↓
 

Art Naturally

Contemplating Meaning: The Musings of an Artist

  • HOME
  • ABOUT
    • Artist’s Statement
    • Biography
    • Artist Resume/CV
  • NEWS
  • ORIGINAL ARTWORK
    • Recent Work
    • Original Oil Paintings
    • Works on Paper-Color
    • Works on Paper-Drawings
  • PRINTS
    • Most Popular Prints
    • Flower Portraits
    • Landscapes
    • Designer Prints
    • Metal Prints
    • Still Lifes & Interiors
  • BLOGS & NEWS
    • Art Blog
    • Garden Blog
    • News
  • STUDIO GLIMPSES
    • In The Studio
    • Art Work In Progress
  • CONTACT
Home→Tags Pencil

Tag Archives: Pencil

And Then I Stuck My Hand Into The Wood Chipper

Art Naturally Posted on September 21, 2020 by Mary AhernSeptember 20, 2020  

I‘m that kind of gardener. The one who opens the windows to inhale the smell of the soil in the morning mist. A day isn’t complete unless I’ve walked the woodland paths, seen the changes however small, what has begun, what has passed its peak of perfection. Which plants are inviting their cohort of pollinators, the array of the birds and the bees? This is the half-acre of land I’ve designed, planted and tended for over 30 years. The soil is rich in abundance, helped by the leaves I shred each year.

The garden constantly evolves with each season and each year as do I. Fall is when I gather the leaves and branches to shred and place back into the garden to keep the beds warm and covered from the winter winds. There is a rhythm to the garden as there is a rhythm to life.

For years I’ve had this chipper, its large, heavy and gunmetal gray. When the machine roars into life in its loud and vicious voice you know it means business. I use this to make my own mulch. Gather my garden debris to enrich the soil and feed it into the maw of this machine. Chip my own branches for the pathways I walk and contemplate.

Once you put the cord to start the engine it drowns out the sounds of life around you. There is an urgency to feed the beast. I have my piles of leaves at hand to be shredded to shorten the duration of this violent machine and return again to the quiet contemplative space I crave. This is the stage to move fast to silence the din.

And then the blades jammed. The engine pushed and growled. The whole machine quivered trying to dislodge the offending object. The squeal of the engine roaring deafened me demanding a quick solution. I felt my heartbeat quicken. A frustration and impatience entered my being. A demand for a quick remedy.

So I removed the chute which served as the feeder to the blades. There I could see the chunk of wood jamming the metal and in my mindless haste I reached in with my hand to unblock the shredder.

The searing pain was beyond description. More than I’d ever experienced in my entire life. Beyond childbirth, beyond car accidents. Beyond anything my mind could process. And I was alone. No one to call out for. No one could hear me. I just let my arm hang limply by my side. And I refused to look down. Not prepared yet to see what I was left with from what I knew was a defining event of my life.

Woodland Trees and SkyI leaned forward against the railing of my deck, my mind emptied of rational thought. No plan of action arrived. My logical brain inactive, devoid of anything other than the pain. It gripped me. Wrapped me wholly. I was enveloped with pain. Just the thumping, throbbing, pounding of pain.

Then I looked up. The trees were swaying gently with the wind in their long and pensive manner. The leaves, dressed in their fall colors. were wiggling and waving at me beckoning my attention. Beyond was a brilliant blue sky, the most beautiful blue I’d seen in my entire life and I’d seen many. The breeze caressed me. It was a moment of indelible beauty. My world came to a halt. My garden surrounded me with healing calmness. Caressed me with its fragrance, its life. I was bodyless.

Now I understand more of why I garden. It’s not for me to show my friends my great expertise. To flaunt the rare specimens I collect. To boast in my selection of flowers for color balance and seasonal flair that I am able to coax into being. My garden is not an ego trip.

This garden is threaded through with paths, to walk through, to discover, to immerse yourself. The journey around my garden is for enlightenment. The senses heightened by the wisp of nuance seen from the side of one’s eye. It’s in a subtle awareness of the healing that we gather from the earth. The wonder of how interwoven we are with the natural world surrounding us. The fact that we are just another component of an incomprehensible network of living beings. It is humbling.

