I love to share my garden! This is a creation that I’ve been working on for over 30 years and what fun is it keeping it all to myself? That feels so selfish to me.
So the best thing I can do, since it’s hard for so many of you to travel here, is to take you on a garden tour around my 1/2 acre woodland walks in Northport NY. We’re Zone 7 here and this Garden Tour video is in the early spring on March 21, 2020 around 6pm in the evening.
I haven’t yet finished my fall cleanup at this point and of course, as gardeners well know, the garden is never perfect. At this time of year, in my neck of the woods, something new opens every single day. It’s a very exciting time for me each day as I walk around to see what’s new. Spring is about renewal. About optimism. About color. About surprises.
This is the first in a series of Garden Tour videos I’ll be doing so please remember to subscribe to my YouTube Channel to be alerted when I publish new videos.
My garden is the source material for almost all of my paintings. It is where I get my inspiration. It’s where I present yet another aspect of my creativity but this one is in 3D and seasonally adjusted over time and temperature.
How do we grow gardeners? We start them young. We intrigue them with our questions about what they’re seeing, what they’re hearing. We let their imaginations run rampant. We celebrate their dirty hands and knees and when they grow up they already love their favorite garden spots.
My grandson CJ taking a break from chasing dinosaurs in our woodland garden on April 26, 2006.
We pass on what our elders taught us that captured our fascination with the world around us. How did we come to appreciate the complexity of leaf edges and the critters crawling under our stumps and stones? We talked with them, we enjoyed the experience of learning and sharing. We made the garden the center of their invented stories, their imagined dinosaurs, the strolling around the paths that led to nowhere but really everywhere.
My Uncle Teddy passed down to me the mysterious and exciting world of nature and the gift he gave me keeps giving. As my grandson CJ completes his Eagle Scout project of creating a woodland path through a nature preserve dedicated to native plant species with the eradication invasive species, we see how we generationally share our knowledge and continue to contemplate our universe.
My grandson CJ Ahern sitting at one of his favorite spots in our woodland garden on April 29, 2018 just before he started his Eagle project to restore a neglected woodland area at an animal sanctuary in Seaford NY.
My muse is my garden. Other gardens as well, but my garden in particular. I move in it, feel it, and hear the breezes whisper through it. I watch the lighting during the day as it slides over and around the textured surfaces.
This azalea and tree peony combination bloom in my garden together every year. Their colors match perfectly and are so inspiring to me!
Lighting is so different on days with sun and with clouds. Lighting in the spring with the bright yellow-greens of optimistic new growth and lighting by the fall with ambers & tans of a lived life. Morning light offers tender ambiance while afternoon colors not only light the scene from a different direction, the colors are deeper and warmer.
My garden brings consciousness and meaning to me. It keeps me grounded. The ephemeral beauty of an unfertilized blossom studied up close with magnifiers and macro lenses is a representation of a miracle. The world of possibility. The beginning of a story I represent in my Art. I walk through my garden gathering ideas. Stories I want to tell. Suggested ideas I want to convey.
In my garden I spend time designing the landscape or I spend time closely and intimately with a singular specimen at a particular stage of growth. In my studio I may paint a vignette or a full landscape view of a part of the garden I’ve designed, or I may choose to paint a small portion of one flower that has moved me. The minute miracle. This is my work. Outdoors and indoors. These are the stories I tell. This is my Art. You can see more of my work in my online Art Shop.
There are some plants in my garden that just demand to be viewed together. In my front garden bed is a Fire Flame Tree Peony that for years has bloomed at the same time as a perfectly color matched azalea. Together they light up their niche in the world for a week or two each year if I’m lucky.
These Fire Flame Peonies blooming in my May garden along with the azalea inspired my original painting.
Keep the rain away from the peonies and the heat away from the azalea & I’ve got a perfect vignette. I love the way the focal points shift around my garden all year when either color takes prominence or form, as it does in winter.
I think of my garden as a theater production where spotlights guide your eyes around the action on stage.
If you want to extend the season of the colorful joy of these planting combinations you should consider buying one of my pieces of Art. Visit my Art Store to see your options. You won’t be disappointed!
