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Tag Archives: Horticulture

Trimming Hellebores. My First Gardening Task of the Spring

That first sunny warm day in February seduces me into my garden to begin my spring gardening tasks before the last snowstorms of winter reappear for a brief visit. It is a happy day for me each year when I reach for my Felco’s, put on my gardening gloves, pick up my rake and head out to reunite with my garden.

February Hellebores ready for trimming. Mary Ahern

Hellebores remain evergreen and provide winter interest in my winter garden.

I always start by trimming the hellebores since the longer I wait the more complicated the job becomes. Those stalwart evergreen leaves that have decorated my garden all winter are by this time raggy, spotted and brownish. Hiding beneath them are the brand new buds of the Hellebore flowers just waiting to burst through heralding spring. I love uncovering their light deprived lime green growth and freeing them to bask in the sunshine.

Cutting the old leaves at this very early stage makes it less likely that I’ll damage the new growth. The old stems are long and thick at this time and easy to differentiate between the short almost stemless new growth. On the years that for one reason or another I wasn’t quick enough to do this early trimming, the job took twice as long as I had to carefully select between the old and new growth leaves. Not easy to do without accidentally cutting off a few buds. Full disclosure: When I do cut or damage a plant in my garden I reflexively find myself apologizing to it out loud…sigh…  

Not to worry about uncovering the hellebores when inevitably another bout of winter arrives since these are very hardy plants in my zone 6 garden. When the weather turns cold again for the next few weeks of winter I enjoy watching spring emerge through the windows in my home. Those hellebores burst through with so much optimism.

Hellebores are best trimmed in the late winter garden. Mary Ahern

After trimming the old leaves, the emerging flowers of the Hellebore are a great glimpse of optimism for the upcoming spring season.

 

What is the difference between Hardy Bulbs and Tender Bulbs?

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Hardy bulbs are planted in the fall and will come up in the spring. The reason they are called hardy is that they can survive and actually need a period of cold in order to bloom in the spring or summer. Given a period of 2-4 months of chilling, (perhaps in the refrigerator?!?) many of these bulbs can be forced into blooming early for a nice break in the dark of winter.

Examples of Hardy Bulbs: Tulips, Narcissus & Daffodils, Lilium, Allium, Leucojum, Galanthus, Arisaema, Mertensia, Dicentra, Crocus, Iris, Colchicum, Erythronium, Fritillaria, Hemerocallis, Hyacinthoides, Muscari, Ornithogalum, Scilla, Anemone blanda

Tender bulbs are planted in the spring for summer blooming. They cannot withstand the winter and must be dug up and stored in a cool dry place. They’re not as easy to force. These bulbs respond more to daylight and to warmth to start their growth cycle. To give them a headstart I usually start my spring and summer bulbs indoors in the late winter so by the spring the plants will be more substantial in size.

Examples of Tender Bulbs: Amaryllis, Dahlias, Begonias, Colocasia, Alocasia, Canna, Ipomoea, Gladiolus, Hedychium

Interested in having these flowers all year long? Visit my online Art Shop and select from an assortment of flowers and gardens.

These double daffodils bloom in mid-spring in my garden. It wasn’t until I began to create this Artwork did I realize that these particular flowers are quite fragrant unlike many of the spring blooming varieties. This made for a nice addition to my enjoyment of creation!

White Daffodil Trio by the artist, Mary Ahern

White Daffodil Trio. Available in a variety of sizes on canvas, fine art paper, metal or acrylic in my online Art Shop. Take a peek!

 

 

What is a Corm and How Is It Propagated?

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CORMS

Corms look a lot like bulbs on the outside but they are quite different. They have the same type of protective covering and a basal plate like the bulb does, but do not grow in layers.

Instead, the corm is the actual base for the flower stem and has a solid texture. As the flower grows, the corm actually shrivels as the nutrients are used up. Essentially the corm dies, but it does produce new corms right next to or above the dead corm. It has contractile roots that bring down the corms as they rise up to the surface of the soil which is why the flowers come back year after year. Depending on the type of flower, it may take a couple years to reach blooming size.

A corm does not have visible storage rings when cut in half. This distinguishes it from a true bulb.