And if we listen, the garden also teaches us to ponder, to meditate, to slow our heartbeat down to absorb life. It teaches us to travel inside our soul to seek our essence. Gardens are about optimism too. The grand possibilities of our future. What profound truths will reveal themselves? What miracle will the world visit upon us graciously?

Oh, by the way, I forgot to mention, my fingers were not shredded that day.


Graphite Drawing of Gourds in my Studio

Graphite Drawing of three gourds is one of the many artworks I have been very lucky to be able to continue creating.
You can see more drawings on my website, click here.

 


 

Share
Posted in Garden Artist, Musings, My Garden | Tagged Gardening, Influences, Musings, My Garden, Pencil, Traditional Art | Leave a reply

My Drawing Style is Just Icing on the Cake

Art Naturally Posted on August 17, 2020 by Mary AhernAugust 17, 2020  

Some parts of creating my art are more meditative than others. My drawing process is one of them.

I work with lead pencils filled with different weights. Usually, I start with a 3H which is a harder lead and lighter. Then on the second go-round, I switch to a 2H which is a little less hard and a slight bit darker. Eventually, I do my darker shadow areas with an HB lead which is what we all used in elementary school with our yellow pencils and pink erasers.

The motion I use is a type of squiggly form which can only really be seen when your nose is up close to the drawing. I obliterate the light lines I initially create when drawing the form of the flower so the edges are quite soft.

This slow rhythmic looping movement with the pencil was so familiar to me when I first started doing these tonal drawings.  I felt in my hand and wrist that I’d made them before but couldn’t identify where but knew it was my handwriting.

And then one day I remembered the tactile feel. As a very young child, I baked my Betty Crocker cakes topped with chocolate icing. I made the icing by melting blocks of unsweetened chocolate & swirling into it some powdered sugar. With a spatula, I spread that soft chocolate creaminess onto the top and the sides of the cake using this same slow rhythmic swirling motion. I would spend as long as I was allowed to swirl and swirl and swirl by those sitting at the edge of the counter watching and waiting to dive into the eating stage.

That movement is so soothing for me that I have to remind myself to stop and declare the drawing done. Art is never really complete. You can caress it for eternity. It’s not like a cake that has a defined purpose, one that demands completion so it can be eaten. Drawing is endless. But eventually, I just have to “Ship It”.

Drawing is Just Icing on the Cake - Mary Ahern Artist

Drawing is Really Just Icing on the Cake for Me.

 


 

Share
Posted in Art Technique, Being an Artist, Musings | Tagged Art, Art Technique, Being an Artist, Creativity, Drawing, Influences, Musings, Pencil, Traditional Art | Leave a reply

Studio Glimpses Video-The Process of Creating the Painting: “Here I Am – Candy Wind Hibiscus”

Art Naturally Posted on July 22, 2020 by Mary AhernOctober 7, 2020  

In my continuing series of Studio Glimpses, I love to respond to questions by my collectors. The process of how I created this painting is generally one of those most frequently asked.

You Tube Video link: (https://youtu.be/pgVtTmQX944)

In this video, I begin by showing you the photo of a flowering hibiscus from my own garden which was the inspiration for this artwork.
Here I write my thought process behind the stages visualized in the video. 

In my initial stage I work out the composition of the final art work and deciding whether it will be a square or a rectangle.

To work out the details of lights and darks that will be in the final painting I like to start with a tonal drawing. Using an HB weight graphite pencil I use my customary swirling strokes to give form to the drawing. Not being partial to outlines I don’t emphasize them but soften the edges by merging them slightly with strokes. 

In order to transfer the drawing to the canvas I used a mapped grid system. In this case, I put a transparent sheet of paper over the tonal drawing on which I’ve drawn a grid. After measuring the same grid on the canvas I was able to upsize the drawing onto the canvas. Using pastels I created an underdrawing of a neutral ochre color using the tonal drawing as my model, followed by a layer of neutral ochre oil paint which seals the surface of the gessoed canvas.