Fire Flame Peony – Available in the Mary Ahern Art Store
In October of 2012, Superstorm Sandy felled 4 large Oak trees in my woodland garden. We were lucky that was the only damage we suffered in that severe storm other than loss of electricity. Instantly my garden went from full shade to sunshine a dappled shade. What a transformation for it and for me.
Oak tree lost in battle with Hurricane Sandy
After a period of mourning, I started rethinking, planning and studying what to do with this newfound daylight.
One of the mighty Oak trees was left with an interesting sculptural remnant which I originally planned to keep in remembrance of what had been. As usual, I changed my mind as I started designing and replanting. Like most gardeners, I change my mind all the time as I work in my garden.
I decided to plant a Heritage River Birch, Betula nigra “Heritage” in memory of my Uncle Teddy who introduced me to gardening. As a child visiting him in Schenectady from my treeless home in Brooklyn, he one day found me peeling the bark from one of his many white birch trees. When he asked me to stop as I was pulling the “skin” from the tree and hurting it, I looked around with tears in my eyes and realized that the entire garden was alive. I was transformed!
Theodorus Hendrik Gerrits, 1914 – 1991. Thank you!
This tree is for my uncle who shared with me his garden and his love. Thank you!
Sandy came to visit and in a fury broke, smashed and tore away some of my garden friends. These huge and venerable trees were here before I moved into their space many decades ago. They’ve provided me with the backbones of my woodland garden. They helped me design the paths I carved out of the thickets. They offered the strong verticals of a towering garden design.
These old oaks shared their shade keeping me cool in the summer. This shade offered me the opportunity to explore the great variety of plants and shrubs that thrive in their speckled light. Shredded oak leaves of these generous trees have been the basis of the garden mulch that nourishes my woodland garden.
I am mourning the loss of what was.
But now I’ve planted bulbs where the oaks once stood.
I look forward in the spring to enjoying their sunshine.
So now, after an unusually warm & snow-free winter, the weather has already skimmed the high ’80’s during the month of May. As I sit on my deck exhausted from the heat, wondering how I’m ever going to be able to do all my planting after I’ve indulged at our plant sale & exchanged plant trophies with my gardening girlfriends.
The good news is that I’m a shade gardener. (That’s not to be confused with a shady gardener.) If I play my cards right I never have to bow down in the bright sun, slather myself in sunblock, or supply myself with a straw hat. The sun, which in my youth was my friend, now entices me only from sheltered nooks.
I garden in full shade, dappled shade, high shade, mostly shade & some minimal shade. Because shade is an elusive distinction, my garden is a type of laboratory. Often I’ll divide a plant in order to test the shade tolerances of specific species or cultivars. I document my garden with extensive photos & data as part of my enjoyment of the Art of gardening.
Shade gardens are about subtleties. Textures of leaves, the size & scale of those leaves, the shiny leaves versus those with indumentation, rough to the touch or smooth as suede. Color in the shade is not blinded out by the harsh sunshine. One can appreciate the varieties of green, the blue-greens, the lime-greens, the purple-greens & how about green-green. The color of an emerging stem or bud versus that in its maturity is quite an event to observe in the shade garden.
My shade garden is zen-like for me. It’s about savoring the space, the sounds of the birds singing for their supper, the smell of the soil on moist mornings, the wandering on my woodland walks.
Oh, and one final thing, because of the shade there is very little weeding to be done. Sweet!
Woodland walkways with Ginkgo bench in the distance.
“Kansas Peonies” Art inspired from my Mother’s Day present.
Four O’Clocks were my first introduction to growing plants from seed. Uncle Teddy took me by the hand at his home in Schenectady and introduced me, the kid from Brooklyn, to gardening. I can still smell the soil as we dropped the seeds of Four O’Clocks into the ground he taught me to prepare. Four O’Clocks weren’t the only things growing in his garden, so was I.
The Kansas Peonies I grow in my garden was a Mother’s Day present from my son Chris. I have so many gifts he’s given to me over our many years together but I still cherish the bright pink of these robust plants each year as they bloom for me right in season. They return each Mother’s Day, expanding and adding to their beauty, as does he.
Japanese Maple a birthday gift.