Photo of the corms of a colocasia and a crocus by the Artist, Mary Ahern

Corms of a dormant colocasia (Elephant Ears) and a crocus in bloom.

CORM ROOTS

Many corms produce two different types of roots. Those growing from the bottom of the corm are normal fibrous roots, they are formed as the shoots grow, and are produced from the basal area at the bottom of the corm. The second type of roots are thicker layered roots that form as the new corms are growing, they are called contractile roots and they pull the corm deeper into the soil. They are produced in response to fluctuating soil temperatures and light levels. Once the corm is deep enough within the soil where the temperature is more uniform and there is no light, the contractile roots no longer grow and the corm is no longer pulled deeper into the soil.

PROPAGATING CORMS

The newly dug corms will have cormels that are pea size formed around the top of the old corm. The remains of the old corm will be directly beneath the newly formed corms. When the corm is cleaned up and the old stem removed, the growing point of the corm will be evident. The cormels can be saved and replanted in the back of the garden until they reach flowering size.

Examples of Hardy Corms – Crocus. Arisaema, Crocosmia, Liatris

Examples of Tender Corms: Gladiolus, Colocasia, Alocasia, Bananas (Musa), Ensete, Taro, Xanthosoma

 

Tunicate Bulbs

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Tunicate bulbs are some of the most familiar bulbs we come in contact with both in and out of our gardens.

Many underground plant structures are generally named bulbs. A definition of a bulb is a plant that incorporates its entire life cycle in an underground storage unit. Technically true bulbs are compressed stems surrounded by fleshy leaves acting as food storage organs. They are in the Monocot family of plants.

Graphite Drawing of a Onion and Garlic bulbs by the Artist, Mary Ahern

Graphite Drawing of  Onion and Garlic bulbs

Bulbs can be further classified by looking at their various growth habits. Some of these “bulbs” are actually further classified as “true” bulbs, corms, tubers and rhizomes. Examples of these bulbs respectively are: narcissus, crocus, dahlia and canna. 

True bulbs are represented by two classifications, tunicate and imbricate as represented by onions and lilies in that order. 

Tunicate bulbs have a dry thin paperlike sheath surrounding them which helps to prevent them from drying and improves their storage capability. The basal base plate along with the tunicate sheath hold the bulb together. Roots emerge at the bottom of the basal plate.

We enjoy these bulbs both in the kitchen and in our gardens. Our cooking is enhanced by the addition of the tunicate bulbs of onions, garlic and shallots. The joyous colors in our early spring gardens are presented by our daffodils, tulips and hyacinths. 

 

What are bulbs and how do they differ from corms, tubers and rhizomes?

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The term “bulb” is used by most people to refer to plants that have underground, fleshy storage structures. Only some of the plants commonly called bulbs actually are bulbs. The general definition of a bulb is any plant that stores its complete life cycle in an underground storage structure. These underground storage structures store nutrient reserves to ensure the plants’ survival.

Tubers, rhizomes, corms, and bulbs actually all serve the same purpose, just in a different way. They are each a storage unit for food that gives the plant the energy it needs to grow, bloom and complete its lifecycle each and every year.

The energy is created and stored by the foliage’s photosynthesis. You’ve probably heard that it’s important not to cut back the foliage after the bloom has died. That is because the leaves need to have time to absorb energy for next year’s bloom. Each storage system takes differing amounts of time to perform this task. Examples would be Alliums and Daffodils.

Bulbs or bulb-like plants are usually perennials. They have a period of growth and flowering. This is followed by a period of dormancy where they die back to ground level at the end of each growing season.

As with perennials, there are bulbs that are hardy in our climate and others that must be overwintered as house plants or placed in dormant storage.

Bulbs can be broken down into five types of storage structures. These include: true bulbs, corms, (stem) tubers, tuberous roots and rhizomes.

"Leeks and Pearl Onions" a graphite drawing by the Artist Mary Ahern

“Leeks and Pearl Onions” a graphite drawing by the Artist Mary Ahern

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Daffodil Divisions and Classifications

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Daffodil Coloring Book from Daffodil SocietyDaffodils are classified using two parts of the flower. For the purpose of this description, the daffodil is divided into two regions, the perianth (petals) and corona (cup).

