My Garden My Muse My Inspiration

The Garden Artist Posted on by

My muse is my garden. Other gardens as well, but my garden in particular. I move in it, feel it, and hear the breezes whisper through it. I watch the lighting during the day as it slides over and around the textured surfaces.

Mary Ahern - Azaleas and Tree Peony in my garden

This azalea and tree peony combination bloom in my garden together every year. Their colors match perfectly and are so inspiring to me!

Lighting is so different on days with sun and with clouds. Lighting in the spring with the bright yellow-greens of optimistic new growth and lighting by the fall with ambers & tans of a lived life. Morning light offers tender ambiance while afternoon colors not only light the scene from a different direction, the colors are deeper and warmer.

My garden brings consciousness and meaning to me. It keeps me grounded. The ephemeral beauty of an unfertilized blossom studied up close with magnifiers and macro lenses is a representation of a miracle. The world of possibility. The beginning of a story I represent in my Art. I walk through my garden gathering ideas. Stories I want to tell. Suggested ideas I want to convey.

In my garden I spend time designing the landscape or I spend time closely and intimately with a singular specimen at a particular stage of growth. In my studio I may paint a vignette or a full landscape view of a part of the garden I’ve designed, or I may choose to paint a small portion of one flower that has moved me. The minute miracle. This is my work. Outdoors and indoors. These are the stories I tell. This is my Art. You can see more of my work in my online Art Shop.

Fire Flame Peony

These Fire Flame Peonies bloom in my garden each year in May at the same time as the color matching azalea.This and other pieces of my Art can be purchased in various sizes on canvas, fine art paper, metal and acrylic in my online Art Shop.

What is a Corm and How Is It Propagated?

The Garden Artist Posted on by

CORMS

Corms look a lot like bulbs on the outside but they are quite different. They have the same type of protective covering and a basal plate like the bulb does, but do not grow in layers.

Instead, the corm is the actual base for the flower stem and has a solid texture. As the flower grows, the corm actually shrivels as the nutrients are used up. Essentially the corm dies, but it does produce new corms right next to or above the dead corm. It has contractile roots that bring down the corms as they rise up to the surface of the soil which is why the flowers come back year after year. Depending on the type of flower, it may take a couple years to reach blooming size.

A corm does not have visible storage rings when cut in half. This distinguishes it from a true bulb.

Photo of the corms of a colocasia and a crocus by the Artist, Mary Ahern

Corms of a dormant colocasia (Elephant Ears) and a crocus in bloom.

CORM ROOTS

Many corms produce two different types of roots. Those growing from the bottom of the corm are normal fibrous roots, they are formed as the shoots grow, and are produced from the basal area at the bottom of the corm. The second type of roots are thicker layered roots that form as the new corms are growing, they are called contractile roots and they pull the corm deeper into the soil. They are produced in response to fluctuating soil temperatures and light levels. Once the corm is deep enough within the soil where the temperature is more uniform and there is no light, the contractile roots no longer grow and the corm is no longer pulled deeper into the soil.

PROPAGATING CORMS

The newly dug corms will have cormels that are pea size formed around the top of the old corm. The remains of the old corm will be directly beneath the newly formed corms. When the corm is cleaned up and the old stem removed, the growing point of the corm will be evident. The cormels can be saved and replanted in the back of the garden until they reach flowering size.

Examples of Hardy Corms – Crocus. Arisaema, Crocosmia, Liatris

Examples of Tender Corms: Gladiolus, Colocasia, Alocasia, Bananas (Musa), Ensete, Taro, Xanthosoma

 

Tunicate Bulbs

The Garden Artist Posted on by

Tunicate bulbs are some of the most familiar bulbs we come in contact with both in and out of our gardens.

Many underground plant structures are generally named bulbs. A definition of a bulb is a plant that incorporates its entire life cycle in an underground storage unit. Technically true bulbs are compressed stems surrounded by fleshy leaves acting as food storage organs. They are in the Monocot family of plants.

Graphite Drawing of a Onion and Garlic bulbs by the Artist, Mary Ahern

Graphite Drawing of  Onion and Garlic bulbs by Mary Ahern.

Bulbs can be further classified by looking at their various growth habits. Some of these “bulbs” are actually further classified as “true” bulbs, corms, tubers and rhizomes. Examples of these bulbs respectively are: narcissus, crocus, dahlia and canna. 