In the next stage, I applied thin coats of oil paints in layers recreating the original composition in the base colors allowing the underpainting to peak through. Many, many layers of thin glazes are applied to give dimension and form to the final painting.

Details are added during the later stages, I think of it as putting jewelry on after you get dressed to go to a party. You save the best for last.

Each day after if finish working on a painting in my studio I photograph it for reference and view the images on my computer to see the progress and decide if I want to make any changes along the way.

I prefer to work on thick gallery wrapped canvas and finish the work off with neutral floating frames. I aim for simplicity in form with exuberance and abundance in surface color. This painting has no visible brushstrokes which is also my preferred style of painting.

Mary Ahern-Original Fine Art and Prints

“Here I Am – Candy Wind Hibiscus” 20×20″ GW oil painting on canvas. $1,950.00.
Check here to see if this painting is still available for purchase

I’m glad you came here so I can share my art with you.

Each person brings their own history, interpretation and emotion to a work of art.

My art isn’t complete without you. Thank you for being here. I love being an Artist!

__________________________________________________________________________

Share
Posted in Art Technique, Being an Artist, Garden Artist, Video | Tagged Art, Art Technique, Being an Artist, Color, Creativity, Drawing, Flowers, Garden Artist, Oil Painting, Pencil, Traditional Art, Traditional Painting, Video | Leave a reply

Time Time Mind in a Bind

Art Naturally Posted on October 22, 2013 by Mary AhernAugust 19, 2015

Time Time, Mind in a Bind.
Thoughts in a Mold, Blockages Unfold
F
I
N
A
L
L
Y
U
N
W
I
N
D

Writing by Mary Ahern. February 20, 1978

Time Time, Mind in a Bind

Illustration by Mary Ahern, October 22, 2013

Share
Posted in Being an Artist, Musings | Tagged Creativity, Drawing, Illustration, Pencil, Poetry

A Creative Process Across Multiple Mediums

Art Naturally Posted on July 21, 2010 by Mary AhernJuly 21, 2010  

One of the methods I use to visualize my Art is to take snapshots of my models and modify them on my computer. Since I’m not a photographer I only have a small point and shoot camera that I use to take photos in my garden or in my studio.

I took this snapshot of these orange tulips using natural light in my studio
I took this snapshot of these orange tulips using natural light in my studio

I import these snapshots onto my computer and using Photoshop I delete the backgrounds, modify the colors and otherwise play around with the image. I print the images from my Epson printers onto matte cardstock papers.

Using Photoshop on my Mac, I play around with colors and composition
Using Photoshop on my Mac, I play around with colors and composition

In this particular Art work, after making a completed tonal drawing which I discussed in my previous post, I traced the outline of the tulip onto 300lb hot press paper using a lightbox and a 2H pencil.

Then, using Winsor Newton watercolors, I put down my first layer of paint. Once dry I used my set of Prismacolor colored pencils to draw over the watercolor.

In this Mixed Media Art work I used colored pencil over watercolor
In this Mixed Media Art work I used colored pencil over watercolor

For some reason I find this process to be very relaxing and meditative for me. If I need some calmness in my life, I can go to my studio at any time and pick up right where I left off. No fuss, no muss, no bother.

______________________________

Share
Posted in Art Education, Art Technique, Botanical Art, Garden Artist | Tagged Art, Art Education, Art Technique, Botanical Art, Creativity, Design, Drawing, Flowers, Garden Artist, Pencil, Photoshop, Traditional Art, Traditional Painting, Watercolor | Leave a reply

Creative Process

Art Naturally Posted on July 13, 2010 by Mary AhernJuly 21, 2010 1

There are so many ways to create paintings. As an Artist who has been creating for over 35 years I have developed a variety of methods to arrive at my finished work. Sometimes it is interesting to get a peek behind the process, so here is one style I enjoy.

Snapshot of some Orange Tulips I used as the basis of this series of Art works
Snapshot of some Orange Tulips I used as the basis of this series of Art works

Since I’m not a photographer, I take snapshot of flowers I either buy or grow. I usually select them for color or just for form. I find myself attracted to large bold shapes rather than the more frilly inflorescences. I then decide what mediums I will work in and whether there will be one finished Art work in one or more mediums or whether the work will be part of a series.

