the French doors in my living room. Though short lived, their ephemeral character is part of the fun of capturing them in my Art.

Mary Ahern Artist. Phlox stolonifera, 'Sherwood Purple' and Karume azalea in the woodland walks.

Phlox stolonifera, ‘Sherwood Purple’ in front of a Karume azalea in the woodland walks.

The composition of this painting was created using elements from different areas of my garden. The woodland walks with their large hemlock trunks for the vertical accents, which mimic the verticals of the irises. The rare spots of sunshine in the front garden, which hold the irises and many other perennial sun lovers, give me many sources of inspiration during the seasons.

Light Blue Iris in the Garden. Mixed Media Painting. 30x40" Gallery Wrapped. © Mary Ahern.

Light Blue Iris in the Garden. Mixed Media Painting. 30×40″ Gallery Wrapped. © Mary Ahern.

The finished painting is called “Light Blue Iris in the Garden”. I’m not very original on names but it is an apt description.

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Some Steps When Curating & Designing an Art Show

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Curating an Art Show takes many steps and stages. The process begins with the organization sponsoring the event. They are responsible for setting the dates and timetables of the show, the selection of Artists and in this case, establishing and maintaining a cooperative working relationship with the owners of the hosting venue.

The organization that is sponsoring the Art Show decides if they are hosting a One-Person Art Show or a Group Exhibit and where the venue will be held. This information is included in their prospectus.

For the Art Show I’m having from August 28 through October 9th, 2012, I downloaded the prospectus from the Northport Arts Coalition (aka NAC) website here. Most organizations now offer their applications & information online.

In this case, I applied for a One-Person Show to be held over a 6-7 week period at the Wine Cellar on Main in downtown Northport NY. I was notified of my acceptance and given about a one-month lead time to prepare for the showing.

Normally the lead time for an opportunity for a large show like this is quite a bit longer but I was pleased with the opportunity to show my work so I quickly accepted their offer.

A view of my studio while staging for the Art Show

Depending on the organization the curating of the actual show is done either by a designated person within that group or the individual Artists whom they’ve selected for a show.

Since I have decades of experience managing and curating my own and other events I have a particular method of working. In another post, I discussed how I started planning & curating my show. Curating in the sense I wrote about is the decision making process of how the show will look and what work I have available to show.

I usually have various paintings of mine in multiple group shows over a wide variety of time slots & locations so I keep comprehensive records of where my Art Work is allocated at any given time & where the work is scheduled to be shown.

I also know what work is in the process of being created & when the work will be available for the next showing.

Curating is many things. These include finding the venues, selecting the Artists, designing the show itself and creating and executing the marketing campaign.

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Strategies for Planning & Curating my Own Art Show

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So I applied and was accepted for a one-person Fine Art Show at the new Wine Cellar on Main in Northport NY from August 28 through October 8th, 2012. The acceptance email was the fun part & then the stress factor hit me within moments.

Yikes. I’m a curator now.

What paintings would I show? How many pieces of Art? What size paintings would look right. How would I stage the show hanging? And since it was such short notice, (one-month) how quickly could I pull this whole show together efficiently & still enjoy life?

Here’s what I did.

Site survey of the Wine Cellar on Main with my friend Greg Oleanik’s show in place.

Side wall of Greg Oleanik’s show at the Wine Cellar on Main

I took my point & shoot camera, pencil, paper & a sturdy metal measuring tape & scouted out the available show space. Luckily, my friend Greg Oleanik currently had a show hanging there so I was able to take snapshots of all his work hanging in place.

Mock-up of what size paintings I will need for my upcoming Art Show

Side wall mock-up for my Art Show planning

I measured the height & widths of all the available spaces within the room, keeping them sequentially numbered along with photos of each space.  I spoke with the proprietor, Lindsay Ostrander & we discussed the fact that she had installed a hanging system with rails & rods so that I wouldn’t need to put nails in her walls. This info I took back to my studio & headed for the computer.

I imported the photos into Photoshop. I created a panorama of the interior hanging space with photos of Greg’s show. Then I made a mock-up of the walls & created placeholders for the different sizes of my own Artwork since I know what sizes of Art I generally work in.

With this in place I was able to count how many and what sizes of paintings I would need to have available to put into the Art Show.

I felt calmer already. Next step was planning on how much creating was ahead of me & what I could possibly hope to accomplish in such a short span of time while also leaving me time to publicize the show. I wanted to make sure I left enough time to share the news about the show with family, friends, and with all my past, present & future customers.

 

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A Creative Process Across Multiple Mediums

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One of the methods I use to visualize my Art is to take snapshots of my models and modify them on my computer. Since I’m not a photographer I only have a small point and shoot camera that I use to take photos in my garden or in my studio.

I took this snapshot of these orange tulips using natural light in my studio
I took this snapshot of these orange tulips using natural light in my studio

I import these snapshots onto my computer and using Photoshop I delete the backgrounds, modify the colors and otherwise play around with the image. I print the images from my Epson printers onto matte cardstock papers.