True bulbs are represented by two classifications, tunicate and imbricate as represented by onions and lilies in that order. 

Tunicate bulbs have a dry thin paperlike sheath surrounding them which helps to prevent them from drying and improves their storage capability. The basal base plate along with the tunicate sheath hold the bulb together. Roots emerge at the bottom of the basal plate.

We enjoy these bulbs both in the kitchen and in our gardens. Our cooking is enhanced by the addition of the tunicate bulbs of onions, garlic and shallots. The joyous colors in our early spring gardens are presented by our daffodils, tulips and hyacinths. 

 

What are bulbs and how do they differ from corms, tubers and rhizomes?

The Garden Artist Posted on by

The term “bulb” is used by most people to refer to plants that have underground, fleshy storage structures. Only some of the plants commonly called bulbs actually are bulbs. The general definition of a bulb is any plant that stores its complete life cycle in an underground storage structure. These underground storage structures store nutrient reserves to ensure the plants’ survival.

Tubers, rhizomes, corms, and bulbs actually all serve the same purpose, just in a different way. They are each a storage unit for food that gives the plant the energy it needs to grow, bloom and complete its lifecycle each and every year.

The energy is created and stored by the foliage’s photosynthesis. You’ve probably heard that it’s important not to cut back the foliage after the bloom has died. That is because the leaves need to have time to absorb energy for next year’s bloom. Each storage system takes differing amounts of time to perform this task. Examples would be Alliums and Daffodils.

Bulbs or bulb-like plants are usually perennials. They have a period of growth and flowering. This is followed by a period of dormancy where they die back to ground level at the end of each growing season.

As with perennials, there are bulbs that are hardy in our climate and others that must be overwintered as house plants or placed in dormant storage.

Bulbs can be broken down into five types of storage structures. These include: true bulbs, corms, (stem) tubers, tuberous roots and rhizomes.

"Leeks and Pearl Onions" a graphite drawing by the Artist Mary Ahern

“Leeks and Pearl Onions” a graphite drawing by the Artist Mary Ahern

______________________________

 

Daffodil Divisions and Classifications

The Garden Artist Posted on by

Daffodil Coloring Book from Daffodil SocietyDaffodils are classified using two parts of the flower. For the purpose of this description, the daffodil is divided into two regions, the perianth (petals) and corona (cup).

In further classifying daffodils the perianth (petals) is described by identifying first the outside edge of the petal, then the middle, and lastly the inside part next to the corona.

The information I am providing in this article is gleaned from two sources, The American Daffodil Society and Brent and Becky’s Bulbs.  Both of these websites offer untold amounts of information and make enjoying the spring displays even more rich.

The Daffodil Society even has downloadable & printable coloring books for those individuals who work with children’s groups. Brent and Becky’s information filled Fall Bulb catalog arrived just in time for Spring so that we can go out to view daffodils in other gardens and make a list for next year’s display.

All daffodils are classified into one of the thirteen divisions described below:

Dvision 1 Trumpet daffodil - BravoureDivision 1 – Trumpet

One flower to a stem, corona (trumpet or cup) as long or longer than the perianth segments (petals).Trumpets usually produce larger bulbs than other divisions. Most have gray/green foliage ½” – 1” wide

Division 2 Large cup daffodil - Capree ElizabethDivision 2 – Large Cup

One flower to a stem, corona (cup) more than one third but less than equal to the length of the perianth segments (petals).The group that you see the most often used in gardens; perfect for perennializing, picking, forcing and showing; some of the showiest daffodils are in this division and are the ones that give you more ‘bang for your landscape buck’.

Division 3 Short cup daffodil - MerlinDivision 3 – Short Cup

One flower to a stem, corona (cup) not more than one third the height of the perianth segments (petals).These are long term perennializers, show flowers and late season picked flowers, often with a spicy fragrance.

 Division 4 Double daffodil - DaphneDivision 4 – Double

Daffodils have a clustered cup, petals or both.  There can be one or more flowers per stem.Camellia or roselike flowers; with single of multiple blooms; good for shows, showy gardens, picking and bedding.

 Division 5 Triandrus daffodil - ThaliaDivision 5 – Triandrus

Usually more than one flower to a stem, head drooping, perianth segments often reflexed and of silky texture.Fuchia-like blooms often with a fruity fragrance; great in containers.