In further classifying daffodils the perianth (petals) is described by identifying first the outside edge of the petal, then the middle, and lastly the inside part next to the corona.

The information I am providing in this article is gleaned from two sources, The American Daffodil Society and Brent and Becky’s Bulbs.  Both of these websites offer untold amounts of information and make enjoying the spring displays even more rich.

The Daffodil Society even has downloadable & printable coloring books for those individuals who work with children’s groups. Brent and Becky’s information filled Fall Bulb catalog arrived just in time for Spring so that we can go out to view daffodils in other gardens and make a list for next year’s display.

All daffodils are classified into one of the thirteen divisions described below:

Dvision 1 Trumpet daffodil - BravoureDivision 1 – Trumpet

One flower to a stem, corona (trumpet or cup) as long or longer than the perianth segments (petals).Trumpets usually produce larger bulbs than other divisions. Most have gray/green foliage ½” – 1” wide

Division 2 Large cup daffodil - Capree ElizabethDivision 2 – Large Cup

One flower to a stem, corona (cup) more than one third but less than equal to the length of the perianth segments (petals).The group that you see the most often used in gardens; perfect for perennializing, picking, forcing and showing; some of the showiest daffodils are in this division and are the ones that give you more ‘bang for your landscape buck’.

Division 3 Short cup daffodil - MerlinDivision 3 – Short Cup

One flower to a stem, corona (cup) not more than one third the height of the perianth segments (petals).These are long term perennializers, show flowers and late season picked flowers, often with a spicy fragrance.

 Division 4 Double daffodil - DaphneDivision 4 – Double

Daffodils have a clustered cup, petals or both.  There can be one or more flowers per stem.Camellia or roselike flowers; with single of multiple blooms; good for shows, showy gardens, picking and bedding.

 Division 5 Triandrus daffodil - ThaliaDivision 5 – Triandrus

Usually more than one flower to a stem, head drooping, perianth segments often reflexed and of silky texture.Fuchia-like blooms often with a fruity fragrance; great in containers.

Division 6 Cyclamineus daffodil - ItzimDivision 6 – Cyclamineus

One flower to a stem, perianth significantly reflexed and corona straight and narrow. Some exceptions exist.With their faces looking like they are standing in front of a fan, they look & perform wonderfully in pots & are terrific for forcing; seem to be more tolerant to partial shade moisture as a group.

Division 7 Jonquilla daffodil - CurlewDivision 7 – Jonquilla

Usually several flower heads to a stem, flowers usually fragrant, stem is round in cross-section and foliage is often rush like.Foliage is often reed-like or at least very narrow & dark green. Most like the hot baking summer sun. Better in southern gardens but some are adaptable in cooler climates. Sweetly fragrant. Most are great in pots.

Division 8 Ttazetta daffodil - AvalancheDivision 8 – Tazetta

Usually three to twenty flowers to a stout stem, sweet scented and very short cupped. Perianth segments rounded and often somewhat crinkled.Excellent perennialzers with a musky, sweet fragrance; good for Southern gardens & forcing.

Division 9 Poeticus daffodil - ActeaDivision 9 – Poeticus

Usually one flower to a stem. White petals sometimes stained with the corona color at the base, small flat cup edged with red.Excellent perennials with a spicy fragrance, dogwood-like blooms; good for picking.

Division 10 Bulbocodium daffodil - Julia-JaneDivision 10 – Bulbocodium Hybrids

Usually one flower to a stem. Perianth segments insignificant compared with Corona.Cultivars in this division are offspring of the species bulbocodium conspicuus, often referred to as ‘Hoop Petticoat’.

 Division 11a Split corona collar daffodil - CassataDivision 11 – Split Corona

Corona split – usually more than half its length.A division where the cup of the daffodil is split into segments & spreads back against the petals. Sometimes the cup is smooth, often it’s frilly & many other times it’s in between.11a) Collar Daffodils Split-corona daffodils with the corona segments opposite the perianth segments; the corona segments usually in two whorls of three11b) Papillon DaffodilsSplit-corona daffodils with the corona segments alternate to the perianth segments; the corona segments usually in a single whorl of sixColoration of the corona often appears in sunburst-like streaks.