I love creating tonal drawings so I often do a finished piece in graphite before I start a painting just because I like the feel of drawing. It also is a great way to work out values of highlights and shading.

Tonal drawing of a tulip. I use a pair of magnifying lenses which I hook onto my bifocals to help me see the details
Tonal drawing of a tulip. I use a pair of magnifying lenses which I hook onto my bifocals to help me see the details

If the work is part of a series, I need to imagine the size of each piece and the total overall impression I’m looking for. This ups the level of complexity considerably and actually makes for quite a nice challenge to my visual imagination and my technical consistency.

For a series of work I need to choose the size of each work and the size of the overall series.

I also need to create a composition that stands alone as well as works for the series.

I use my altered snapshots to help me come up with my composition in this series
I used my altered snapshots to help me come up with my composition in this series

My work must not only be accomplished to my own standards for each piece but it must be consistent across all the work. This can be tricky if you don’t create all the work during the same or close to the same period of time.

______________________________

Share
Posted in Art Education, Art Technique, Botanical Art, Garden Artist | Tagged Art, Art Education, Art Technique, Botanical Art, Creativity, Drawing, Flowers, Pencil, Traditional Art, Traditional Painting, Watercolor | 1 Reply

First Botanical Drawings

Art Naturally Posted on December 27, 2007 by Mary AhernFebruary 28, 2018

Now that I make my living by creating Botanical Fine Art, image my surprise when I stumbled upon my first botanical drawings, dating from 1976. In an effort to document my classical art education I have gone to the attic to retrieve my early drawings and paintings along with the schoolwork I saved from the excellent Art Education curriculums I attended at York College and Queens College, (CUNY), City University of New York during the 1970’s.

Branch with details, an early horticultural drawing

Branch with details, an early horticultural drawing

Without any historical background regarding the long tradition of botanical drawing, I documented the branch structure, flower and leaf as well as the knothole of a branch, which I more than likely retrieved from my garden in Queens Village, NY. I was an avid, but highly amateur gardener, tending to a huge cherry tree, a multi-stemmed white birch and three peach bearing trees in my tiny garden.

Drawing of a dead branch

Drawing of a dead branch

Drawing of a dead branch

The drawing of my houseplant has been badly damaged by mold but it describes nicely a succulent houseplant I nurtured for years without realizing that it would ever flower. When the plant finally graced me with a huge, star shaped hairy flower, the stench it emitted attracted an abundance of houseflies much to my dismay. The flower itself was stunning. Very large in proportion to the plant itself with reflexed petals and patterned markings. I, many years later, found that the common name of my trophy was, the Carrion Plant, and the Latin name is: Stapelia Gigantia, from the Family of Asclepiadaceae.

Considering the amount of flies that I remember finding their way into my home I am not surprised to have discovered that it was known to attract pollinators by emitting the horrendous odor of dead meat. I don’t remember exactly what happened to the plant but I think that it failed to flourish after blooming that year. That may either have been because the effort it took to produce that huge flower weakened the plant or it may be because I was so offended at the smell that I was not longer enamored enough with it to tend it with care.

Carrion Plant

Carrion Plant

Posted in Art Education, Art Technique, Being an Artist, Botanical Art, Garden Artist | Tagged Art, Art Education, Botanical Art, Drawing, Pen & Ink, Pencil

Life Drawing With Clothed Figures

Art Naturally Posted on December 26, 2007 by Mary AhernApril 1, 2009  

I actually enjoy drawing the folds in fabric more than drawing the nude figure. The anatomy of bone and muscle structure is so compelling in studying the nude but the intricacies of fabric on the figure adds another dimension of complexity. I love the pull of a belt on a waistline or the cinching of the fabric at the bend of an elbow or knee.

Life drawing with clothed figure in pencil on newsprint paper
Life drawing with clothed figure in pencil on newsprint paper

I enjoy contemplating the lighting as it casts over and under the folds. Where is the source of lighting? I stare at the shadow type underneath to determine if it is soft and diffused or hard and linear. Now, thirty years later, I still am fascinated by the curves and shadow of figures and lighting though now I don’t draw the figure. I concentrate instead on my favorite subject matter, flowers. These life drawing were the beginning of the process of learning to see.