Division 6 Cyclamineus daffodil - ItzimDivision 6 – Cyclamineus

One flower to a stem, perianth significantly reflexed and corona straight and narrow. Some exceptions exist.With their faces looking like they are standing in front of a fan, they look & perform wonderfully in pots & are terrific for forcing; seem to be more tolerant to partial shade moisture as a group.

Division 7 Jonquilla daffodil - CurlewDivision 7 – Jonquilla

Usually several flower heads to a stem, flowers usually fragrant, stem is round in cross-section and foliage is often rush like.Foliage is often reed-like or at least very narrow & dark green. Most like the hot baking summer sun. Better in southern gardens but some are adaptable in cooler climates. Sweetly fragrant. Most are great in pots.

Division 8 Ttazetta daffodil - AvalancheDivision 8 – Tazetta

Usually three to twenty flowers to a stout stem, sweet scented and very short cupped. Perianth segments rounded and often somewhat crinkled.Excellent perennialzers with a musky, sweet fragrance; good for Southern gardens & forcing.

Division 9 Poeticus daffodil - ActeaDivision 9 – Poeticus

Usually one flower to a stem. White petals sometimes stained with the corona color at the base, small flat cup edged with red.Excellent perennials with a spicy fragrance, dogwood-like blooms; good for picking.

Division 10 Bulbocodium daffodil - Julia-JaneDivision 10 – Bulbocodium Hybrids

Usually one flower to a stem. Perianth segments insignificant compared with Corona.Cultivars in this division are offspring of the species bulbocodium conspicuus, often referred to as ‘Hoop Petticoat’.

 Division 11a Split corona collar daffodil - CassataDivision 11 – Split Corona

Corona split – usually more than half its length.A division where the cup of the daffodil is split into segments & spreads back against the petals. Sometimes the cup is smooth, often it’s frilly & many other times it’s in between.11a) Collar Daffodils Split-corona daffodils with the corona segments opposite the perianth segments; the corona segments usually in two whorls of three11b) Papillon DaffodilsSplit-corona daffodils with the corona segments alternate to the perianth segments; the corona segments usually in a single whorl of sixColoration of the corona often appears in sunburst-like streaks.

 Division 12 Other daffodils - Tete-a-tete Division 12 – Other Cultivars

Daffodils not falling into any of the previous categories.

Division 13 Only botanical name daffodil: -x-odorus-flore-plenoDivision 13 – Species All species and reputedly wild forms.

Ones that are referred to as species daffodils & most of which are Heirloom & suitable for restoration gardening from 1700 on.

All photos are from the Brent and Becky’s 2013 Fall Catalog.

Disclosure: We receive NO financial or other consideration from either of these organizations for linking to their websites.

Brent and Becky’s Bulbs.. Either read their print catalog or view their digital catalog online.

 American Daffodil Society. Visit and learn from their information filled website.

Anatomy and Propagation of a True Bulb

The Garden Artist Posted on by

BULBS

Bulbs (which are referred to as “true bulbs”) grow in layers, much like an onion. At the very center of the bulb is a miniature version of the flower itself. It is composed of a shortened stem covered with modified leaves called scales. Helping the bulb to stay together is something called a basal plate, which is a round, flat area that are the beginnings of the roots on the bottom of the bulb.

Many plants such as daffodils form new bulbs around the original bulb. These bulbs, called offsets, develop from buds within the base of the mother bulb and produce new plants. When these bulbs become overcrowded, the flowers start to diminish in size. This is an indication that it is time to dig up and divide the bulbs.

Examples of True Bulbs: Tulips, Daffodils and Alliums commonly known as Onions

Tunicate Bulb Anatomy of an Onion by the Artist, Mary Ahern

After I finished the drawing I cut up the onion and put it in a stir-fry for dinner. Yummy!

 

TRUE BULBS ANATOMY

The true bulb has five major parts.

BASEL PLATE: bottom of the bulb which hold the bulb together and from which the roots grow

FLESHY SCALES:

primary storage tissue

TUNIC:

skin-like covering that protects the fleshy scales

SHOOT:

consisting of developing flower and leaf buds

LATERAL BUDS:

develop into bulblets or offsets

A Regal Hosta – The Krossa Regal

The Garden Artist Posted on by
Hosta 'Krossa Regal' emerging in April in the garden of the Artist, Mary Ahern.