 Division 12 Other daffodils - Tete-a-tete Division 12 – Other Cultivars

Daffodils not falling into any of the previous categories.

Division 13 Only botanical name daffodil: -x-odorus-flore-plenoDivision 13 – Species All species and reputedly wild forms.

Ones that are referred to as species daffodils & most of which are Heirloom & suitable for restoration gardening from 1700 on.

All photos are from the Brent and Becky’s 2013 Fall Catalog.

Disclosure: We receive NO financial or other consideration from either of these organizations for linking to their websites.

Brent and Becky’s Bulbs.. Either read their print catalog or view their digital catalog online.

 American Daffodil Society. Visit and learn from their information filled website.

Anatomy and Propagation of a True Bulb

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BULBS

Bulbs (which are referred to as “true bulbs”) grow in layers, much like an onion. At the very center of the bulb is a miniature version of the flower itself. It is composed of a shortened stem covered with modified leaves called scales. Helping the bulb to stay together is something called a basal plate, which is a round, flat area that are the beginnings of the roots on the bottom of the bulb.

Many plants such as daffodils form new bulbs around the original bulb. These bulbs, called offsets, develop from buds within the base of the mother bulb and produce new plants. When these bulbs become overcrowded, the flowers start to diminish in size. This is an indication that it is time to dig up and divide the bulbs.

Examples of True Bulbs: Tulips, Daffodils and Alliums commonly known as Onions

Tunicate Bulb Anatomy of an Onion by the Artist, Mary Ahern

After I finished the drawing I cut up the onion and put it in a stir-fry for dinner. Yummy!

 

TRUE BULBS ANATOMY

The true bulb has five major parts.

BASEL PLATE: bottom of the bulb which hold the bulb together and from which the roots grow

FLESHY SCALES:

primary storage tissue

TUNIC:

skin-like covering that protects the fleshy scales

SHOOT:

consisting of developing flower and leaf buds

LATERAL BUDS:

develop into bulblets or offsets

Looking closely at Grape Muscari

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Muscari armeniacum in the garden of the Artist, Mary Ahern

Muscari armeniacum

Grape muscari, otherwise known as Grape Hyacinths live close to the ground. For years I never took much notice of them except for the little spots of brilliant purple that bounced so nicely against the bright yellow daffodils they bloomed along with in April.

Then I got down. Hands and knees down.

What a surprise! How intricate the little flowers are. Little bells dance around a central stem forming a small pyramid. This inflorescence changes shape as it ages and can be more and less tightly knit.

The individual purple doesn’t seem to change on each bell but the overall purple varies when viewed at a distance based upon the tightness of the overall flower.

Muscari azureum from the garden of the Artist, Mary Ahern.

Muscari azureum

I enjoyed these 4″ bulbs so much in my garden that I bought a bag of them from Costco one year and low and behold the next spring the flowers that bloomed were very different from my originals. They were more blue than purple and were more rounded than pyramidal.

So I googled Grape Muscari and found a world of cultivars I didn’t previously know existed. That’s one of the things that is so much fun about gardening. You are constantly in a learning mode. You are in for surprises every year and every season. The knowledge and information you acquire just keeps on growing, along with your garden.

So now I know that so far in my garden I have Muscari armeniacum and M. azureaum. Next year I’m sure to have more.

When I made my Digital Mixed Media Painting of my Grape Muscari I was careful to recreate the basal growth of the leaves. It would not have been accurate if I’d placed the leaves higher on the stem. The painting would have looked like a plant Frankenstein. As a Garden Artist, that is not what I’m trying to create.

You can view this Grape Muscari Designer Print artwork and others too in my online Shop!

Grape Muscari

© Mary Ahern. Grape Muscari. Prints available in my Art Shop in various sizes on canvas, fine art paper, metal and acrylic.

Allium bulgaricum

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Allium bulgaricum in the garden that inpired the artist, Mary Ahern

Allium bulgaricum

Sometimes the most fascinating aspect of a flower is before it even arrives. I love to watch the progressive morphing of the Allium bulgaricum as it pushes through the ground early in my perennial bed, usually before I’ve even managed to clean off the winter debris.