In most cases in the classes I attended at York College, CUNY, Queens, NY in 1976 when these drawings were created, the lighting was not dramatic or controlled. The classroom lighting was positioned from the surrounding windows and the overhead fluorescents to provide enough light for the students. The emphasis was not to create distinct lighting on the models. These drawings were from my second semester in college so are my first attempts at figures and folds.

Two figure life drawing with pencil
Two figure life drawing with pencil

Share
Posted in Art Education, Art Technique, Being an Artist | Tagged Art, Art Education, Art Technique, Being an Artist, Drawing, Life Drawing, Pencil | Leave a reply

Life Drawing

Art Naturally Posted on December 20, 2007 by Mary AhernSeptember 1, 2009  

Life drawing classes are the traditional method for teaching the drawing of the human figure. Live models are used so that students can study the muscles and anatomy of the figure in order to render the volume and dimensionality of the human body. Using photographs instead of models can often cause students to render the figure in too flat a manner.

Life drawing in pencil
Life drawing in pencil

Drawing classes that I attended at York College, CUNY, in Queens NY in the 1970’s, were held in 4-hour segments. Poses were held for short bursts of sketching time such as 5 or 15 minutes in the early part of a class to allow the artists time to warm up their drawing arm and eye. As the class progressed, poses often were held for longer periods and were in fact upon many occasions maintained for the entire remainder of the session. When the model took a break they would then return to their position in the center of the class so the students could continue to work on the drawing of that pose.

Seated figure in pencil on newsprint paper
Seated figure in pencil on newsprint paper

Life drawing is such an fundamental part of the curriculum of any art school that it is hard to believe that in the not so distant past these classes were taboo for women. Throughout history women were banned from traditional art school under the guise of protecting their delicate sensibilities. In order to pursue their art many women took a separate path towards expressing themselves and gravitated to watercolor paintings of flowers and gardens. These were considered acceptable mediums and subjects for a well-protected and well brought up middle class woman.

Leaning figure seated on stool drawing
Leaning figure seated on stool drawing

And then along came Georgia O’Keeffe and everyone saw flowers in a very different way. She helped to forge an acceptance of woman as artist and the doors of art schools flew open.

Pencil drawing on newsprint paper from life drawing class
Pencil drawing on newsprint paper from life drawing class

Share
Posted in Art Education, Art Technique, Being an Artist | Tagged Art, Art Education, Art History, Art Technique, Being an Artist, Drawing, Influences, Life Drawing, Pencil, Traditional Art | Leave a reply

Paper Bags

Art Naturally Posted on December 19, 2007 by Mary AhernApril 1, 2009  

Brown Kraft paper bags are a wonderful subject for learning to draw. They don’t move like people do. They don’t wiggle or whine. They don’t go rotten and deteriorate like fruits and vegetables. They’re cheap and easy to find. Not only can you pack lunch into the smaller bags you can bring home your food shopping in the larger ones and as an extra bonus, you can then use them to take out the garbage.

Kraft lunch bags - wash drawing
Brown Kraft bags – wash drawing

Need I mention that when I was in school, we cut down the large grocery bags and used them as book covers to protect the textbooks that the public school system in New York City provided to us on loan. So versatile, so useful, so filled with nooks and crannies they make for a great student model.

Brown lunch bags
Brown lunch bag drawing

These 4 drawings of paper bags were done while I was in the second semester of my Freshman year in the Fine Arts Program at York College, CUNY in Queens NY. They were done during a two-week period from 3/21/1976 through 3/4/1976. All the dates of the drawings are noted at the bottom of each piece. I’m very glad that I was prescient enough to not only keep my student works but also to have dated them so that I could, 30 years later, look back on them and study the progression of my classes.

Brown bag wash drawing
Brown bag wash drawing

At the time of these drawings I had been paying attention to art for only 2 years since I had spent my Junior and Senior High School years immersed in music. I came late to art but at the time of this writing in 2007, I’ve been an active artist for over 30 years.