Hosta ‘Krossa Regal’ emerging in April

This large vase-shaped hosta emerges slightly behind some of my other hostas such as ‘Blue Cadet’. 

This slug-resistant architectural specimen is a commanding presence in my perennial garden. Though planted in full sun with absolutely no sunburn effects, I plan to divide it in the fall and put a portion of it in the woodland near the Hamamelis. I think their V-shaped structure will echo each other offering a nice rhythmic change of scale and will tie the two plants together.

The distinctive vase shape of the Hosta ‘Krossa Regal’ in the garden of the Artist, Mary Ahern.

The distinctive vase shape of the Hosta ‘Krossa Regal’

I’ve put that project on my to-do list for the fall. The spreadsheet keeps growing. Soon I’ll have to employ a Gertrude Jekyll type labor force to keep up with all my ideas.

I bought this plant in the early 1990’s from a mail-order house that I don’t think still exists. At least, they don’t have a web presence at this point in time. I still remember the excitement I felt when a box with the plants showed up on my deck.

It was my first plant mail order purchase. I’d worked so hard to pick and choose varieties of hostas with different leaf shapes and colors. I was still in my newbie phase of disdaining variegated plants so all my purchases were solid greens and blues.

Hosta ‘Krossa Regal’ in the perennial garden of the Artist, Mary Ahern.

Hosta ‘Krossa Regal’ in the perennial garden

I remember how horrified I was when those straggly roots came out of the package. I felt so robbed. I’d never seen or even heard of bare-rooted plants at that time. Was I ever that young and naïve?

Well, I planted them all and they all lived. But over time many of my plant labels were lost or destroyed or misplaced so I no longer can easily identify some of them. The Krossa Regal is an exception since it has such distinctive charisma.

Heralding Hostas

The Garden Artist Posted on by
Hosta ‘Blue Cadet’ emerging in April in the garden of the Artist, Mary Ahern.

• Hosta ‘Blue Cadet’ emerging in April

There are so many stages of hostas that I enjoy seeing. None of them include slugs by the way.

Having a shade garden I naturally grow many different cultivars of hostas. This particular one is named ‘Blue Cadet’ and was given to me years ago by my son Chris for Mother’s Day. Two Cadets and a Phlox subulata, I made out like a bandit!

Hosta ‘Blue Cadet’ top view from the garden of the Artist, Mary Ahern.

• Hosta ‘Blue Cadet’ top view

Each year I try to catch the hostas as they emerge from the ground but each one has its own timetable and the prime time is very short. If you go into the garden in the morning to look at their progress, by the afternoon’s stroll they’ve changed again.

I’m always glad when I take these worm’s eye view shots with my Sony digital with a swivel screen so I no longer have to lie in the mud like the good old days. I can thank my friend Elise for nodding in the right direction when it came time to buy my first digital camera.

I love the textures of the newly emerging hostas and the changes in coloring at the base. I love the unfurling spirals so dramatic from the top view. Each leaf unfolds with its own personality and destiny.

Hosta ‘Blue Cadet’ in June in the garden of the Artist, Mary Ahern.

• Hosta ‘Blue Cadet’ in June

I don’t grow hostas for their flowers but some of them do have quite beautiful and in some cases, fragrant blooms. The Cadet has a nicely formed lavender flower emerging by the end of June. The heart-shaped leaves have a blue tinge to them and in my garden is almost slug free. It forms a compact, well-balanced medium sized tidy mound like the rest of the tokudama clan of which it is an offspring.

I think I should transplant some of my Athyrium nipponicum ‘Pictum’ to create a vignette. The scale of the two might get along nicely.

Anemone coronaria in the Garden and in Art

The Garden Artist Posted on by
Anemone coronaria in the garden of the Artist, Mary Ahern.

. Anemone coronaria

My Garden and my Art go side by side. Both require me to make aesthetic judgments about composition, scale, color, texture and style. When I’m deciding where to plant the flowers I’ve hauled home on my endless trips to the nurseries it doesn’t seem that much different to me then when I’m deciding how to compose them on a two-dimensional surface.

I think about what style I’m looking for, what colors will work together, whether the scale of the placement works for me. I think about the type of flower and texture of the leaves. I make decisions about the 3D composition of the garden much like the 2D composition decisions on a painting.

Anemone coronaria in a Watercolor Painting by the Artist, Mary Ahern.