These tall, 36″ stalks are very strong and have never needed staking. These particular bulbs have been living in my garden since 2003 after I bought them at an after-season sale at Home Depot. I always scour the sales in various Home Depot stores in my area to capture the treasures left behind by the undiscerning customers.

Allium bulgaricum breaking through the tunicate. In the garden that inspires the artist, Mary Ahern

Allium bulgaricum breaking through the tunicate.

As the flower grows you can see it bulging through the paper thin protective membrane covering.

I walk daily through my perennial bed waiting for the first tear in the parchment like shield. I would liken it to the first beak marks I’ve seen when a chick is breaking out of it’s shell. Not that I’ve seen chicks very often since I was raised in Brooklyn, which is not noted for farmland.

Allium bulgaricum stretching it’s wings in the garden that inspires the artist, Mary Ahern.

Allium bulgaricum stretching it’s wings

The flowers pounce forth in a gleeful display of empowerment and spread their wings in umbel fashion sitting proudly on tall stalks overlooking a still short, unfolding and early season perennial garden. These are not glamorous flowers in my opinion but they always add weeks of drama to my early spring theater.

Allium bulgaricum in full bloom in the garden that inspires the artist, Mary Ahern

Allium bulgaricum in full bloom

 

White Daffodils

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Spring Daffodils by the Artist, Mary Ahern.

Daffodil in my front garden entryway.

I have a number of varieties of White Daffodils growing in my garden but I don’t feel that I ever have enough. Since I am overrun by squirrels I try to focus away from crocus and my beloved tulips. (After all, both my parents were born in Holland!) Squirrels consider the bulbs as an entrée and the flowers, if they arrive, as a delectable garnish but they leave my daffodils alone.

The abundant shade in my garden causes challenges to many of my daffodil plantings but I still crave the color in early spring. One of the fun parts of designing gardens is figuring out how to hide the declining leaves on the daffodils as they absorb the chlorophyll for next year’s growth.

I’ve been known to hide them using daylilies, Siberian iris and ornamental grasses. I’ve stopped braiding the leaves since it seems so demeaning to their dignity plus is reduces their exposure to sunlight which helps photosynthesis.

I created a Designer Print from one of these white daffodils. I love the way daffodil leaves have a slight twist to them. One of the things I kept in mind when composing the piece is that the stem is offset where it enters the back of the flower, unlike a tulip which is a straight up vertical.

Another issue is making sure that I paint the shadows different from when the “light” hits the round stem vs. when it hits a flat leaf.

You can see this Single White Daffodil on a Black Background is available in my Online Shop. in a variety of sizes on canvas, fine art paper, metal and acrylic. I think it has a rather heroic feel to the composition don’t you!

Single White Daffodil on Black Background

Single White Daffodil Designer Prints are available in various sizes on canvas, fine arts paper, metal and acrylic in my online shop.

Rethinking My Garden

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For the past 25 years I’ve cultivated my woodland gardens. For the first decade I cleared the tangled woods, studied the indigenous plants, planned paths and materials. I worked on creating a natural looking shade garden focusing on the large oak trees and Kalmia that inhabited this spot of land before I showed up.

A lot of thinking and sweat went into this garden. I selected what shrub trees, like the untold numbers of small cherries, that needed to be removed. Purged, or shall I say, paid someone to purge the thick growths of poison ivy. Fought and pulled, yanked and grunted bales and bales of ivy from the trees and ground in a continuing war for dominance.

When the bones were clear I began to plant. The lists of shade tolerant shrubs and perennials read like a who’s who of my garden. Mistakes were made. Shade is not shade. Lessons learned. Successes were savored. Learning that gardening in shade reduces the need for weeding, plus you perspire less. Perfect!