One year for my September birthday, my son, Michael came swooping in proudly bestowing upon me a stripling of a Japanese Maple. Still dangling was the $9.99 tag placed on it from Home Depot. Now, this mature specimen holds court as a central focal point in my front garden.
A bouquet of Zinnias comes into my hands each year when my husband Dave buys them from the gardener with a stand up the street from us. The grin on his boyish face as he hands them to me with love is matched only by the riotous colors of the single and double flowers grouped tightly in his hands.
On Mother’s Day this year my grandson C.J. bounced up to greet me with a pot full of poppies. He shares my garden with me and helps to bring my attention to all the wonderful colors and shapes he finds there for fear I might miss them. These poppies are pink he told me and reminded me that we need to photograph everything so we’ll remember how they looked.
Today I was featured in a Newsday Business section article written by Arlene Gross. The excerpt focusing on my background and my life choices is copied below. If you’d like to see the article in it’s entirety you can see it on my website in the News section.
At midlife, taking lower pay to begin more satisfying careers
By Arlene Gross
Special to Newsday
11:07 AM EST, January 4, 2008
Mary Ahern had dabbled in art for many years, but had never been able to actually make a career of it. Until four years ago, that is, when she made the switch to full-time artist.
“I had always been a creative artist,” the Northport resident, 60, explained. “Life, however, intervened, and as a single parent, I was never able to create my art on a full-time basis.”
Changing careers at midlife is no small feat, and switching to one with substantially less earning potential is more difficult still. According to Randy Miller, founder and president of ReadyMinds, an online career counseling service, downsizing a career can be a source of great anxiety.
Yet for some people, any fear or hesitation is mitigated by the yearning to follow a dream. Seeking more spiritually uplifting endeavors can be the ultimate challenge, and Miller said any attendant loss of income is often compensated with a renewed sense of purpose and newfound happiness.
“There are a lot of people who go through life and think, ‘What if?'” Miller said. “With a strategic plan, coupled with the new passion and ultimate objective of doing something different, one can more easily achieve their ultimate goals.”
For Ahern, a new husband provided the impetus and financial support to move forward. Income, the couple concluded, was less relevant to the quality of their lives than the legacy they wish to leave behind.
“When we married, Dave urged me to follow my dream,” she recalled. “The hard part at first was trying to find inside myself what that dream actually was. You spend so much time marching forward and doing what you do, you lose the essence of yourself.”
Once their five children — all from previous marriages — were finished with college, Ahern felt it was OK to follow her calling.
“My income from my art doesn’t yet come close to the money I’m used to making in either my career in computer graphics equipment sales or my own graphics design firm,” she said.
One of her greatest sacrifices was a big dip in retirement savings, which now come exclusively from her husband’s salary.
“We have a comfortable nest egg,” she said, “but by coming out of a conventional career, I no longer have the extra cushion to add to my existing portfolio of tax-advantaged savings vehicles.”
Despite her diminished earnings, Ahern says she is happier. “I am living the life I am meant to live,” she said.
Excerpt of Article posted in The Times of Northport
Artist cultivates her livelihood like a garden
By Arlene Gross
June 13, 2007 | 02:39 PM
Northport resident Mary Ahern is a successful artist who practices a unique technique she describes as. “Digital Mixed Media Painting”.
Mary Ahern enjoying her garden peonies.
But Ahern, who… (was) among the exhibitors at Arts in the Park in Northport July 8, (2007) was not born an artist. “I didn’t come to paint until I was older,” she said. “I didn’t even know I had a facility for it.”
As a young girl, she focused on music: playing trumpet and saxophone for the high school band and conducting her Fort Hamilton High School graduation in Brooklyn with a rousing rendition of Beethoven’s Fifth Symphony.
“I’ve been in the bleeding edge of those kinds of issues,” she said. “In those days, girls didn’t conduct.”
A life-changing moment came in her 20s, when a friend gave her a coffee table book of Georgia O’Keeffe’s paintings.
“I opened it up and turned the pages and wept,” she recalled. “It was completely transforming. I could only look at 10 pictures a day, it was so overwhelming.”
From that moment, Ahern knew she must study art and, then a resident of Queens, attended Queens College.