. Anemone coronaria – Watercolor Painting also, available as a print.

The garden adds so many additional layers of complexity since the artwork is moving in time with nature, the seasons, the elements, and time. The painting remains caught in a moment.

Capturing that ephemeral moment is so gratifying to me in my Fine Art. I control it, unlike my Garden which is usually out of control.

This watercolor painting is available directly from me, Mary Ahern, as an archival print on Fine Art Paper, double matted and ready for framing.

Please contact the Artist directly for purchase information.

Looking closely at Grape Muscari

The Garden Artist Posted on by
Muscari armeniacum in the garden of the Artist, Mary Ahern

Muscari armeniacum

Grape muscari, otherwise known as Grape Hyacinths live close to the ground. For years I never took much notice of them except for the little spots of brilliant purple that bounced so nicely against the bright yellow daffodils they bloomed along with in April.

Then I got down. Hands and knees down.

What a surprise! How intricate the little flowers are. Little bells dance around a central stem forming a small pyramid. This inflorescence changes shape as it ages and can be more and less tightly knit.

The individual purple doesn’t seem to change on each bell but the overall purple varies when viewed at a distance based upon the tightness of the overall flower.

Muscari azureum from the garden of the Artist, Mary Ahern.

Muscari azureum

I enjoyed these 4″ bulbs so much in my garden that I bought a bag of them from Costco one year and low and behold the next spring the flowers that bloomed were very different from my originals. They were more blue than purple and were more rounded than pyramidal.

So I googled Grape Muscari and found a world of cultivars I didn’t previously know existed. That’s one of the things that is so much fun about gardening. You are constantly in a learning mode. You are in for surprises every year and every season. The knowledge and information you acquire just keeps on growing, along with your garden.

So now I know that so far in my garden I have Muscari armeniacum and M. azureaum. Next year I’m sure to have more.

When I made my Digital Mixed Media Painting of my Grape Muscari I was careful to recreate the basal growth of the leaves. It would not have been accurate if I’d placed the leaves higher on the stem. The painting would have looked like a plant Frankenstein. As a Garden Artist, that is not what I’m trying to create.

You can view this Grape Muscari Designer Print artwork and others too in my online Shop!

Grape Muscari

© Mary Ahern. Grape Muscari. Prints available in my Art Shop in various sizes on canvas, fine art paper, metal and acrylic.

Allium bulgaricum

The Garden Artist Posted on by
Allium bulgaricum in the garden that inpired the artist, Mary Ahern

Allium bulgaricum

Sometimes the most fascinating aspect of a flower is before it even arrives. I love to watch the progressive morphing of the Allium bulgaricum as it pushes through the ground early in my perennial bed, usually before I’ve even managed to clean off the winter debris.

These tall, 36″ stalks are very strong and have never needed staking. These particular bulbs have been living in my garden since 2003 after I bought them at an after-season sale at Home Depot. I always scour the sales in various Home Depot stores in my area to capture the treasures left behind by the undiscerning customers.

Allium bulgaricum breaking through the tunicate. In the garden that inspires the artist, Mary Ahern

Allium bulgaricum breaking through the tunicate.

As the flower grows you can see it bulging through the paper thin protective membrane covering.

I walk daily through my perennial bed waiting for the first tear in the parchment like shield. I would liken it to the first beak marks I’ve seen when a chick is breaking out of it’s shell. Not that I’ve seen chicks very often since I was raised in Brooklyn, which is not noted for farmland.

Allium bulgaricum stretching it’s wings in the garden that inspires the artist, Mary Ahern.

Allium bulgaricum stretching it’s wings

The flowers pounce forth in a gleeful display of empowerment and spread their wings in umbel fashion sitting proudly on tall stalks overlooking a still short, unfolding and early season perennial garden. These are not glamorous flowers in my opinion but they always add weeks of drama to my early spring theater.

Allium bulgaricum in full bloom in the garden that inspires the artist, Mary Ahern

Allium bulgaricum in full bloom

 

Ground Covers – Epimedium x versicolor ‘Sulphureum’

The Garden Artist Posted on by
Epimedium x versicolor ‘Sulphureum’ in the garden of the Artist, Mary Ahern

Epimedium x versicolor ‘Sulphureum’

Not to say that I don’t have any ivy, pachysandra or periwinkle in my garden but I try each year to add more interesting ground covers and reduce the spread of the ordinary.