Oak tree lost in battle with Hurricane Sandy

Oak tree lost in battle with Hurricane Sandy

But Sandy decided she knew better and redesigned my garden. She blew in and knocked down three large oak trees and a beech thereby instantly transforming my beloved woodland shade garden into a sun-splashed mecca. Thousands of weeds instantly rejoiced by dancing in the new sunshine, prancing in the beds and mulched walkways. Ivy rebounded with a vengeance of superiority, eyeing triumph. Scores of broken and battered kalmia, enkianthus, leucothoe, rhodi’s, azaleas, viburnum, hammemelis,  and andromeda wept.

And now?? Lessons begin again.

Looking for low-maintenance in the sunshine? Remembering our club trip to the Highline designed by Piet Oudorf, my Dutch hero, I’m creating new plant lists with sunshine in mind to cover the time for my new gingko to grow and spread. Shade my grandson will perhaps enjoy in case I miss it.

Amsonia, salvia, achillea, aster, coreopsis, Echinacea, eremurus, liriope, persicaria, rudbeckia, sedum, helianthus, and grasses, yes many textures and heights of grasses. I’m excited now that my period of mourning has passed. Excited by all the new possibilities in the sunshine.

 

Hellebore Botany – Which Stage is Acceptable For Flower Show Judging

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The question was posed as to why some Hellebore’s can be entered into Flower Show judging and others are rejected. Here’s the long answer.

Understanding the botany of the Hellebore will help explain the answer to the Flower Show suitability.

The attraction and colors of the Hellebore, Figure #1, are not supplied by petals but rather sepals. Petals are usually lost after a flower is fertilized but sepals and bracts don’t suffer the same fate and are persistent

Botany of a Hellebore

Fig. 1. Diagram of the botanical parts of a Hellebore flower. Photo courtesy of Monica Tehomolic.

Sepals (A) normally form outside of petals as a protection and support of the bud and flower. There are usually 5 sepals, two outer, two inner and one both. A group of sepals is called a calyx.

The stamens (B) are the male part of the flower and are made up of 2 parts, the long white filament and the anther that sits on top holding the pollen. There can be up to 150 stamens per flower.

The stamens surround the female part of the flower, the carpel (C). Fertilization of the carpels can be by insects, bees or wind.

Replacing the petal in the case of Hellebores are small nectaries (D) that sit at the base of the sepals and provide food for pollinators. They don’t last very long and are shed at the same time as the stamens when the carpels swell with what will become seeds.

Fertilized Hellebores can seem attractive for quite a long time since the sepals are persistent and the swollen carpels (E) are distinctive. The sepals will tend to loose their color vibrancy over time however.

Because the Hellebore in Figure #2 is a fertilized flower, even though the sepals still appear fresh, this is not the stage when it is an acceptable specimen in a formal Flower Show submission.

So, the short answer to the question of whether the Hellebore in Figure #2 is acceptable for Flower Show judging is: No, since the center is a fertilized seed pod.

Hellebore botany

Fig. 2. Fertilized Hellebore. Photo courtesy of Monica Tehomolic

Losing my Patience with Impatiens

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Photos courtesy of Margery Daughtrey of Cornell Cooperative Ext of Suffolk County NY.

Early symptoms of leaf chlorosis and curling.
Photos courtesy of Margery Daughtrey of Cornell Cooperative Ext of Suffolk County NY.

The backbone of the shade gardener’s summer display has been Impatiens for as long as I’ve been gardening (which is longer than I’ll post in a public forum.  But that long starring role has come to an abrupt halt this year (2012) due to the infamous, Downy mildew fungal like disease caused by the pathogen, Plasmopara obducens. The symptoms caused millions of gardeners to drag out their hoses in attempts to combat the disease, which mimicked the appearance of water starved plants.

 

Leaf drop symptoms on Impatiens walleriana caused by Plasmopara obducens or Downy Mildew. Photo courtesy of Margery Daughtrey of Cornell Cooperative Ext of Suffolk County NY

Leaf drop symptoms on Impatiens walleriana caused by Plasmopara obducens or Downy Mildew. Photo courtesy of Margery Daughtrey of Cornell Cooperative Ext of Suffolk County N

This tremendous shake-up in the Horticultural industry has growers, breeders and chemists scrambling for solutions and workarounds. It isaffecting this billion dollar industry in big and small ways at a time when our economy is struggling. The gardener goes to the nursery to place part of their closely budgeted money to bring a season of color and happiness to their home.  The nursery is in a seasonally based business & feels the pressure of cultivating new customers into the Art of gardening as well as taking care of their established base of avid buyers.