Using Photoshop on my Mac, I play around with colors and composition
Using Photoshop on my Mac, I play around with colors and composition

In this particular Art work, after making a completed tonal drawing which I discussed in my previous post, I traced the outline of the tulip onto 300lb hot press paper using a lightbox and a 2H pencil.

Then, using Winsor Newton watercolors, I put down my first layer of paint. Once dry I used my set of Prismacolor colored pencils to draw over the watercolor.

In this Mixed Media Art work I used colored pencil over watercolor
In this Mixed Media Art work I used colored pencil over watercolor

For some reason I find this process to be very relaxing and meditative for me. If I need some calmness in my life, I can go to my studio at any time and pick up right where I left off. No fuss, no muss, no bother.

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Creative Process

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There are so many ways to create paintings. As an Artist who has been creating for over 35 years I have developed a variety of methods to arrive at my finished work. Sometimes it is interesting to get a peek behind the process, so here is one style I enjoy.

Snapshot of some Orange Tulips I used as the basis of this series of Art works
Snapshot of some Orange Tulips I used as the basis of this series of Art works

Since I’m not a photographer, I take snapshot of flowers I either buy or grow. I usually select them for color or just for form. I find myself attracted to large bold shapes rather than the more frilly inflorescences. I then decide what mediums I will work in and whether there will be one finished Art work in one or more mediums or whether the work will be part of a series.

I love creating tonal drawings so I often do a finished piece in graphite before I start a painting just because I like the feel of drawing. It also is a great way to work out values of highlights and shading.

Tonal drawing of a tulip. I use a pair of magnifying lenses which I hook onto my bifocals to help me see the details
Tonal drawing of a tulip. I use a pair of magnifying lenses which I hook onto my bifocals to help me see the details

If the work is part of a series, I need to imagine the size of each piece and the total overall impression I’m looking for. This ups the level of complexity considerably and actually makes for quite a nice challenge to my visual imagination and my technical consistency.

For a series of work I need to choose the size of each work and the size of the overall series.

I also need to create a composition that stands alone as well as works for the series.

I use my altered snapshots to help me come up with my composition in this series
I used my altered snapshots to help me come up with my composition in this series

My work must not only be accomplished to my own standards for each piece but it must be consistent across all the work. This can be tricky if you don’t create all the work during the same or close to the same period of time.

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Joseph Raffael Art Show at the Nancy Hoffman Gallery, NYC. January 2010

The Joseph Raffael show at the Nancy Hoffman Gallery at 520 West 27th St in Chelsea New York was a burst of color and soul. The show was there from November 2009 through January 10, 2010. For those of you who missed this wonderous presentation, I created a video of the show.

Visiting this show brought such a burst of the voluptuous joy of color and passion to an otherwise gray day that I was compelled to share it with others.

Joseph Raffael douses himself in his watercolors. His colors flood and pool in the most controlled display of virtuosity I’ve ever seen in this medium. Though in this show his subject matter seems to be primarily flowers, his style is the antithesis of botanical illustration.

As a matter of fact, Elisabeth, my fellow Artist friend and I gallery hopped to this show on the heels of a visit to the ASBA (American Society of Botanical Artists) show at The Horticultural Society of NY. The contrast of two exquisite art forms, both employing watercolor and using flowers as subject, was astounding.

 

For an extra treat, I would suggest visiting Joseph Raffael’s website and taking some time to view the meditative videos of him as he paints.

Take a moment to calm down and become immersed in the process of Art. It will make your day. It always does so for me.

 

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Huntington Arts Council Silent Auction-December 2010

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I have donated one of my Krinkled Peony Digital/Traditional Mixed Media Paintings to the Huntington Arts Council, annual silent auction fundraiser. This piece is a combination of Digital painting and Traditional Colored Pencils.

The finished mixed media painting is matted & finished in a 16x16" natural wood color frame.
The finished mixed media painting is matted & finished in a 16×16″ natural wood color frame.

Bidding is underway at the Main Street Petite Gallery. Almost 50 artist members of the Huntington Arts Council have donated original work in oils, watercolor, photography, prints, diamond and topaz jewelry, silk and more. Bidding opportunities start at $25, and go until 6 p.m. on Friday, December 4.

This is a great chance to own an original piece of art or purchase one as a gift for a favorite relative or friend. Stop by the gallery at 213 Main Street in Huntington, two blocks east of New York Avenue, to see both the art and all the raffle items.

Poster for the L'Art Pour L'Art Silent Auction for the Huntington Arts Council
Poster for the L’Art Pour L’Art Silent Auction for the Huntington Arts Council

The proceeds support the exhibition programs of the Arts Council’s two galleries. Some of the wonderful raffle items are: a pair of subscription tickets for the Long Island Philharmonic; gift certificates for Besito, Honu, RED Restaurant and others; and theater and movie passes.

The gallery will be open for the duration of the auction Friday evenings until 8 p.m. and from 1 to 5 p.m. on the first three Saturdays of November. A “Rockin’ Sock Puppet Making Workshop” is on tap for kids ages 5 to 11 on Saturday, November 14 from 1:30 to 3:30 p.m. Then on November 21 at 2 p.m., some of the donating artists will be at the gallery to talk about their work.

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