The mediums I was experimenting with in these drawings are plain pencil, pencil and wash and Conte crayon. I seem to be able to create volume using contrast in these pieces but I haven’t set each of the still lives up with a particular light source that is consistent throughout each piece.

The composition of each work is fairly good in relation to the page and utilizes the scale properly except perhaps the last piece. I believe the drawing would have been better served had the paper been turned horizontally.

Too late to fix the original now but as I would say in this day and age: “I’ll fix it in Photoshop.”

Folded brown garbage bag drawing
Folded brown garbage bag drawing

Share
Posted in Art Education, Art Technique, Being an Artist | Tagged Art, Art Education, Art Technique, Being an Artist, Drawing, Pen & Ink, Pencil, Photoshop, Watercolor | Leave a reply

Drawing Boots & Shoes

Art Naturally Posted on December 18, 2007 by Mary AhernApril 1, 2009  

The art of drawing boots and shoes is taught in all college curriculums since it is logical to select subjects readily available to even the most cash strapped students. In fact, the older and more beat up a shoe the more character it has and sometimes that goes for humans as well. These drawing studies were created in the second semester of my Freshman year of York College in Queens NY, 1976.

My son Chris' denin boots
My son Chris’ denim boots

The first drawing of boots, with the heel cropped on the bottom of the paper, either indicates an advanced notion of composition or the inability to judge the size of the paper. These were denim boots I bought for my son Chris and they made him the coolest kid in elementary school. The drawing is dated 3/7/1976.

This drawing was one of my first attempts at using a stick of Conte crayon. I had moved beyond using just the weight of the stroke to indicate dimension and had begun to include shadows and light source.

My Earth Shoes
My Earth Shoes in a conte crayon drawing (without shoe laces)

Earth shoes were my footgear for most of the ‘70’s since they were comfortable and easy on my back. This conte drawing is lacking the completion the assignment probably called for but I was amused at seeing my shoes again for the first time in 30 years. In fact these shoes might be having a renaissance as I’ve seen them advertised in one of the flood of catalogs that show up at my door. This drawing is dated 3/8/1976, which makes it the day after the denim boots shown above and is probably the reason for their lack of detail.

Frye Boots in a wash drawing
Frye Boots in a wash drawing

The pen and ink study of Frye boots dated 3/11/1976 was a very early attempt at controlling an ink wash. The composition, in my mind, is more successful than the first two drawings since they utilize the format and dimensions of the paper with a greater sensitivity.

I have no recollection of whether these drawings were done in the classroom or as homework assignments. Given the length of time it would have taken for me to complete each of these drawings I presume most of the work would have been done on my dining room table after my sons went to sleep for the night.

Share
Posted in Art Education, Art Technique, Being an Artist, My Garden | Tagged Art, Art Education, Art Technique, Being an Artist, Drawing, Pen & Ink, Pencil | Leave a reply

Line Drawings and Hardware

Art Naturally Posted on December 17, 2007 by Mary AhernApril 1, 2009  

Among the first drawing assignments I learned in the early days of my college education at York College in Queens NY in February and March of 1976, was to create volume using line weight. My first attempt at drawing the extension cord had an even pencil stroke on each of the turns of the coils. This is my second attempt and looking closely you can see that as the object comes forward to the picture plane the line becomes thinner and lighter while thickening and darkening as it recedes. This use of the line supports the 3-dimensionality of each of the objects in a rather subtle fashion.

Line drawing of an extension cord

Line drawing of an extension cord

These 3 drawings were done on cheap sketching paper using an ordinary pencil with an under-sharpened point. The composition of each piece took into consideration the entire page, which is here shown without cropping.

Doing drawings such as these simple objects sharpens the eye for composition and detail. Changing the line weight in one movement of the pencil helps to develop control of your hand and wrist. Selecting simple standard objects removes the complexity of movement, lighting changes, composition of multiple objects and for me allows a somewhat meditative appreciation of the object.

Door knob drawing from my home in Queens Village

Drawing of a door knob from my home in Queens Village

Looking back on these drawings of pieces of hardware are strangely nostalgic.The doorknob was one of the original knobs in the house I owned in Queens Village at the time of this lesson. The handles were made of clear faceted glass and the bases were brass. They felt good in the hand when you turned them and opened a door.