Epimedium x versicolor ‘Sulphureum’ has proven to be a valuable asset to me since I can play with the sweet pale yellow color of the gentle flowers while they are in bloom in April here on Long Island. One of the chores that I need to do very early in the season, however, is to cut back last year’s growth which becomes ragtag during the winter. This allows the enjoyment of the delicate sprays of two-toned flowers. This is the only maintenance care I need to give this ground cover.

Epimedium x versicolor ‘Sulphureum’ hiding in the dark in the garden of the Artist, Mary Ahern

• Epimedium x versicolor ‘Sulphureum’ hiding in the dark

Since this plant has flourished in my garden, each year I am able to divide and share the wealth into other sections of the garden and in fits of generosity even give them to other gardening enthusiasts like myself. I always try to keep a bed of them close to the entrance though since they bloom so early that I want to enjoy each day with them.

Rhododendron PJM & Epimedium x versicolor ‘Sulphureum’ in the garden of the Artist, Mary Ahern

Rhododendron PJM & Epimedium x versicolor ‘Sulphureum’

In 2001 I transplanted a Rhododendron PJM that was growing under some hemlocks that were, at the time, providing too much shade. I planted it just off the entry deck and placed some epimedium in the general area. Together these bloom in April providing a nice combination of purple and yellow to brighten up my day.

Once the blooming season is over, the leaves open and create a wonderful and carefree weed suppresser. I have not experienced any insect damage which otherwise would make the planting unattractive.

Less pachysandra, more epimedium. Nice goal.

Dicentra spectabilis

The Garden Artist Posted on by
Dicentra spectabilis vignette with Athyrium nipponicum var. pictum fern, Hyacinthoides hispanica and Polygonatum biflorum or Solomon's seal.

• Dicentra spectabilis vignette with Athyrium nipponicum var. pictum fern, Hyacinthoides hispanica and Polygonatum biflorum or Solomon’s seal.

Isn’t that a fantastic name? Dicentra spectabilis. It just rolls out of your mouth in a lilting singsong kind of rhythm, doesn’t it? I love to say it quietly under my breath as I walk around my woodland garden in May. Not too loud so as to scare the birds and the neighbors (and myself for that matter.)

I love their color pink. I have some white ones, but the pink ones are just so luscious. They reseed very freely for me and I’m able to reposition the offspring into springtime vignettes

Dicentra spectabilis otherwise known as Bleeding Heart

• Dicentra spectabilis otherwise known as Bleeding Heart dazzling in my spring garden.

When I bought this property in 1989 there was one plant of Dicentra native here and I’ve managed over time to spread the wealth around my own garden and also with other gardeners. What a treat!

I don’t mind that they die back in the summer because it gives me another planting opportunity but some of the holes they leave behind can be very BIG planting opportunities…all the more opportunity for creativity to kick in.

I made a Digital Mixed Media Painting, which I call, “Dicentra Necklace”. I think of these joyful little gems in my garden, decorating the light greens of spring with their pink heart shaped “jewelry”.

Dicentra spectabilis by Mary Ahern the Artist.

• Dicentra necklace is a composition I made using the beautiful flowers from my own garden.

"Dicentra Necklace", an Artwork of a Bleeding Heart by the Artist, Mary Ahern

• This photo from my studio shows the reference to the size and treatment of the “Dicentra Necklace”, 12×36″ framed. 

Contact me directly for pricing and to order this print to brighten your own home or office.

White Daffodils

The Garden Artist Posted on by
Spring Daffodils by the Artist, Mary Ahern.

Daffodil in my front garden entryway.

I have a number of varieties of White Daffodils growing in my garden but I don’t feel that I ever have enough. Since I am overrun by squirrels I try to focus away from crocus and my beloved tulips. (After all, both my parents were born in Holland!) Squirrels consider the bulbs as an entrée and the flowers, if they arrive, as a delectable garnish but they leave my daffodils alone.

The abundant shade in my garden causes challenges to many of my daffodil plantings but I still crave the color in early spring. One of the fun parts of designing gardens is figuring out how to hide the declining leaves on the daffodils as they absorb the chlorophyll for next year’s growth.

I’ve been known to hide them using daylilies, Siberian iris and ornamental grasses. I’ve stopped braiding the leaves since it seems so demeaning to their dignity plus is reduces their exposure to sunlight which helps photosynthesis.