 

Under competitive pressure these nurseries offer their customers plant warranties. It boggles the mind how a seasonal small business would be able to sustain themselves when a calamity like the collapse of the stalwart impatiens plants would affect their bottom line once the warranties start rolling in.

One of the largest growers and breeders of Impatiens is right here on Long Island.  Ivy Acres, located in Baiting Hollow, supplies a customer base not only on Long Island but also in New Jersey, Westchester County & Southwestern CT. They are the suppliers to the wholesale nurseries, so the chain of businesses affected continues up the chain of distribution.

What does that mean for us, the local gardener? What that means is that there is immense pressure to bring to market disease resistant replacements for the annual market geared to shade tolerant plants. For the next few years we will be seeing a tremendous array of new opportunities and options as replacement plants are introduced into the Horticultural market stream.

According to Mark Viette on his Sunday morning WOR radio show some suggested replacements for our dearly departed Impatiens walleriana at the moment are:

  • New Guinea Impatiens
  • Coleus
  • Begonias
  • Torenia
  • Browalia
  • Lobelia
  • Scavola

The Joys of Gardening in the Shade

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So now, after an unusually warm & snow-free winter, the weather has already skimmed the high ’80’s during the month of May. As I sit on my deck exhausted from the heat, wondering how I’m ever going to be able to do all my planting after I’ve indulged at our plant sale & exchanged plant trophies with my gardening girlfriends.

The good news is that I’m a shade gardener. (That’s not to be confused with a shady gardener.) If I play my cards right I never have to bow down in the bright sun, slather myself in sunblock, or supply myself with a straw hat. The sun, which in my youth was my friend, now entices me only from sheltered nooks.

I garden in full shade, dappled shade, high shade, mostly shade & some minimal shade. Because shade is an elusive distinction, my garden is a type of laboratory. Often I’ll divide a plant in order to test the shade tolerances of specific species or cultivars. I document my garden with extensive photos & data as part of my enjoyment of the Art of gardening.

Shade gardens are about subtleties. Textures of leaves, the size & scale of those leaves, the shiny leaves versus those with indumentation, rough to the touch or smooth as suede. Color in the shade is not blinded out by the harsh sunshine. One can appreciate the varieties of green, the blue-greens, the lime-greens, the purple-greens & how about green-green. The color of an emerging stem or bud versus that in its maturity is quite an event to observe in the shade garden.

My shade garden is zen-like for me. It’s about savoring the space, the sounds of the birds singing for their supper, the smell of the soil on moist mornings, the wandering on my woodland walks.

Oh, and one final thing, because of the shade there is very little weeding to be done. Sweet!

Woodland walkways with Ginkgo bench the inspiration for the artist, Mary Ahern.

Woodland walkways with Ginkgo bench in the distance.

Winter Interest

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My garden doesn’t go into the winter season all tidy & neat. I enjoy seeing seed heads popping through the snow. The visual treat of shadows cast about by the wind, dancing along the walls seen from the windows of my warm home.

From my dining room window, the seed heads of tall grasses are seen swaying in the breeze with the floodlight of the pure winter sun behind them.

From the kitchen window the afternoon sun gleams through the slivers of peeling bark of the Acer griseum, wisely named Paperbark Maple. Tissue thin decorations provided by nature.

What a joy to watch teensy birds land on the seed stalks of last summer’s Echinacea, barely bending them. My winter garden provides them a smorgasbord of treats so they keep coming back for more. We have an agreement.

The evergreen stalwarts of my woodland garden, the hellebores & Polystichum acrostichoides (what a fabulous name for a Christmas fern), help to delineate the pathways once the snow has fallen. They’re markers keeping me on the right track. I need that help quite often.

The hellebores serve another important service. They are the harbingers of spring. As I enjoy the subtle visual treats of winter I can’t help but poke underneath their large leaves seeking hungrily the buds signaling the beginnings of a new season of visual excitement.

Chasmanthium latifolium. Northern Sea Oats gracing my winter garden

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