The vise belonged to my Father who, since he had no need, was not at all handy. I played with it as a child in our basement in Brooklyn, putting small objects in the clamps and tightening the handle gently. I loved the sound of the metal handle as I clanked it from end to end. This green vise has traveled quite a bit in this lifetime and now lives mounted on a workbench in my garage where it is finally being put to real utilitarian use. And now that it is, I no longer notice the sweet sound of the handle and the smoothness of the moving clamps.

My father's vise

My father’s vise

Share
Posted in Art Education, Art Technique, Being an Artist | Tagged Art, Art Education, Art Technique, Being an Artist, Drawing, Pencil | Leave a reply

First Drawing Class

Art Naturally Posted on December 13, 2007 by Mary AhernApril 1, 2009  

Classical art education classes began for me when I was accepted into the Fine Arts program at City University of New York, (CUNY) York College in Queens NY during the mid-70’s. My first drawing class brought me to the Queens Museum in Flushing Meadow Park to study and sketch the plaster casts of the Greek, Roman and Renaissance eras. As I studied Art History I found that this was a method of training Artists with a tradition going back centuries. I feel proud to have been taught in the classical art tradition in which the Masters studied. I am so glad that I had that platform as the basis of my entire Art career.

In my first college level drawing classes we drew from plaster casts of famous sculptures
In my first college level drawing classes we drew from plaster casts of famous sculptures

I remember feeling totally honored at seeing those casts so up close and personal in the hidden rooms of the museum. I felt like I was being introduced into a select world, the world of the Artist. It was the beginning of being a part of a long tradition of people who were looking to learn their craft so they could find ways to describe things and views and images and ideas.

I wasn’t yet thinking of expressing my voice. I was just learning my craft. I had studied music in Junior and Senior High Schools and one of the ways I learned to master my trumpet was to play the scales up and down endlessly. Drawing, in the beginning, was very much like doing the scales. I needed to own the medium before I could begin to be creative with it. You become an Artist when the process takes backstage and your creative vision can flow.

I practiced, practiced and practiced my trumpet but never made it to Carnegie Hall. I did however, by practicing, become a professional Artist.

Share
Posted in Art Education, Art Technique, Being an Artist | Tagged Art, Art Education, Art Technique, Being an Artist, Drawing, Life Drawing, Pencil | Leave a reply

Art & Garden Connoisseur’s Newsletter Sign-Up


Have you missed some of my Events, Lectures and Shows?

Why not sign up for my newsletter and be the first on your block to get the latest and greatest News about my upcoming new work, Art Shows and lectures.

Plus you will receive a free downloadable Art Book with my latest work, motivations & influences for you to keep!


Like you, I respect my privacy, so I don't share any of your info anywhere, anytime! I Promise!
Don't forget to Visit My Online Art Shop!

Looking for something perk up your spirits, a gift perhaps or a change in your indoor or outdoor decor. Visit my online shop where you can use my augmented reality/live preview feature to view my art in your own personal setting. Try it, it's fun!

Categories

  • Art Education
  • Art Shows
  • Art Technique
  • Artists
  • Being an Artist
  • Botanical Art
  • Business of Art
  • Garden Artist
  • Musings
  • My Garden
  • Video

Archives

Tag Cloud

Acrylic painting Art Art Education Art History Artists Art Shows Art Technique Being an Artist Blogging Botanical Art Bricks & Mortar Galleries Bulbs Business of Art Career Changing Color Creativity Design Digital Art Drawing Dream Chasing Exhibitions Flowers Gallery Shows Garden Artist Garden Design Gardening Illustration Influences Inspiration Life Drawing Musings My Garden Oil Painting Pen & Ink Pencil Photoshop Poetry Press Public Speaking Selling Art Time management Traditional Art Traditional Painting Video Watercolor

Subscribe to my Art Blog via Email

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 1,436 other subscribers
©2025 - Art Naturally - Weaver Xtreme Theme
↑
 

Loading Comments...