I created a Designer Print from one of these white daffodils. I love the way daffodil leaves have a slight twist to them. One of the things I kept in mind when composing the piece is that the stem is offset where it enters the back of the flower, unlike a tulip which is a straight up vertical.

Another issue is making sure that I paint the shadows different from when the “light” hits the round stem vs. when it hits a flat leaf.

You can see this Single White Daffodil on a Black Background is available in my Online Shop. in a variety of sizes on canvas, fine art paper, metal and acrylic. I think it has a rather heroic feel to the composition don’t you!

Single White Daffodil on Black Background

Single White Daffodil Designer Prints are available in various sizes on canvas, fine arts paper, metal and acrylic in my online shop.

Yellow Daffodils

The Garden Artist Posted on by

My garden is often the source material for my Art. Though I am not a Photographer, I like to use my digital camera to record the progress and changes in my garden from day to day and year to year.

Entry Garden Yellow Daffodils

Springtime is such a hectic time since I’m always late uncovering the perennial beds. These jolly yellow daffodils came up in my entry garden and I was lucky enough to catch the early morning light behind them.

My entry garden is still in need of some tidying but putting the pansies into the pots and baskets takes my mind off the leaves from last fall.

My Entry Garden in April of the artist, Mary Ahern

My front entry garden with yellow daffodils and purple accents.

Though I like to create gardens and like to create Fine Art using my garden, in the garden I get messy and dirty while my Botanical Art is clean and stylized.

This Designer Print is a very popular piece that surprisingly sells all year long, not just in the spring as I would have imagined. People buy this Single Yellow Daffodil as an individual piece and also as a grouping along with some of my other daffodil Art Works. You can see them in my Art Shop

Single Yellow Daffodil. Art print by Mary Ahern the Artist.

© Mary Ahern. Single White Daffodil. Art prints available in various sizes on canvas, fine art paper, metal and acrylic.

The Dance in the Garden – Homage to Matisse

The Garden Artist Posted on by

While composing this painting of the light blue irises, I began to visualize the rhythmic composition in the famous painting “The Dance” by Henri Matisse. I often visit the Metropolitan Museum of Art in NYC where his work is prominently displayed.

I find his painting joyous. Buoyant. This is how I felt while creating this painting.

The Dance in the Garden - Homage to Matisse


The Dance in the Garden – Homage to Matisse

Pathways and Focal Points

The Garden Artist Posted on by
Bluestone path under the mountain laurels in the garden of the Artist, Mary Ahern

Bluestone path under the mountain laurels

 

I have designed a rather informal garden with meandering paths using a variety of materials. At the end of, or just around the corner of each path, is some type of focal point, which draws you forward, in eager exploration. My garden is about moving through and around rather than sitting in one location and observing the whole.

The irregular bluestone pavers serve as the path to bring you from the front entrance, around the deck, and under the aging mountain laurels. The azaleas to the left are rather dense so you don’t see the deck but instead have the sense that you’re walking through a woodland. The path is narrow and the laurels create a ceiling of sorts until you emerge into the openness of the front garden.

Oak Tree focal point as you emerge from the mountain laurel path from the garden of the Artist, Mary Ahern.

Oak Tree focal point as you emerge from the mountain laurel path

Frank Lloyd Wright designed the ceilings in his houses to give the same effect of enclosure and expansion as you walked from room to room. Variation of space enhances the experience of the individual as they explore the design.

This giant oak serves to keep the garden and deck cool all summer and feed the squirrels all winter with it’s abundance of acorns. In the fall you need to sit on the deck with an umbrella over your head since the acorns come down with such determination.

Color Combinations in the Garden

The Garden Artist Posted on by
Acer palmatum ‘Dissectum’ & Azaleas in bloom in the garden of the Artist, Mary Ahern

Acer palmatum ‘Dissectum’ & Azaleas in bloom

I am an Artist so color, texture, scale, focal points and other factors drive much of my garden design. My son gave this Japanese Maple, Acer palmatum ‘Dissectum’ to me many years ago. Not knowing the eventual size of the tree I placed it right by the deck where I would be able to enjoy the delicate filigreed leaves all summer.