Although she was influenced by O’Keeffe and painted similar subjects, such as close-up and sensual florals, Ahern said she did not mimic her idol’s technique. Whereas O’Keeffe painted with direct and rapid strokes, Ahern’s traditional paintings were created in grisaille, or gray scale, and layered with washes of pigment on top, giving the subjects a glow through the optical blending of glazes of pigment.
After divorcing her first husband, Ahern took a job at Barnard College’s career counseling office, where she herself was able to get some career guidance. Through her Barnard position, she attended Columbia University for free by working there while raising sons, Chris and Michael, then ages 10 and 8.
“I knew if I couldn’t stay home and be a mom and paint, I had to make a decision: I’m going to make as much money as possible,” she said.
With profit in mind, Ahern went into technology sales, selling computer graphics and eventually becoming Northeast regional sales manager at Chyron Corporation in Melville. Then she started Online Design, a digital graphics company.
For Ahern, feminism was not a word to bandy about but, rather, her day-to-day reality – working as a single mother in a male-dominated industry.
“My single-minded focus on providing a good life for my sons enabled me to ignore the tremendous obstacles, prejudice, emotional assault and loneliness that comes from breaking through social barriers,” she said. “I, like my father, pulled myself up by my bootstraps. As a woman in a male industry however, I, like Ginger Rogers, did everything in high heels and backwards.”
In 1989, Ahern fulfilled her dream of buying a house with a spacious garden in Northport, which she said, “was like a step back in time to a slower and more gracious lifestyle.”
“The center of town with a Main Street embedded with trolley tracks leading to the harbor breezes and music in the gazebo captured my attention and insisted upon my attendance. I needed to move here.”
Eleven years later, she renovated her home, adding an airy, second floor art studio, and now natural light trickles throughout.
The garden, which Ahern designed, encircles the house, with its artfully designated focal points and meandering paths, everything flowing gracefully.
“I practice nonviolent gardening – no rose bushes to stab you – all soft inviting plants,” she said.
Seventeen years after her first marriage ended, Ahern married David Ruedeman, an engineer at Chyron. The couple worked together there but got to know one another only when he became a client of Online Design. This year will mark the couple’s 10th anniversary…
Early on in the second marriage, wishing to reinvent herself, Ahern got a degree in horticulture from SUNY Farmingdale in 2000, with the idea of becoming a landscape designer, which she did for a year. “It was too much for my … body,” she said, of the many hours spent working on bended knees.
From there, it was a two-year course studying botanical illustration at the New York Botanical Gardens in the Bronx.
Her (Mixed Media) painting, a culmination of expertise paralleling her life’s progressive journey, combines a passion for the fine arts, gardening, computer graphics and botanical painting.
“To be creative, you need to know your medium,” Ahern said of her computer graphics skills. Through her paintings, she seeks to make people look around them and become more aware of the nature surrounding us.
Dr. Roberta Koepfer, her friend since 1971, said, “She’s like a phoenix. I have seen her rise up from a fair number of devastating experiences. Every time she comes back, she comes back more dynamic, more focused on her art and with an increased zest for life and personal growth.”
When it came time to sell her art, Ahern’s business savvy came in handy; she started in Northport as an exhibitor at the annual Arts in the Park series (in 2004) and now participates in about 15 art shows in New York and Connecticut between May and September, with her husband lending a hand.
Ahern’s work has also been the focus of several gallery exhibitions, including a one-person show at Greenlawn’s Harborfields Library this past February.
Susan Hope, gallery coordinator for the library, noted that Ahern’s exhibit was well timed: her cheerful florals brightened the gloom of winter. “It has an eye catching appeal,” she said. “People really enjoyed it, whether they were art savvy or just seniors on their way to their meetings.”
Today, Ahern is either painting her botanicals, selling them or lecturing on the business of art at libraries or schools, although her business persona has changed radically over the years. “I did trade shows in high heels and silk suits,” she said, “now I’m doing business in Birkenstocks and shorts.”
To anyone seeking career guidance, Ahern advised, “Don’t throw away anything you’ve done because you want to transform yourself. Take the good portions, the positive elements and try to incorporate them into this new self you’re creating. That’s how I’m living my life.”