For a few short weeks in May this wonderful, almost stage setting display of cool pink azaleas blooms as a backdrop to set off the wine colored purple leaves of the maple. The azaleas were already on the property in this location when I bought the property in 1989 though they have certainly grown and expanded.

Lysimachia nummularia ‘Aurea’ or commonly known as Creeping Jenny with dandelion in the garden of the Artist, Mary Ahern.

Lysimachia nummularia ‘Aurea’ or commonly known as Creeping Jenny with dandelion

As a ground cover underneath the mounding maple, I planted Lysimachia nummularia ‘Aurea’, commonly known as Creeping Jenny. The bright, almost chartreuse yellow offsets and lightens the ground underneath the purple leaves of the maple lightening an otherwise potentially dark corner. Happily, both the maple and the nummularia retain their vibrant colors the entire summer.

I would like to take credit for the whimsical placement of the dandelions in front of the maple but alas, that was the creative idea of Mother Nature.

Adding a Tree to my Garden

The Garden Artist Posted on by

In October of 2012, Superstorm Sandy felled 4 large Oak trees in my woodland garden. We were lucky that was the only damage we suffered in that severe storm other than loss of electricity. Instantly my garden went from full shade to sunshine a dappled shade. What a transformation for it and for me.

Oak tree lost in battle with Hurricane Sandy

Oak tree lost in battle with Hurricane Sandy

After a period of mourning, I started rethinking, planning and studying what to do with this newfound daylight.

One of the mighty Oak trees was left with an interesting sculptural remnant which I originally planned to keep in remembrance of what had been. As usual, I changed my mind as I started designing and replanting. Like most gardeners, I change my mind all the time as I work in my garden.

I decided to plant a Heritage River Birch, Betula nigra “Heritage” in memory of my Uncle Teddy who introduced me to gardening. As a child visiting him in Schenectady from my treeless home in Brooklyn, he one day found me peeling the bark from one of his many white birch trees. When he asked me to stop as I was pulling the “skin” from the tree and hurting it, I looked around with tears in my eyes and realized that the entire garden was alive. I was transformed!

1940's-WWII-Theodore-Gerrits

Theodorus Hendrik Gerrits, 1914 – 1991. Thank you!

 

This tree is for my uncle who shared with me his garden and his love. Thank you!

2014-Uncle-Teddy-birch-tree-IMG_6821

 

Tree Recommendations

The Garden Artist Posted on by
Fall colors of the Ginkgo tree

Fall colors of the Ginkgo tree

Recently I was asked about replanting trees after the destruction of Storm Sandy. I’ve given a lot of thought to this issue since my garden lost 4 large oaks which were living here before I moved into the shade they kindly provided me.

Following the storm, my arborist Ron Strauss of Tree Believers, (631-864-5514) sent his newsletter , “The Root of the Matter”, with recommendations of what to and what not to replant. Here is what he said:

We recommend that you do not re-plant using the following species of trees (all commonly planted in LI landscapes) that did not endure the storms well.

  • Emerald Green Arborvitae
  • Linden
  • Crabapple
  • Leyland Cypress
  • White Pine
  • Red Oak
  • Norway or Crimson King Maple
  • Flowering Pear
  • Douglas Fir
  • Weeping Willow

Now to the question of planting recommendations his list included:

  • Sycamore
  • Sugar maple
  • Magnolia
  • Beech
  • White Oak
  • Magnolia
  • Sweetgum
  • Blackgum
  • Baldcypress
  • Dawn Redwood
  • Dogwood
  • Green Giant Arborvitae
  • Gingko
  • Holly
  • Cryptomeria
  • Katsuratree
  • Weeping Cherry
  • Hollywood Juniper
  • Crape Myrtle
  • Chamacyparis
  • Hawthorne

For our smaller gardens, trees that I recommend and have or will be planting are:

  • Dogwood ‘Stellar Pink’ (this is one of the disease resistant Rutgers hybrids) 15-30’ ht & spread. Pink flowers in early summer.
  • Stewartia pseudocamellia var. koreana. Quite slow growing 30’ht, 20’ spread. Decorative bark. White flowers in early summer. Single or multi-trunk.
  • Heptacodium miconoides, Seven-son flower. (recommended by Katherine Tracey of Avant Gardens) 15-20’ ht by 8-10’ spread. Full sun. Bloom time:Sept.

For more particulars of each of these trees, don’t forget to search Google for more information to help you make the right investment choice for your own garden.